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Creator Miller, William, 1796–1882

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1. Abbotsford

Abbotsford
Creator:
Print made by William Miller, 1796–1882
Date:
1841
Materials & Techniques:
Etching and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. St. Michael's Mount, Shipwreck of Lycidas

St. Michael's Mount, Shipwreck of Lycidas
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Melun

Melun
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Sandy Knowe, or Smailholm Tower

Sandy Knowe, or Smailholm Tower
Creator:
Print made by William Miller, 1796–1882
Date:
1851
Materials & Techniques:
Etching and engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Scott's Birthplace, No. 39, Castle Street, Edinburgh

Scott's Birthplace, No. 39, Castle Street, Edinburgh
Creator:
Print made by William Miller, 1796–1882
Date:
1839
Materials & Techniques:
Etching and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Abbotsford from the Northern Bank of the Tweed

Abbotsford from the Northern Bank of the Tweed
Creator:
Print made by William Miller, 1796–1882
Date:
1839
Materials & Techniques:
Etching and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. The Prince of Orange Landing at Torbay

The Prince of Orange Landing at Torbay
Creator:
Print made by William Miller, 1796–1882
Date:
1852
Materials & Techniques:
Etching and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Tynemouth Priory

Tynemouth Priory
Creator:
Print made by William Miller, 1796–1882
Date:
1844-1867
Materials & Techniques:
Etching and line engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. The Rhine - Osterspey and Feltzen

The Rhine - Osterspey and Feltzen
Creator:
Print made by William Miller, 1796–1882
Date:
1838-1854
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Modern Italy

Modern Italy
Creator:
Print made by William Miller, 1796–1882
Date:
1859
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Between Clairmont and Mauves

Between Clairmont and Mauves
Creator:
Print made by William Miller, 1796–1882
Date:
1833
Materials & Techniques:
Etching and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Venice, the Piazzetta

Venice, the Piazzetta
Creator:
Print made by William Miller, 1796–1882
Date:
1853-1874
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Annual Ceremony of adminishing the Oaths of Allegiance and Church on November 8th, the Day proceeding Lord Mayors Day

Annual Ceremony of adminishing the Oaths of Allegiance and Church on November 8th, the Day proceeding Lord Mayors Day
Creator:
Benjamin Smith, 1775–1833
Date:
1801
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Abbotsford from the Northern Bank of the Tweed

Abbotsford from the Northern Bank of the Tweed
Creator:
Print made by William Miller, 1796–1882
Date:
1839
Materials & Techniques:
Etching and line engraving; engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Abbotsford

Abbotsford
Creator:
Print made by William Miller, 1796–1882
Date:
1841
Materials & Techniques:
Etching; open etched state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. St. Michael's Mount, Shipwreck of Lycidas

St. Michael's Mount, Shipwreck of Lycidas
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving; engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Tynemouth Priory

Tynemouth Priory
Creator:
Print made by William Miller, 1796–1882
Date:
ca. 1844
Materials & Techniques:
Etching and line engraving, with chine collé, graphite, and scraping out; touched engraver's proof on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. A Garden

A Garden
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and line engraving; engraver's proof (a)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Durham Cathedral

Durham Cathedral
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching; open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Windsor Castle, Berkshire

Windsor Castle, Berkshire
Creator:
Print made by William Miller, 1796–1882
Date:
1831
Materials & Techniques:
Etching; open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Chatham, Kent

Chatham, Kent
Creator:
Print made by William Miller, 1796–1882
Date:
1832
Materials & Techniques:
Etching and line engraving; first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Between Clairmont and Mauves

Between Clairmont and Mauves
Creator:
Print made by William Miller, 1796–1882
Date:
1833
Materials & Techniques:
Etching and line engraving; engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Scott's Birthplace, No. 39, Castle Street, Edinburgh

Scott's Birthplace, No. 39, Castle Street, Edinburgh
Creator:
Print made by William Miller, 1796–1882
Date:
1839
Materials & Techniques:
Etching and line engraving; engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Carew Castle, Pembroke

Carew Castle, Pembroke
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and line engraving; first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Carew Castle, Pembroke

Carew Castle, Pembroke
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and line engraving; early engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Venice, the Piazzetta

