Creator: Lewis, Frederick Christian the Elder, 1779–1856 - YCBA Collections Search Search Results

1. The Bridge and Goats

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 17 1/2 inches (29.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622

View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622

Date:: 1802
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Admiral Sir George Martin

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: 1836
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 12 x 15in. (30.5 x 38.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

4. River Tamar, near Endsleigh, Devon

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: ca. 1832
Materials & Techniques:: Watercolor and graphite with scratching out on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/8 × 9 1/4 inches (14.9 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Trees and a Rocky Stream

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: undated
Materials & Techniques:: Watercolor and graphite, with gum and scratching out on medium, slightly textured, wove cream paper
Dimensions:: Sheet: 8 1/4 x 11 9/16in. (21 x 29.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Colebrook Dale

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: 1825
Materials & Techniques:: Mezzotint; engraver's proof (a) on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 8 1/8 × 13 inches (20.6 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Colebrook Dale

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: 1825
Materials & Techniques:: Mezzotint; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/4 × 14 7/8 inches (33.7 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Colebrook Dale (A small replica, reversed)

Creator:: Print made by unknown artist
Date:: after 1825
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 × 6 1/2 inches (15.2 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. New Weir on the Wye (replica reversed)

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: 1825
Materials & Techniques:: Mezzotint and etching on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 11 1/2 × 13 5/8 inches (29.2 × 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. New Weir on the Wye

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: 1825
Materials & Techniques:: Mezzotint; engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 × 7 3/4 inches (14 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Frontispiece to Mr. Fawkes Catalogue

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: 1820
Materials & Techniques:: Soft-ground etching, and engraving on thin, smooth, beige wove paper
Dimensions:: Mount: 11 3/8 × 9 1/16 inches (28.9 × 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. View of the Pantheon taken from the Arsenal

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint, hand-colored with watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/16 × 21 1/2 inches (23 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Fourth and Fifth Window North Aisle

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: 1812
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. A Young Roman Mother Admiring her Infant

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: 1830
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/8 × 12 inches (44.1 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Giovanni and Garcia De' Medici

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: 1830
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/2 × 11 7/8 inches (44.5 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. The Watermill Above the Bridge at Charenton

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 9/16 x 13 7/16 inches (21.8 x 34.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. The Fair Grounds

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 3/16 x 17 3/8in. (13.2 x 44.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. View of the Gate of St. Denis Taken from the Suburbs.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Soft-ground etching and aquatint, published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 5/8 × 24 1/2 inches (39.7 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. View of the Palace and Village of Choisi, on the Banks of the Siene

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Views of the Pantheon, taken from the Arsenal

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint over soft ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 5/8 × 24 1/2 inches (39.7 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. View of the Village of Chaillot & C. taken from Pont de la Concorde

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. View of the Thuilleries and Bridge, taken from the Quai d'Orsai

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 3/4 inches (40 × 62.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. View of the City with the Louvre & Taken from Pont Marie

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint with tracing on verso on medium, slightly textured. cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, & c. Taken from Pont Notre Dame.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Soft-ground etching and aquatint, published state on medium, slightly textured, cream wove paper
Dimensions:: Plate: 11 3/4 × 22 1/4 inches (29.8 × 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. View of St. Cloud and Mt. Calvary taken from Pont de Seve

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. New Weir on the Wye

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: 1825
Materials & Techniques:: Etching and line engraving, with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/8 × 7 3/4 inches (13.7 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. New Weir on the Wye

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: 1825
Materials & Techniques:: Mezzotint; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 × 15 1/4 inches (30.5 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. View of the Pantheon taken from the Arsenal

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Soft ground etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/4 x 26 1/2 inches (42.5 x 67.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Tours, looking backwards

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: undated
Materials & Techniques:: Aquatint, engraver's proof, plain
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Promenade on the Ramparts of Nantes

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: undated
Materials & Techniques:: Aquatint, engraver's proof, plain
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. View of Westminster from the East

