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Creator Rowlandson, Thomas, 1756–1827

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Height [cm] 25

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1. The Ghosts of Mirabeau and Dr. Price appearing to Old Loyola

The Ghosts of Mirabeau and Dr. Price appearing to Old Loyola
Creator:
Thomas Rowlandson, 1756–1827
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 3/4 x 16 1/8in. (24.8 x 41cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Bardolph Badger'd Or the Portland Hunt

Bardolph Badger'd Or the Portland Hunt
Creator:
Thomas Rowlandson, 1756–1827
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 10 x 16 1/4in. (25.4 x 41.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. The Toper's Mistake

The Toper's Mistake
Creator:
Thomas Rowlandson, 1756–1827
Date:
1801
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 7/8 x 8 1/4in. (25.1 x 21cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Fraternization in Grand Cairo or the Mad General and his Bonny-Party likely to become Tame Musselmen

Fraternization in Grand Cairo or the Mad General and his Bonny-Party likely to become Tame Musselmen
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Etching
Dimensions:
Sheet: 9 3/4 x 12 5/8in. (24.8 x 32.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. The Detection

The Detection
Creator:
Thomas Rowlandson, 1756–1827
Materials & Techniques:
Etching and aquatint
Dimensions:
Sheet: 10 x 14in. (25.4 x 35.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Hare Hunting

Hare Hunting
Creator:
Thomas Rowlandson, 1756–1827
Date:
1789
Materials & Techniques:
Hand colored etching
Dimensions:
Sheet: 9 11/16 x 13 5/8in. (24.6 x 34.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Newbury Market Place, Berkshire

Newbury Market Place, Berkshire
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1815 and 1820
Materials & Techniques:
Watercolor with pen and brown, red-brown and gray ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 x 15 7/8 inches (25.4 x 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. The Launching of H.M.S. 'Hibernia' 1804

The Launching of H.M.S. 'Hibernia' 1804
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1804
Materials & Techniques:
Watercolor with pen and red, brown, and gray ink over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 9 13/16 x 15 1/4 inches (24.9 x 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Review of Light Horse Volunteers on Wimbledon Common

Review of Light Horse Volunteers on Wimbledon Common
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Watercolor with pen and gray ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 13/16 x 16 5/16 inches (24.9 x 41.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Monks Carousing outside a Monastery

Monks Carousing outside a Monastery
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and brown, black and gray ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/8 x 8 7/8 inches (15.6 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. A Village in a Hilly Landscape

A Village in a Hilly Landscape
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray, and brown ink, over graphite on thick, slightly textured, brown wove paper
Dimensions:
Sheet: 9 13/16 x 13 3/16 inches (24.9 x 33.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Henry Angelo and Madame Cain Fencing

Henry Angelo and Madame Cain Fencing
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown and gray-brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:
Mount: 9 11/16 x 13 3/16 inches (24.6 x 33.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. A Grub Street Poet

A Grub Street Poet
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Pen and black, gray, and brown ink with gray wash over graphite; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/4 x 7 1/16 inches (24.8 x 17.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Modern Grace...The Ballet of Alonzo e Cara

Modern Grace...The Ballet of Alonzo e Cara
Creator:
Thomas Rowlandson, 1756–1827
Date:
1796
Materials & Techniques:
Watercolor with pen and brown ink on medium, smooth, cream wove paper
Dimensions:
Mount: 9 7/8 x 11 3/8 inches (25.1 x 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. The Launching of a Ship

The Launching of a Ship
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1800
Materials & Techniques:
Watercolor, pen and red ink, pen and brown ink, pen and gray ink, and graphite on medium, slightly textured, brown wove paper mounted on thick, rough, brown wove paper
Dimensions:
Sheet: 10 × 15 1/2 inches (25.4 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John and Carmen Dugdale

16. A Pier at Amsterdam

A Pier at Amsterdam
Creator:
Thomas Rowlandson, 1756–1827
Date:
1801
Materials & Techniques:
Watercolor, pen and gray ink, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 × 11 1/2 inches (25.4 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection