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Creator Mortimer, John Hamilton, 1740–1779

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Robert Blyth Fisherman
Robert Blyth, 1750–1784
Fisherman
1780
Charles Reuben Ryley The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble
Charles Reuben Ryley, 1752–1798
The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble
1780
Alexander Bannerman Joseph Interpreting the Dreams of Pharoah's Chief Butler and Baker
Alexander Bannerman, ca. 1730–1780
Joseph Interpreting the Dreams of Pharoah's Chief Butler and Baker
1767
Anthony Walker Marcus Curius Dentatus rejecting the Bribes of the Samnites
Anthony Walker, 1726–1765
Marcus Curius Dentatus rejecting the Bribes of the Samnites
Robert Blyth Portraits of Two Historical or Biblical Characters (a pair)
Robert Blyth, 1750–1784
Portraits of Two Historical or Biblical Characters (a pair)
1782
Robert Blyth Nebuccadnezzer Recovering his Reason
Robert Blyth, 1750–1784
Nebuccadnezzer Recovering his Reason
1781
Simon François Ravenet Life Class
Simon François Ravenet, 1706–1774
Life Class
Robert Blyth Banditti Conversing
Robert Blyth, 1750–1784
Banditti Conversing
1779
Charles Reuben Ryley Soldier with A Pike
Charles Reuben Ryley, 1752–1798
Soldier with A Pike
1780
John Hamilton Mortimer Presentation of the Lusiad to Britannia
John Hamilton Mortimer, 1740–1779
Presentation of the Lusiad to Britannia
Robert Blyth Rustick Dance
Robert Blyth, 1750–1784
Rustick Dance
1780
Simon François Ravenet The Shepherds in Arcadia
Simon François Ravenet, 1706–1774
The Shepherds in Arcadia
Robert Blyth Soldiers with Pack-Horse (Laid down on same sheet as B1977.14.12070)
Robert Blyth, 1750–1784
Soldiers with Pack-Horse (Laid down on same sheet as B1977.14.12070)
1783
John Ogborne the Elder The Discovery of Prince Arthur's Tomb by the Inscription on the Leaden Cross (Laid down on the same sheet as B1977.14.12069)
John Ogborne the Elder, 1755–1795
The Discovery of Prince Arthur's Tomb by the Inscription on the Leaden Cross (Laid down on the same sheet as B1977.14.12069)
1797
Robert Blyth Portraits of Two Historical or Biblical Characters (a pair)
Robert Blyth, 1750–1784
Portraits of Two Historical or Biblical Characters (a pair)
1782
Samuel Ireland Three etchings laid down on one sheet: Two Mythological Figures
Samuel Ireland, 1744–1800
Three etchings laid down on one sheet: Two Mythological Figures
Samuel Ireland Three etchings laid down on one sheet: Studies of Heads
Samuel Ireland, 1744–1800
Three etchings laid down on one sheet: Studies of Heads
Robert Blyth Portraits of James Smithson, Marshall of the King's Bench 1422 and his wife Alice Whitworth (Laid down on the same sheet as B1977.14.12074)
Robert Blyth, 1750–1784
Portraits of James Smithson, Marshall of the King's Bench 1422 and his wife Alice Whitworth (Laid down on the same sheet as B1977.14.12074)
1780
Robert Blyth Silenus
Print made by Robert Blyth, 1750–1784
Silenus
1779
John Hall Banditti at Market (number 41 of Catalogue Mortimer Exhibition 1968)
John Hall, 1739–1797
Banditti at Market (number 41 of Catalogue Mortimer Exhibition 1968)
Joseph Haynes A Monumental Design (number 45 of Catalogue Mortimer Exhibition 1968)
Joseph Haynes, 1760–1829
A Monumental Design (number 45 of Catalogue Mortimer Exhibition 1968)
1784
John Hall Banditti at Market (number 41 of Catalogue Mortimer Exhibition 1968)
John Hall, 1739–1797
Banditti at Market (number 41 of Catalogue Mortimer Exhibition 1968)
Robert Blyth Silenus
Print made by Robert Blyth, 1750–1784
Silenus
1779
Simon François Ravenet The Origin of Drawing (number 47 of Catalogue Mortimer Exhibition 1968)
Simon François Ravenet, 1706–1774
The Origin of Drawing (number 47 of Catalogue Mortimer Exhibition 1968)
John Hall Banditti Gambling (number 51 of Catalogue Mortimer Exhibition 1968)
John Hall, 1739–1797
Banditti Gambling (number 51 of Catalogue Mortimer Exhibition 1968)
John Hall Banditti Gambling (number 51 of Catalogue Mortimer Exhibition 1968)
John Hall, 1739–1797
Banditti Gambling (number 51 of Catalogue Mortimer Exhibition 1968)
Robert Blyth Banditti Returning (number 53 of Catalogue Mortimer Exhibition 1968)
Robert Blyth, 1750–1784
Banditti Returning (number 53 of Catalogue Mortimer Exhibition 1968)
1780
Robert Blyth Banditti Going Out (number 52 of Catalogue Mortimer Exhibition 1968)
Robert Blyth, 1750–1784
Banditti Going Out (number 52 of Catalogue Mortimer Exhibition 1968)
1780
Robert Blyth Life and Death of a Soldier: Soldier's Family (notes to number 55 of Catalogue Mortimer Exhibition 1968)
Robert Blyth, 1750–1784
Life and Death of a Soldier: Soldier's Family (notes to number 55 of Catalogue Mortimer Exhibition 1968)
1781
Robert Blyth Life and Death of a Soldier: Soldier's Courtship (notes to number 54 of Catalogue Mortimer Exhibition 1968)
Robert Blyth, 1750–1784
Life and Death of a Soldier: Soldier's Courtship (notes to number 54 of Catalogue Mortimer Exhibition 1968)
1781
Joseph Haynes Banditti
Joseph Haynes, 1760–1829
Banditti
1780
Jacob Hogg Department of the Canterbury Pilgrims: Prologue, The Canterbury Tales (notes to numbers 77-78 of Catalogue Mortimer Exhibition 1968)
Jacob Hogg, active 1751
Department of the Canterbury Pilgrims: Prologue, The Canterbury Tales (notes to numbers 77-78 of Catalogue Mortimer Exhibition 1968)
1787
Robert Blyth Life and Death of a Soldier: Soldier's Death (note to number 56 of Catalogue Mortimer Exhibition 1968)
Robert Blyth, 1750–1784
Life and Death of a Soldier: Soldier's Death (note to number 56 of Catalogue Mortimer Exhibition 1968)
1781
Robert Blyth Life and Death of a Soldier: Soldier's Funeral (notes to 57 of Catalogue Mortimer Exhibition 1968)
Robert Blyth, 1750–1784
Life and Death of a Soldier: Soldier's Funeral (notes to 57 of Catalogue Mortimer Exhibition 1968)
1781
unknown artist Canterbury Tales: Miller of Trumpington (notes to numbers 77-78 of Catalogue Mortimer Exhibition 1968)
unknown artist
Canterbury Tales: Miller of Trumpington (notes to numbers 77-78 of Catalogue Mortimer Exhibition 1968)
Robert Blyth Caius Marius Sitting on the Ruins of Carthage
Robert Blyth, 1750–1784
Caius Marius Sitting on the Ruins of Carthage
1781
John Hamilton Mortimer Twelve etchings of Characters from Shakespeare: 8) Bardolph, from Henry IV, Act II, Scene 9 (Catalogue Mortimer Exhibition 1968 - number 79)
John Hamilton Mortimer, 1740–1779
Twelve etchings of Characters from Shakespeare: 8) Bardolph, from Henry IV, Act II, Scene 9 (Catalogue Mortimer Exhibition 1968 - number 79)
unknown artist Don Quixote (Note to number 81 of Catalogue Mortimer Exhibition 1968)
unknown artist
Don Quixote (Note to number 81 of Catalogue Mortimer Exhibition 1968)
Robert Blyth The Captive
Print made by Robert Blyth, 1750–1784
The Captive
1781
Robert Blyth Don Quixote in the Sable Mountains (See number 81 of Catalogue Mortimer Exhibition 1968)
Robert Blyth, 1750–1784
Don Quixote in the Sable Mountains (See number 81 of Catalogue Mortimer Exhibition 1968)
1782
John Hamilton Mortimer Comedy
John Hamilton Mortimer, 1740–1779
Comedy
1778
John Hamilton Mortimer Nature and Genius introducing Garrick to the Temple of Shakespeare (Catalogue Mortimer Exhibition 1968 - number 83)
John Hamilton Mortimer, 1740–1779
Nature and Genius introducing Garrick to the Temple of Shakespeare (Catalogue Mortimer Exhibition 1968 - number 83)
John Hamilton Mortimer Tragedy
John Hamilton Mortimer, 1740–1779
Tragedy
1778
William Wynne Ryland King John Ratifying the Magna Charta
William Wynne Ryland, 1732–1783
King John Ratifying the Magna Charta
ca. 1783
Robert Blyth John Hamilton Mortimer
Print made by Robert Blyth, 1750–1784
John Hamilton Mortimer
1782
Richard Brookshaw Monsieur Masson the Tennis Player
Richard Brookshaw, 1736–1804
Monsieur Masson the Tennis Player
1769
Richard Brookshaw Monsieur Masson the Tennis Player
Print made by Richard Brookshaw, 1736–1804
Monsieur Masson the Tennis Player
1769
William Woollett Dido and Aeneas
William Woollett, 1735–1785
Dido and Aeneas
1787
Benedictus Antonio van Assen John Hamilton Mortimer
Print made by Benedictus Antonio van Assen, active 1788–died 1817
John Hamilton Mortimer
1810
Charles Reuben Ryley The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble
Charles Reuben Ryley, 1752–1798
The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble
1780
Charles Reuben Ryley The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble
Charles Reuben Ryley, 1752–1798
The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble
1780
Francesco Bartolozzi Illustration For The Book: Evelina, Or, The History Of A Young Lady's Entrance into The World
Francesco Bartolozzi, 1728–1815
Illustration For The Book: Evelina, Or, The History Of A Young Lady's Entrance into The World
1778
Francesco Bartolozzi Sed Placidam Pueri Metuens Turbare Quietem, Fixit Vicinis Basia Mille Rosis
Francesco Bartolozzi, 1728–1815
Sed Placidam Pueri Metuens Turbare Quietem, Fixit Vicinis Basia Mille Rosis
1778
Francesco Bartolozzi Vignette: Monk Giving Letter to a Pregnant Woman in a Cell
Francesco Bartolozzi, 1728–1815
Vignette: Monk Giving Letter to a Pregnant Woman in a Cell
ca.1785
John Hamilton Mortimer Pastoral (Four laid down on one sheet)(Notes to numbers 84-86 of Catalogue Mortimer Exhibition 1968)
John Hamilton Mortimer, 1740–1779
Pastoral (Four laid down on one sheet)(Notes to numbers 84-86 of Catalogue Mortimer Exhibition 1968)
John Hamilton Mortimer Elegy (Four laid down on one sheet)(Notes to numbers 84-86 of Catalogue Mortimer Exhibition 1968)
John Hamilton Mortimer, 1740–1779
Elegy (Four laid down on one sheet)(Notes to numbers 84-86 of Catalogue Mortimer Exhibition 1968)
John Hamilton Mortimer An Academy
John Hamilton Mortimer, 1740–1779
An Academy
ca. 1773
John Hamilton Mortimer Salvator Rosa (no.2 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
John Hamilton Mortimer, 1740–1779
Salvator Rosa (no.2 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
John Hamilton Mortimer Banditti on the lookout (no.5 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
John Hamilton Mortimer, 1740–1779
Banditti on the lookout (no.5 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
John Hamilton Mortimer Successful Monster (no.7 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
John Hamilton Mortimer, 1740–1779
Successful Monster (no.7 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
John Hamilton Mortimer Captain of Banditti sending out a party (no.10 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
John Hamilton Mortimer, 1740–1779
Captain of Banditti sending out a party (no.10 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
John Hamilton Mortimer Enraged Monster (no.9 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
John Hamilton Mortimer, 1740–1779
Enraged Monster (no.9 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
John Hamilton Mortimer Comedy (no.12 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
John Hamilton Mortimer, 1740–1779
Comedy (no.12 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
John Hamilton Mortimer Pastoral (no.14 from Fifteen Etching dedicated to Sir Joshua Reynolds)
John Hamilton Mortimer, 1740–1779
Pastoral (no.14 from Fifteen Etching dedicated to Sir Joshua Reynolds)
1778
John Hamilton Mortimer Tragedy (no.13 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
John Hamilton Mortimer, 1740–1779
Tragedy (no.13 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
John Hamilton Mortimer Elegy (no.15 from Fifteen Etching dedicated to Sir Joshua Reynolds)
John Hamilton Mortimer, 1740–1779
Elegy (no.15 from Fifteen Etching dedicated to Sir Joshua Reynolds)
1778
Joseph Haynes Six Banditti with Dog (no.1 of 10)
Joseph Haynes, 1760–1829
Six Banditti with Dog (no.1 of 10)
1780
Joseph Haynes Bandit with old man and young woman (no.2 of 10)
Joseph Haynes, 1760–1829
Bandit with old man and young woman (no.2 of 10)
1780
Joseph Haynes Banditti at market (no.2 of 10)
Joseph Haynes, 1760–1829
Banditti at market (no.2 of 10)
1780
Joseph Haynes Monster (no.5 of 10)
Joseph Haynes, 1760–1829
Monster (no.5 of 10)
1750
Joseph Haynes Woman warding off Monster (no.4 of 10)
Joseph Haynes, 1760–1829
Woman warding off Monster (no.4 of 10)
1780
Joseph Haynes Banditti (no.7 of 10)
Joseph Haynes, 1760–1829
Banditti (no.7 of 10)
1780
Joseph Haynes Banditti and Women (no.6 of 10)
Joseph Haynes, 1760–1829
Banditti and Women (no.6 of 10)
1780
Joseph Haynes Two Women and a Man (no.9 of 10)
Joseph Haynes, 1760–1829
Two Women and a Man (no.9 of 10)
1780
John Hamilton Mortimer Frontispiece dedicated to Sir Joshua Reynolds (no. 1 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
John Hamilton Mortimer, 1740–1779
Frontispiece dedicated to Sir Joshua Reynolds (no. 1 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
John Hamilton Mortimer Banditti taking his post (no.4 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
John Hamilton Mortimer, 1740–1779
Banditti taking his post (no.4 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
John Hamilton Mortimer Gerard de Lairesse (no.3 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
John Hamilton Mortimer, 1740–1779
Gerard de Lairesse (no.3 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
John Hamilton Mortimer Reposa (no.6 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
John Hamilton Mortimer, 1740–1779
Reposa (no.6 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
John Hamilton Mortimer Jealous Monster (no.8 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
John Hamilton Mortimer, 1740–1779
Jealous Monster (no.8 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
John Hamilton Mortimer Musical Monster (no.11 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
John Hamilton Mortimer, 1740–1779
Musical Monster (no.11 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
John Hamilton Mortimer Death on a Pale Horse
John Hamilton Mortimer, 1740–1779
Death on a Pale Horse
ca. 1775
John Hamilton Mortimer Iphigenia's Late Procession from Kingston to Bristol - By Chudleigh Meadows, - Then the Dutchess was Brought into Court Attended by her Chaplain, Physician, Apothecary and Three Maids of Honor
John Hamilton Mortimer, 1740–1779
Iphigenia's Late Procession from Kingston to Bristol - By Chudleigh Meadows, - Then the Dutchess was Brought into Court Attended by her Chaplain, Physician, Apothecary and Three Maids of Honor
1776
Francis Chesham Nicholas the Carpenter and Robin, from "The Canterbury Tales"
Engraved by Francis Chesham, 1749–1806
Nicholas the Carpenter and Robin, from "The Canterbury Tales"
1787
Francis Chesham Palamon and Arcita, from "The Canterbury Tales"
Engraved by Francis Chesham, 1749–1806
Palamon and Arcita, from "The Canterbury Tales"
1787
Joseph Haynes Banditti and Woman (no.8 of 10)
Joseph Haynes, 1760–1829
Banditti and Woman (no.8 of 10)
John Hamilton Mortimer Revengeful Monsters
John Hamilton Mortimer, 1740–1779
Revengeful Monsters
1780
Joseph Haynes Winged Monster (no.10 of 10)
Joseph Haynes, 1760–1829
Winged Monster (no.10 of 10)
1780
John Hamilton Mortimer Sleeping Monsters
John Hamilton Mortimer, 1740–1779
Sleeping Monsters
1780
Francesco Bartolozzi The Death Of Sir Philip Sidney
Francesco Bartolozzi, 1728–1815
The Death Of Sir Philip Sidney
1788
Richard Brookshaw Monsieur Masson the Tennis Player
Print made by Richard Brookshaw, 1736–1804
Monsieur Masson the Tennis Player
1769
Princess Augusta Charlotte Head of an Aga of the Janisseries
Princess Augusta Charlotte, 1766–1828
Head of an Aga of the Janisseries
undated
unknown artist Canterbury Tales: The Coke and Perkin (notes to numbers 77-78 of Catalogue Mortimer Exhibition 1968)
unknown artist
Canterbury Tales: The Coke and Perkin (notes to numbers 77-78 of Catalogue Mortimer Exhibition 1968)