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: 1806
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. The King seated in St. Edward's Chair, Crowned by the Archbishop of Canterbury, 19th July 1821

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: 1824
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. A View in Smithfield

Creator:: Charles G. Lewis, 1808–1880
Date:: undated
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Old Palace Yard from the South

Creator:: John Thomas Smith, 1766–1833
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Interment of the Remains of the late Lord Viscount Nelson...in St. Paul's

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: 1806
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. View of the City with the Louvre taken from Pont Marie

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 24 5/8 inches (41.3 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. A View of Pont Neuf, the Mint and etc.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 25 inches (41.3 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. View of the Village of Chaillot and etc. taken from Pont de la Concorde.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slight textured, cream wove paper
Dimensions:: Image: 5 × 19 inches (12.7 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. View of Pont au Change, The City Theatre, Pont Neuf, Conceiergerie Prison and etc. taken from Pont Notre Dame.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Image: 9 × 19 3/8 inches (22.9 × 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. View of the Gate of the St. Denis taken from the Suburbs

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 24 7/8 inches (41.3 × 63.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. View of Pont de la Tournelle and Notre Dame taken from the Arsenal

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Image: 5 7/8 × 17 1/2 inches (14.9 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. View of the Pantheon taken from the Arsenal

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Image: 6 × 17 1/2 inches (15.2 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. View of the Palace and Village of Choisi on the Banks of the Seine

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 25 inches (41.3 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. View of Belle Vue and Pont de Seve taken from the Terrace near Pont St. Cloud

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 25 inches (41.3 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. On the Banks of the Marne below the Bridge at Charenton

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 25 inches (41.3 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. View of the Tuilleries and Bridge taken from the Quay D'Orsai

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 24 1/2 inches (41.3 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. The Water Mill above the Bridge at Charenton

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 24 1/2 inches (41.3 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. View of St. Cloud and Mount Cavalary taken from Pont de Seve

Creator:: Print made by Thomas Girtin, 1775–1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Image: 5 × 18 7/8 inches (12.7 × 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. The Water Mill above the Bridge at Charenton

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 3/4 x 26 inches (1.8 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. The Entrance Door of East Front of Mansion House

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: ca. 1818
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 17 1/2 x 22 1/4in. (44.5 x 56.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

54. South Front of Mansion House & Conservatory

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: ca. 1818
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 17 1/4 x 22 1/2in. (43.8 x 57.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

55. View of the Temple of Suryah & Fountain of the Maha Dao with a distant View of North Side of Mansion House

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: ca. 1818
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 17 3/8 x 22 5/8in. (44.1 x 57.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

56. View of Temple Fountain & Cave

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: ca. 1818
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 17 1/4 x 22 1/2in. (43.8 x 57.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

57. View of Viaduct leading to Sezincot House, Gloucestershire. The Seat of Sir Charles Cockrell, Bart.

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: ca. 1818
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 13 5/16 x 18 5/16in. (33.8 x 46.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

58. East View of Mansion House

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: ca. 1818
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 17 1/4 x 22 1/2in. (43.8 x 57.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

59. View of the Farm House with Screen to Stables & Farm Buildings to Sezincot House

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: ca. 1818
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 17 1/2 x 22 9/16in. (44.5 x 57.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

60. Distant View of North side of Mansion House from the upper Thornery

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: ca. 1818
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 17 1/2 x 22 3/4in. (44.5 x 57.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

61. View of Fountain from the opposite side

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: ca. 1818
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 17 1/4 x 22 5/8in. (43.8 x 57.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

62. View of the Island Pool in lower Thornery of Sezincot Mansion House

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: ca. 1818
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 17 1/4 x 22 1/2in. (43.8 x 57.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

63. H. Bone, Esqr., R.A.

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: 1824
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. James Northcote

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: 1824
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper with cream chine colle
Dimensions:: Sheet: 22 1/16 × 17 5/16 inches (56 × 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Sir Thomas Lawrence

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: 1837
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Sir Thomas Lawrence P.R.A. Aged 35

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: 1831
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. View of Thuilleries and Bridge taken from the Quay d'Orsai

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint and soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. A View of Pont Neuf, the Mint, &c.

