Creator: Lewis, Frederick Christian the Elder, 1779–1856 - YCBA Collections Search Search Results

1. The Bridge and Goats

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 17 1/2 inches (29.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622

View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622

Date:: 1802
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. River Tamar, near Endsleigh, Devon

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: ca. 1832
Materials & Techniques:: Watercolor and graphite with scratching out on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/8 × 9 1/4 inches (14.9 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. The Fair Grounds

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 3/16 x 17 3/8in. (13.2 x 44.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Trees and a Rocky Stream

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: undated
Materials & Techniques:: Watercolor and graphite, with gum and scratching out on medium, slightly textured, wove cream paper
Dimensions:: Sheet: 8 1/4 x 11 9/16in. (21 x 29.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Tivoli

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: 1800
Materials & Techniques:: Aquatint, hand-colored on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 23 1/8 × 27 11/16 inches (58.7 × 70.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. View of the Tuilleries and Bridge taken from the Quay D'Orsai

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 24 1/2 inches (41.3 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. View of the Gate of the St. Denis taken from the Suburbs

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 24 7/8 inches (41.3 × 63.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. View of Pont de la Tournelle and Notre Dame taken from the Arsenal

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Image: 5 7/8 × 17 1/2 inches (14.9 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. View of the Pantheon taken from the Arsenal

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Image: 6 × 17 1/2 inches (15.2 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. On the Banks of the Marne below the Bridge at Charenton

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 25 inches (41.3 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Sun-set at Sea after a Storm

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: 1826
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 7 1/2 x 12in. (19.1 x 30.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. View of Old Aberdeen, Including King's College and the Cathedral

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: 1808
Materials & Techniques:: Colored aquatint on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 21 1/4 × 28 3/8 inches (54 × 72.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. View of the Gate of St. Denis Taken from the Suburbs.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Soft-ground etching and aquatint, published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 5/8 × 24 1/2 inches (39.7 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. View of the Village of Chaillot & C. taken from Pont de la Concorde

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. View of the Palace and Village of Choisi, on the Banks of the Siene

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Old Palace Yard from the South and Two Yards of the Tower now the Parliament Office

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: 1805
Materials & Techniques:: Aquatint and etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. View of Westminster from the East

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: 1806
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Old Palace Yard from the South

Creator:: John Thomas Smith, 1766–1833
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Interment of the Remains of the late Lord Viscount Nelson...in St. Paul's

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: 1806
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. The King seated in St. Edward's Chair, Crowned by the Archbishop of Canterbury, 19th July 1821

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: 1824
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. A View in Smithfield

Creator:: Charles G. Lewis, 1808–1880
Date:: undated
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. A Young Roman Mother Admiring her Infant

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: 1830
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/8 × 12 inches (44.1 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. The Watermill Above the Bridge at Charenton

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 9/16 x 13 7/16 inches (21.8 x 34.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Frontispiece to Mr. Fawkes Catalogue

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: 1820
Materials & Techniques:: Soft-ground etching, and engraving on thin, smooth, beige wove paper
Dimensions:: Mount: 11 3/8 × 9 1/16 inches (28.9 × 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. View of the Thuilleries and Bridge, taken from the Quai d'Orsai

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 3/4 inches (40 × 62.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. View of the City with the Louvre & Taken from Pont Marie

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint with tracing on verso on medium, slightly textured. cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, & c. Taken from Pont Notre Dame.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Soft-ground etching and aquatint, published state on medium, slightly textured, cream wove paper
Dimensions:: Plate: 11 3/4 × 22 1/4 inches (29.8 × 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Views of the Pantheon, taken from the Arsenal

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint over soft ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 5/8 × 24 1/2 inches (39.7 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. View of St. Cloud and Mt. Calvary taken from Pont de Seve

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Colebrook Dale

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: 1825
Materials & Techniques:: Mezzotint; engraver's proof (a) on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 8 1/8 × 13 inches (20.6 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Colebrook Dale (A small replica, reversed)

Creator:: Print made by unknown artist
Date:: after 1825
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 × 6 1/2 inches (15.2 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. New Weir on the Wye

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: 1825
Materials & Techniques:: Mezzotint; engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 × 7 3/4 inches (14 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. New Weir on the Wye (replica reversed)

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: 1825
Materials & Techniques:: Mezzotint and etching on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 11 1/2 × 13 5/8 inches (29.2 × 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. New Weir on the Wye

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: 1825
Materials & Techniques:: Mezzotint; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 × 15 1/4 inches (30.5 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. New Weir on the Wye

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: 1825
Materials & Techniques:: Etching and line engraving, with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/8 × 7 3/4 inches (13.7 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Tours, looking backwards

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: undated
Materials & Techniques:: Aquatint, engraver's proof, plain
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Promenade on the Ramparts of Nantes

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: undated
Materials & Techniques:: Aquatint, engraver's proof, plain
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Colebrook Dale

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: 1825
Materials & Techniques:: Mezzotint; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/4 × 14 7/8 inches (33.7 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. View of the Pantheon taken from the Arsenal

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Soft ground etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/4 x 26 1/2 inches (42.5 x 67.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Colebrook Dale

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: 1825
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/8 × 10 5/8 inches (21.3 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Tours, looking backwards

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: undated
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Admiral Sir George Martin

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: 1836
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 12 x 15in. (30.5 x 38.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

47. Giovanni and Garcia De' Medici

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: 1830
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/2 × 11 7/8 inches (44.5 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Fourth and Fifth Window North Aisle

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: 1812
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. View of the Pantheon taken from the Arsenal

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint, hand-colored with watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/16 × 21 1/2 inches (23 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. View of the City with the Louvre &c. taken from Pont Marie

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 1/4 inches (46.4 x 66.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. View of the Gate of St. Denis taken from the Suburbs

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. View of the Pantheon taken from the Arsenal

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. View of Pont de la Tournelle and Notre Dame taken from the Arsenal

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. View of St. Cloud and Mount Calvary taken from Pont de Seve

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. View of the Village of Chaillot and &c., taken from Pont de la Concorde

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. H. Bone, Esqr., R.A.

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: 1824
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. The Entrance Door of East Front of Mansion House

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: ca. 1818
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 17 1/2 x 22 1/4in. (44.5 x 56.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

61. East View of Mansion House

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: ca. 1818
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 17 1/4 x 22 1/2in. (43.8 x 57.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

62. South Front of Mansion House & Conservatory

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: ca. 1818
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 17 1/4 x 22 1/2in. (43.8 x 57.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

63. View of the Temple of Suryah & Fountain of the Maha Dao with a distant View of North Side of Mansion House

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: ca. 1818
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 17 3/8 x 22 5/8in. (44.1 x 57.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

64. View of Temple Fountain & Cave

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: ca. 1818
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 17 1/4 x 22 1/2in. (43.8 x 57.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

65. Sir Thomas Lawrence

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: 1837
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Sir Thomas Lawrence P.R.A. Aged 35

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: 1831
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. View of Thuilleries and Bridge taken from the Quay d'Orsai

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint and soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. A View of Pont Neuf, the Mint, &c.

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. View of the Palace and Village of Choisi on the Banks of the Seine

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. The Water Mill above the Bridge at Charenton

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 3/4 x 26 inches (1.8 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. A View of Pont Neuf, the Mint, & c.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Soft-ground etching, drypoint and aquatint, published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. James Northcote

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: 1824
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper with cream chine colle
Dimensions:: Sheet: 22 1/16 × 17 5/16 inches (56 × 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. A View of Pont Neuf, the Mint and etc.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 25 inches (41.3 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. View of the City with the Louvre taken from Pont Marie

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 24 5/8 inches (41.3 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. View of Pont au Change, The City Theatre, Pont Neuf, Conceiergerie Prison and etc. taken from Pont Notre Dame.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Image: 9 × 19 3/8 inches (22.9 × 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. View of Belle Vue and Pont de Seve taken from the Terrace near Pont St. Cloud

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 25 inches (41.3 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. View of the Palace and Village of Choisi on the Banks of the Seine

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 25 inches (41.3 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. View of the Village of Chaillot and etc. taken from Pont de la Concorde.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slight textured, cream wove paper
Dimensions:: Image: 5 × 19 inches (12.7 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. View of St. Cloud and Mount Cavalary taken from Pont de Seve

Creator:: Print made by Thomas Girtin, 1775–1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Image: 5 × 18 7/8 inches (12.7 × 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. The Water Mill above the Bridge at Charenton

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 24 1/2 inches (41.3 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. View of Fountain from the opposite side

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: ca. 1818
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 17 1/4 x 22 5/8in. (43.8 x 57.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

82. Distant View of North side of Mansion House from the upper Thornery

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: ca. 1818
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 17 1/2 x 22 3/4in. (44.5 x 57.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

83. View of Viaduct leading to Sezincot House, Gloucestershire. The Seat of Sir Charles Cockrell, Bart.

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: ca. 1818
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 13 5/16 x 18 5/16in. (33.8 x 46.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

84. View of the Island Pool in lower Thornery of Sezincot Mansion House

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: ca. 1818
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 17 1/4 x 22 1/2in. (43.8 x 57.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

85. View of the Farm House with Screen to Stables & Farm Buildings to Sezincot House

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: ca. 1818
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 17 1/2 x 22 9/16in. (44.5 x 57.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

86. Henry Pelham Fiennes Pelham-Clinton, fifth Duke of Newcastle-under-Lyne

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: 1841
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

87. Bacchanal

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: ca. 1809
Materials & Techniques:: Etching and aquatint on wove paper
Dimensions:: Sheet: 10 1/4 x 15in. (26 x 38.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection, Everett V. Meeks, B.A. 1901, Fund

88. Field of Waterloo

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: 1830
Materials & Techniques:: Mezzotint; second published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 23 1/8 × 34 3/8 inches (58.7 × 87.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. The Mausoleum at Brocklesby

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: ca. 1800
Materials & Techniques:: Etching printed in brown ink; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 23 1/8 × 28 1/4 inches (58.7 × 71.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. The Mausoleum at Brocklesby

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: ca. 1804
Materials & Techniques:: Etching and aquatint; engraver's proof on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 23 × 28 3/4 inches (58.4 × 73 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. The Mausoleum at Brocklesby

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: ca. 1800
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 20 7/8 × 26 1/2 inches (53 × 67.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Landscape with Watermill

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: undated
Materials & Techniques:: Color aquatint etching, progressive proof
Dimensions:: Sheet: 8 7/8 x 11 13/16in. (22.5 x 30cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Moor Shooting

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: 1807
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 18 3/4 x 24in. (47.6 x 61cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Hunting: Fox Breaking Cover

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: 1807
Materials & Techniques:: Color printed and hand colored aquatint
Dimensions:: Sheet: 14 3/4 x 20 1/8in. (37.5 x 51.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Ptarmigans

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: 1806
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 14 3/4 x 20 1/8in. (37.5 x 51.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Otter Hunting

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: 1818
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 14 5/8 x 20 3/4in. (37.1 x 52.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Miss O'Neill as Juliet - "Romeo and Juliet", Act II, Scene II

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: 1816
Materials & Techniques:: Colored mezzotint
Dimensions:: Sheet: 16 3/8 x 13 1/4in. (41.6 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

98. Landscape with Watermill

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: undated
Materials & Techniques:: Color aquatint etching, progressive proof
Dimensions:: Sheet: 8 7/8 x 11 13/16in. (22.5 x 30cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Landscape with Watermill after a drawing attributed to Rembrandt by F.C. Lewis

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: undated
Materials & Techniques:: Color aquatint etching, progressive proof
Dimensions:: Sheet: 8 7/8 x 11 13/16in. (22.5 x 30cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Landscape with Watermill

