The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble
1780
103
Alexander Bannerman, ca. 1730–1780
Joseph Interpreting the Dreams of Pharoah's Chief Butler and Baker
1767
104
Anthony Walker, 1726–1765
Marcus Curius Dentatus rejecting the Bribes of the Samnites
105
Robert Blyth, 1750–1784
Portraits of Two Historical or Biblical Characters (a pair)
1782
106
Robert Blyth, 1750–1784
Nebuccadnezzer Recovering his Reason
1781
107
Simon François Ravenet, 1706–1774
Life Class
108
Robert Blyth, 1750–1784
Banditti Conversing
1779
109
Charles Reuben Ryley, 1752–1798
Soldier with A Pike
1780
110
John Hamilton Mortimer, 1740–1779
Presentation of the Lusiad to Britannia
111
Robert Blyth, 1750–1784
Rustick Dance
1780
112
Simon François Ravenet, 1706–1774
The Shepherds in Arcadia
113
Robert Blyth, 1750–1784
Soldiers with Pack-Horse (Laid down on same sheet as B1977.14.12070)
1783
114
John Ogborne the Elder, 1755–1795
The Discovery of Prince Arthur's Tomb by the Inscription on the Leaden Cross (Laid down on the same sheet as B1977.14.12069)
1797
115
Robert Blyth, 1750–1784
Portraits of Two Historical or Biblical Characters (a pair)
1782
116
Samuel Ireland, 1744–1800
Three etchings laid down on one sheet: Two Mythological Figures
117
Samuel Ireland, 1744–1800
Three etchings laid down on one sheet: Studies of Heads
118
Robert Blyth, 1750–1784
Portraits of James Smithson, Marshall of the King's Bench 1422 and his wife Alice Whitworth (Laid down on the same sheet as B1977.14.12074)
1780
119
Print made by Robert Blyth, 1750–1784
Silenus
1779
120
John Hall, 1739–1797
Banditti at Market (number 41 of Catalogue Mortimer Exhibition 1968)
121
Joseph Haynes, 1760–1829
A Monumental Design (number 45 of Catalogue Mortimer Exhibition 1968)
1784
122
John Hall, 1739–1797
Banditti at Market (number 41 of Catalogue Mortimer Exhibition 1968)
123
Print made by Robert Blyth, 1750–1784
Silenus
1779
124
Simon François Ravenet, 1706–1774
The Origin of Drawing (number 47 of Catalogue Mortimer Exhibition 1968)
125
John Hall, 1739–1797
Banditti Gambling (number 51 of Catalogue Mortimer Exhibition 1968)
126
John Hall, 1739–1797
Banditti Gambling (number 51 of Catalogue Mortimer Exhibition 1968)
127
Robert Blyth, 1750–1784
Banditti Returning (number 53 of Catalogue Mortimer Exhibition 1968)
1780
128
Robert Blyth, 1750–1784
Banditti Going Out (number 52 of Catalogue Mortimer Exhibition 1968)
1780
129
Robert Blyth, 1750–1784
Life and Death of a Soldier: Soldier's Family (notes to number 55 of Catalogue Mortimer Exhibition 1968)
1781
130
Robert Blyth, 1750–1784
Life and Death of a Soldier: Soldier's Courtship (notes to number 54 of Catalogue Mortimer Exhibition 1968)
1781
131
Joseph Haynes, 1760–1829
Banditti
1780
132
Jacob Hogg, active 1751
Department of the Canterbury Pilgrims: Prologue, The Canterbury Tales (notes to numbers 77-78 of Catalogue Mortimer Exhibition 1968)
1787
133
Robert Blyth, 1750–1784
Life and Death of a Soldier: Soldier's Death (note to number 56 of Catalogue Mortimer Exhibition 1968)
1781
134
Robert Blyth, 1750–1784
Life and Death of a Soldier: Soldier's Funeral (notes to 57 of Catalogue Mortimer Exhibition 1968)
1781
135
unknown artist
Canterbury Tales: Miller of Trumpington (notes to numbers 77-78 of Catalogue Mortimer Exhibition 1968)
136
Robert Blyth, 1750–1784
Caius Marius Sitting on the Ruins of Carthage
1781
137
John Hamilton Mortimer, 1740–1779
Twelve etchings of Characters from Shakespeare: 8) Bardolph, from Henry IV, Act II, Scene 9 (Catalogue Mortimer Exhibition 1968 - number 79)
138
unknown artist
Don Quixote (Note to number 81 of Catalogue Mortimer Exhibition 1968)
139
Print made by Robert Blyth, 1750–1784
The Captive
1781
140
Robert Blyth, 1750–1784
Don Quixote in the Sable Mountains (See number 81 of Catalogue Mortimer Exhibition 1968)
1782
141
John Hamilton Mortimer, 1740–1779
Comedy
1778
142
John Hamilton Mortimer, 1740–1779
Nature and Genius introducing Garrick to the Temple of Shakespeare (Catalogue Mortimer Exhibition 1968 - number 83)
143
John Hamilton Mortimer, 1740–1779
Tragedy
1778
144
William Wynne Ryland, 1732–1783
King John Ratifying the Magna Charta
ca. 1783
145
Print made by Robert Blyth, 1750–1784
John Hamilton Mortimer
1782
146
Richard Brookshaw, 1736–1804
Monsieur Masson the Tennis Player
1769
147
Print made by Richard Brookshaw, 1736–1804
Monsieur Masson the Tennis Player
1769
148
William Woollett, 1735–1785
Dido and Aeneas
1787
149
Print made by Benedictus Antonio van Assen, active 1788–died 1817
John Hamilton Mortimer
1810
150
Charles Reuben Ryley, 1752–1798
The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble
1780
151
Charles Reuben Ryley, 1752–1798
The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble
1780
152
Francesco Bartolozzi, 1728–1815
Illustration For The Book: Evelina, Or, The History Of A Young Lady's Entrance into The World
1778
153
Francesco Bartolozzi, 1728–1815
Sed Placidam Pueri Metuens Turbare Quietem, Fixit Vicinis Basia Mille Rosis
1778
154
Francesco Bartolozzi, 1728–1815
Vignette: Monk Giving Letter to a Pregnant Woman in a Cell
ca.1785
155
John Hamilton Mortimer, 1740–1779
Pastoral (Four laid down on one sheet)(Notes to numbers 84-86 of Catalogue Mortimer Exhibition 1968)
156
John Hamilton Mortimer, 1740–1779
Elegy (Four laid down on one sheet)(Notes to numbers 84-86 of Catalogue Mortimer Exhibition 1968)
157
John Hamilton Mortimer, 1740–1779
An Academy
ca. 1773
158
John Hamilton Mortimer, 1740–1779
Salvator Rosa (no.2 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
159
John Hamilton Mortimer, 1740–1779
Banditti on the lookout (no.5 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
160
John Hamilton Mortimer, 1740–1779
Successful Monster (no.7 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
161
John Hamilton Mortimer, 1740–1779
Captain of Banditti sending out a party (no.10 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
162
John Hamilton Mortimer, 1740–1779
Enraged Monster (no.9 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
163
John Hamilton Mortimer, 1740–1779
Comedy (no.12 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
164
John Hamilton Mortimer, 1740–1779
Pastoral (no.14 from Fifteen Etching dedicated to Sir Joshua Reynolds)
1778
165
John Hamilton Mortimer, 1740–1779
Tragedy (no.13 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
166
John Hamilton Mortimer, 1740–1779
Elegy (no.15 from Fifteen Etching dedicated to Sir Joshua Reynolds)
1778
167
Joseph Haynes, 1760–1829
Six Banditti with Dog (no.1 of 10)
1780
168
Joseph Haynes, 1760–1829
Bandit with old man and young woman (no.2 of 10)
1780
169
Joseph Haynes, 1760–1829
Banditti at market (no.2 of 10)
1780
170
Joseph Haynes, 1760–1829
Monster (no.5 of 10)
1750
171
Joseph Haynes, 1760–1829
Woman warding off Monster (no.4 of 10)
1780
172
Joseph Haynes, 1760–1829
Banditti (no.7 of 10)
1780
173
Joseph Haynes, 1760–1829
Banditti and Women (no.6 of 10)
1780
174
Joseph Haynes, 1760–1829
Two Women and a Man (no.9 of 10)
1780
175
John Hamilton Mortimer, 1740–1779
Frontispiece dedicated to Sir Joshua Reynolds (no. 1 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
176
John Hamilton Mortimer, 1740–1779
Banditti taking his post (no.4 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
177
John Hamilton Mortimer, 1740–1779
Gerard de Lairesse (no.3 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
178
John Hamilton Mortimer, 1740–1779
Reposa (no.6 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
179
John Hamilton Mortimer, 1740–1779
Jealous Monster (no.8 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
180
John Hamilton Mortimer, 1740–1779
Musical Monster (no.11 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
181
John Hamilton Mortimer, 1740–1779
Death on a Pale Horse
ca. 1775
182
John Hamilton Mortimer, 1740–1779
Iphigenia's Late Procession from Kingston to Bristol - By Chudleigh Meadows, - Then the Dutchess was Brought into Court Attended by her Chaplain, Physician, Apothecary and Three Maids of Honor
1776
183
Engraved by Francis Chesham, 1749–1806
Nicholas the Carpenter and Robin, from "The Canterbury Tales"
1787
184
Engraved by Francis Chesham, 1749–1806
Palamon and Arcita, from "The Canterbury Tales"
1787
185
Joseph Haynes, 1760–1829
Banditti and Woman (no.8 of 10)
186
John Hamilton Mortimer, 1740–1779
Revengeful Monsters
1780
187
Joseph Haynes, 1760–1829
Winged Monster (no.10 of 10)
1780
188
John Hamilton Mortimer, 1740–1779
Sleeping Monsters
1780
189
Francesco Bartolozzi, 1728–1815
The Death Of Sir Philip Sidney
1788
190
Print made by Richard Brookshaw, 1736–1804
Monsieur Masson the Tennis Player
1769
191
Princess Augusta Charlotte, 1766–1828
Head of an Aga of the Janisseries
undated
192
unknown artist
Canterbury Tales: The Coke and Perkin (notes to numbers 77-78 of Catalogue Mortimer Exhibition 1968)