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 1/4 inches (46.4 x 66.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. View of the Palace and Village of Choisi on the Banks of the Seine

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. View of the City with the Louvre &c. taken from Pont Marie

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. View of Pont de la Tournelle and Notre Dame taken from the Arsenal

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. View of the Pantheon taken from the Arsenal

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. View of the Gate of St. Denis taken from the Suburbs

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. View of Old Aberdeen, Including King's College and the Cathedral

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: 1808
Materials & Techniques:: Colored aquatint on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 21 1/4 × 28 3/8 inches (54 × 72.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Sun-set at Sea after a Storm

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: 1826
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 7 1/2 x 12in. (19.1 x 30.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. View of St. Cloud and Mount Calvary taken from Pont de Seve

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. View of the Village of Chaillot and &c., taken from Pont de la Concorde

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Old Palace Yard from the South and Two Yards of the Tower now the Parliament Office

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: 1805
Materials & Techniques:: Aquatint and etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Colebrook Dale

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: 1825
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/8 × 10 5/8 inches (21.3 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Tours, looking backwards

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: undated
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Tivoli

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: 1800
Materials & Techniques:: Aquatint, hand-colored on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 23 1/8 × 27 11/16 inches (58.7 × 70.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. A View of Pont Neuf, the Mint, & c.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Soft-ground etching, drypoint and aquatint, published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Henry Pelham Fiennes Pelham-Clinton, fifth Duke of Newcastle-under-Lyne

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: 1841
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

87. Miss O'Neill as Juliet - "Romeo and Juliet", Act II, Scene II

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: 1816
Materials & Techniques:: Colored mezzotint
Dimensions:: Sheet: 16 3/8 x 13 1/4in. (41.6 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

88. Landscape with Watermill

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: undated
Materials & Techniques:: Color aquatint etching, progressive proof
Dimensions:: Sheet: 8 7/8 x 11 13/16in. (22.5 x 30cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. The Mausoleum at Brocklesby

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: ca. 1800
Materials & Techniques:: Etching printed in brown ink; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 23 1/8 × 28 1/4 inches (58.7 × 71.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. The Mausoleum at Brocklesby

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: ca. 1800
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 20 7/8 × 26 1/2 inches (53 × 67.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. The Mausoleum at Brocklesby

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: ca. 1804
Materials & Techniques:: Etching and aquatint; engraver's proof on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 23 × 28 3/4 inches (58.4 × 73 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Field of Waterloo

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: 1830
Materials & Techniques:: Mezzotint; second published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 23 1/8 × 34 3/8 inches (58.7 × 87.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Hunting: Fox Breaking Cover

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: 1807
Materials & Techniques:: Color printed and hand colored aquatint
Dimensions:: Sheet: 14 3/4 x 20 1/8in. (37.5 x 51.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Moor Shooting

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: 1807
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 18 3/4 x 24in. (47.6 x 61cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Ptarmigans

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: 1806
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 14 3/4 x 20 1/8in. (37.5 x 51.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Otter Hunting

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: 1818
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 14 5/8 x 20 3/4in. (37.1 x 52.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Pheasant Shooting

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: 1807
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 14 3/4 x 20 1/8in. (37.5 x 51.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Wood-Cock Shooting

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: 1808
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 14 3/4 x 20 1/8in. (37.5 x 51.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Landscape with Watermill

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: undated
Materials & Techniques:: Color aquatint etching, progressive proof
Dimensions:: Sheet: 8 7/8 x 11 13/16in. (22.5 x 30cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Landscape with Watermill

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: undated
Materials & Techniques:: Color aquatint etching, progressive proof
Dimensions:: Sheet: 8 7/8 x 11 13/16in. (22.5 x 30cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Creator Lewis, Frederick Christian the Elder, 1779–1856

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1. The Bridge and Goats

2. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622

3. Admiral Sir George Martin

4. River Tamar, near Endsleigh, Devon

5. Trees and a Rocky Stream

6. Colebrook Dale

7. Colebrook Dale

8. Colebrook Dale (A small replica, reversed)

9. New Weir on the Wye (replica reversed)

10. New Weir on the Wye

11. Frontispiece to Mr. Fawkes Catalogue

12. View of the Pantheon taken from the Arsenal

13. Fourth and Fifth Window North Aisle

14. A Young Roman Mother Admiring her Infant

15. Giovanni and Garcia De' Medici

16. The Watermill Above the Bridge at Charenton

17. The Fair Grounds

18. View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations

19. View of the Gate of St. Denis Taken from the Suburbs.

20. View of the Palace and Village of Choisi, on the Banks of the Siene

21. Views of the Pantheon, taken from the Arsenal

22. View of the Village of Chaillot & C. taken from Pont de la Concorde

23. View of the Thuilleries and Bridge, taken from the Quai d'Orsai

24. View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802

25. The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629

26. View of the City with the Louvre & Taken from Pont Marie

27. View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, & c. Taken from Pont Notre Dame.

28. View of St. Cloud and Mt. Calvary taken from Pont de Seve

29. New Weir on the Wye

30. New Weir on the Wye

31. View of the Pantheon taken from the Arsenal

32. Tours, looking backwards

33. Promenade on the Ramparts of Nantes

34. View of Westminster from the East

35. The King seated in St. Edward's Chair, Crowned by the Archbishop of Canterbury, 19th July 1821

36. A View in Smithfield

37. Old Palace Yard from the South

38. Interment of the Remains of the late Lord Viscount Nelson...in St. Paul's

39. View of the City with the Louvre taken from Pont Marie

40. A View of Pont Neuf, the Mint and etc.

41. View of the Village of Chaillot and etc. taken from Pont de la Concorde.

42. View of Pont au Change, The City Theatre, Pont Neuf, Conceiergerie Prison and etc. taken from Pont Notre Dame.

43. View of the Gate of the St. Denis taken from the Suburbs

44. View of Pont de la Tournelle and Notre Dame taken from the Arsenal

45. View of the Pantheon taken from the Arsenal

46. View of the Palace and Village of Choisi on the Banks of the Seine

47. View of Belle Vue and Pont de Seve taken from the Terrace near Pont St. Cloud

48. On the Banks of the Marne below the Bridge at Charenton

49. View of the Tuilleries and Bridge taken from the Quay D'Orsai

50. The Water Mill above the Bridge at Charenton

51. View of St. Cloud and Mount Cavalary taken from Pont de Seve

52. The Water Mill above the Bridge at Charenton

53. The Entrance Door of East Front of Mansion House

54. South Front of Mansion House & Conservatory

55. View of the Temple of Suryah & Fountain of the Maha Dao with a distant View of North Side of Mansion House

56. View of Temple Fountain & Cave

57. View of Viaduct leading to Sezincot House, Gloucestershire. The Seat of Sir Charles Cockrell, Bart.

58. East View of Mansion House

59. View of the Farm House with Screen to Stables & Farm Buildings to Sezincot House

60. Distant View of North side of Mansion House from the upper Thornery

61. View of Fountain from the opposite side

62. View of the Island Pool in lower Thornery of Sezincot Mansion House

63. H. Bone, Esqr., R.A.

64. James Northcote

65. Sir Thomas Lawrence

66. Sir Thomas Lawrence P.R.A. Aged 35

67. View of Thuilleries and Bridge taken from the Quay d'Orsai

68. A View of Pont Neuf, the Mint, &c.

69. View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame

70. View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations

71. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud

72. View of the Palace and Village of Choisi on the Banks of the Seine

73. View of the City with the Louvre &c. taken from Pont Marie

74. View of Pont de la Tournelle and Notre Dame taken from the Arsenal

75. View of the Pantheon taken from the Arsenal