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: undated
Materials & Techniques:: Color aquatint etching, progressive proof
Dimensions:: Sheet: 8 7/8 x 11 13/16in. (22.5 x 30cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Creator Lewis, Frederick Christian the Elder, 1779–1856

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1. The Bridge and Goats

2. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622

3. River Tamar, near Endsleigh, Devon

4. The Fair Grounds

5. Trees and a Rocky Stream

6. Tivoli

7. View of the Tuilleries and Bridge taken from the Quay D'Orsai

8. View of the Gate of the St. Denis taken from the Suburbs

9. View of Pont de la Tournelle and Notre Dame taken from the Arsenal

10. View of the Pantheon taken from the Arsenal

11. On the Banks of the Marne below the Bridge at Charenton

12. Sun-set at Sea after a Storm

13. View of Old Aberdeen, Including King's College and the Cathedral

14. View of the Gate of St. Denis Taken from the Suburbs.

15. View of the Village of Chaillot & C. taken from Pont de la Concorde

16. View of the Palace and Village of Choisi, on the Banks of the Siene

17. Old Palace Yard from the South and Two Yards of the Tower now the Parliament Office

18. View of Westminster from the East

19. Old Palace Yard from the South

20. Interment of the Remains of the late Lord Viscount Nelson...in St. Paul's

21. The King seated in St. Edward's Chair, Crowned by the Archbishop of Canterbury, 19th July 1821

22. A View in Smithfield

23. A Young Roman Mother Admiring her Infant

24. The Watermill Above the Bridge at Charenton

25. Frontispiece to Mr. Fawkes Catalogue

26. View of the Thuilleries and Bridge, taken from the Quai d'Orsai

27. View of the City with the Louvre & Taken from Pont Marie

28. View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, & c. Taken from Pont Notre Dame.

29. View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations

30. Views of the Pantheon, taken from the Arsenal

31. View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802

32. View of St. Cloud and Mt. Calvary taken from Pont de Seve

33. The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629

34. Colebrook Dale

35. Colebrook Dale (A small replica, reversed)

36. New Weir on the Wye

37. New Weir on the Wye (replica reversed)

38. New Weir on the Wye

39. New Weir on the Wye

40. Tours, looking backwards

41. Promenade on the Ramparts of Nantes

42. Colebrook Dale

43. View of the Pantheon taken from the Arsenal

44. Colebrook Dale

45. Tours, looking backwards

46. Admiral Sir George Martin

47. Giovanni and Garcia De' Medici

48. Fourth and Fifth Window North Aisle

49. View of the Pantheon taken from the Arsenal

50. View of the City with the Louvre &c. taken from Pont Marie

51. View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations

52. View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame

53. View of the Gate of St. Denis taken from the Suburbs

54. View of the Pantheon taken from the Arsenal

55. View of Pont de la Tournelle and Notre Dame taken from the Arsenal

56. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud

57. View of St. Cloud and Mount Calvary taken from Pont de Seve

58. View of the Village of Chaillot and &c., taken from Pont de la Concorde

59. H. Bone, Esqr., R.A.

60. The Entrance Door of East Front of Mansion House

61. East View of Mansion House

62. South Front of Mansion House & Conservatory

63. View of the Temple of Suryah & Fountain of the Maha Dao with a distant View of North Side of Mansion House

64. View of Temple Fountain & Cave

65. Sir Thomas Lawrence

66. Sir Thomas Lawrence P.R.A. Aged 35

67. View of Thuilleries and Bridge taken from the Quay d'Orsai

68. A View of Pont Neuf, the Mint, &c.

69. View of the Palace and Village of Choisi on the Banks of the Seine

70. The Water Mill above the Bridge at Charenton

71. A View of Pont Neuf, the Mint, & c.

72. James Northcote

73. A View of Pont Neuf, the Mint and etc.

74. View of the City with the Louvre taken from Pont Marie

75. View of Pont au Change, The City Theatre, Pont Neuf, Conceiergerie Prison and etc. taken from Pont Notre Dame.