Venice, the Piazzetta
Creator:
Print made by William Miller, 1796–1882
Date:
1853-1874
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. The Rhine - Osterspey and Feltzen

The Rhine - Osterspey and Feltzen
Creator:
Print made by William Miller, 1796–1882
Date:
1838-1852
Materials & Techniques:
Etching and engraving; first published state on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. The Rhine - Osterspey and Feltzen

The Rhine - Osterspey and Feltzen
Creator:
Print made by William Miller, 1796–1882
Date:
1838-1852
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Venice, the Piazzetta

Venice, the Piazzetta
Creator:
Print made by William Miller, 1796–1882
Date:
1853-1874
Materials & Techniques:
Etching and line engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Sandy Knowe, or Smailholm Tower

Sandy Knowe, or Smailholm Tower
Creator:
Print made by William Miller, 1796–1882
Date:
1839
Materials & Techniques:
Etching and line engraving; engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Craig Crook Castle, near Edinburgh, the Seat of Lord Jeffrey

Craig Crook Castle, near Edinburgh, the Seat of Lord Jeffrey
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Front Wrapper for the Prose Works of Sir Walter Scott, Part One (two copies)

Front Wrapper for the Prose Works of Sir Walter Scott, Part One (two copies)
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Front Wrapper for the Prose Works of Sir Walter Scott, Part One (two copies)

Front Wrapper for the Prose Works of Sir Walter Scott, Part One (two copies)
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Front of Wrapper for the Prose of Sir Walter Scott, Part Three

Front of Wrapper for the Prose of Sir Walter Scott, Part Three
Creator:
Print made by William Miller, 1796–1882
Date:
1834 to 1836
Materials & Techniques:
Letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Front of Wrapper for The Prose Works of Sir Walter Scott, Part Two (two copies)

Front of Wrapper for The Prose Works of Sir Walter Scott, Part Two (two copies)
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Front of Wrapper for The Prose Works of Sir Walter Scott, Part Two (two copies)

Front of Wrapper for The Prose Works of Sir Walter Scott, Part Two (two copies)
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Windsor Castle, Berkshire

Windsor Castle, Berkshire
Creator:
Print made by William Miller, 1796–1882
Date:
1831
Materials & Techniques:
Etching and line engraving; first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Chatham, Kent

Chatham, Kent
Creator:
Print made by William Miller, 1796–1882
Date:
1832
Materials & Techniques:
Etching; open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Carew Castle, Pembroke

Carew Castle, Pembroke
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching; open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Tynemouth Priory

Tynemouth Priory
Creator:
Print made by William Miller, 1796–1882
Date:
ca. 1844
Materials & Techniques:
Etching and line engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. The Dead Eagle, Oran

The Dead Eagle, Oran
Creator:
Print made by William Miller, 1796–1882
Date:
1837
Materials & Techniques:
Etching and line engraving; engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Abbotsford

Abbotsford
Creator:
Print made by William Miller, 1796–1882
Date:
1841
Materials & Techniques:
Etching and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Abbotsford from the Northern Bank of the Tweed

Abbotsford from the Northern Bank of the Tweed
Creator:
Print made by William Miller, 1796–1882
Date:
1839
Materials & Techniques:
Etching and line engraving; India proof, published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Sandy Knowe, or Smailholm Tower

Sandy Knowe, or Smailholm Tower
Creator:
Print made by William Miller, 1796–1882
Date:
1839
Materials & Techniques:
Etching and engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Scott's Birthplace, No. 39, Castle Street, Edinburgh

Scott's Birthplace, No. 39, Castle Street, Edinburgh
Creator:
Print made by William Miller, 1796–1882
Date:
1839
Materials & Techniques:
Etching and line engraving; engraver's proof (c)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Scott's Birthplace, No. 39, Castle Street, Edinburgh

Scott's Birthplace, No. 39, Castle Street, Edinburgh
Creator:
Print made by William Miller, 1796–1882
Date:
1839
Materials & Techniques:
Etching and engraving, with graphite; touched engraver's proof (b)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Sandy Knowe, or Smailholm Tower

Sandy Knowe, or Smailholm Tower
Creator:
Print made by William Miller, 1796–1882
Date:
1839
Materials & Techniques:
Etching and line engraving, with graphite, white chalk, and scraping out; touched engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection