Creator: Jones, George, 1786–1869 - YCBA Collections Search Search Results

1. Studies of Royal Horse Artillery Uniform, and of an A.D.C. to the Commander-in-Chief: a study for 'The Battle of Waterloo'

Creator:: George Jones, 1786–1869
Date:: 1815
Materials & Techniques:: Oil on paper
Dimensions:: 11 3/4 x 15 1/4 inches (29.8 x 38.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Studies of Military Accoutrements: a study for `The Battle of Waterloo'

Creator:: George Jones, 1786–1869
Date:: 1815
Materials & Techniques:: oil on paper laid to card
Dimensions:: 16 3/4 x 20 1/2 inches (42.5 x 52.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. A 42nd Highlander Attending a General of the 7th Hussars, possibly Henry William Bayly, first earl of Uxbridge, later first Marquess of Anglesey: a study for 'The Battle of Waterloo'

A 42nd Highlander Attending a General of the 7th Hussars, possibly Henry William Bayly, first earl of Uxbridge, later first Marquess of Anglesey: a study for 'The Battle of Waterloo'

Creator:: George Jones, 1786–1869
Date:: 1815
Materials & Techniques:: oil on paper laid to card
Dimensions:: 8 3/4 x 14 3/4 inches (22.2 x 37.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Study for 'Battle of Waterloo'

Creator:: George Jones, 1786–1869
Date:: 1815
Materials & Techniques:: Oil on paper mounted on board
Dimensions:: 17 × 20 1/2 inches (43.2 × 52.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. The Passing of the Great Emancipation Act

Creator:: George Jones, 1786–1869
Date:: ca. 1829
Materials & Techniques:: Oil on board
Dimensions:: 10 1/2 x 18 1/2 inches (26.7 x 47 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. Arena of Astley's Amphitheatre, Surrey Road

Creator:: William Wise, Active 1823–1876
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Proscenium of the Opera House ...

Creator:: S. Springsguth, active 1816–1819
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Arena of Astley's Amphiteatre, Surrey Road

Creator:: William Wise, Active 1823–1876
Date:: 1815
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. An Elephant

Creator:: George Jones, 1786–1869
Date:: ca. 1856
Materials & Techniques:: Pen and brown ink, graphite, blue wash, and white gouache on medium, slightly textured, blue wove paper
Dimensions:: Sheet: 3 5/8 × 5 inches (9.2 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Two Horses Feeding: Each Seen Three-Quarters From the Rear, Facing Left

Creator:: George Jones, 1786–1869
Date:: undated
Materials & Techniques:: Pen and brown ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 3 1/4 × 4 7/8 inches (8.3 × 12.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. A Camel Resting, Side View to the Right

Creator:: George Jones, 1786–1869
Date:: ca. 1856
Materials & Techniques:: Graphite, pen and brown ink, brown wash, and white gouache on medium, moderately textured, blue wove paper
Dimensions:: Sheet: 3 5/8 × 5 5/16 inches (9.2 × 13.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. A Camel, Facing Left, Sept. 3, 1850

Creator:: George Jones, 1786–1869
Date:: 1850
Materials & Techniques:: Pen and brown ink, graphite, and white gouache on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 3 7/8 × 4 7/8 inches (9.8 × 12.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Magdalen Tower and Bridge, Oxford

Creator:: George Jones, 1786–1869
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, graphite, and white gouache on moderately thick, moderately textured, blue wove paper
Dimensions:: Sheet: 9 5/16 × 7 1/2 inches (23.7 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. A Polar Bear, Asleep, Front View

Creator:: George Jones, 1786–1869
Date:: ca. 1856
Materials & Techniques:: Graphite, pen and brown ink, brown wash, and white gouache on medium, moderately textured, blue wove paper
Dimensions:: Sheet: 3 3/8 × 5 inches (8.6 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. A Camel Moving to the Right; a Sketch of a Camel's Head, Bottom Right

Creator:: George Jones, 1786–1869
Date:: ca. 1850
Materials & Techniques:: Pen and brown ink, graphite, and white gouache on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 3 9/16 × 4 15/16 inches (9 × 12.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Head of a Donkey

Creator:: George Jones, 1786–1869
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 4 15/16 × 3 7/8 inches (12.5 × 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. A Camel, Facing Left, Sept. 1856

Creator:: George Jones, 1786–1869
Date:: 1856
Materials & Techniques:: Pen and brown ink, graphite, blue wash, and white gouache on medium, slightly textured, blue wove paper
Dimensions:: Sheet: 3 3/4 × 5 1/2 inches (9.5 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. A Male Lion, Lying Down and Half Facing Right

Creator:: George Jones, 1786–1869
Date:: ca. 1856
Materials & Techniques:: Graphite, brown wash, and white gouache on medium, moderately textured, blue wove paper
Dimensions:: Sheet: 3 5/8 × 5 1/4 inches (9.2 × 13.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Figures on an Elephant and Other Elephant Studies

Creator:: George Jones, 1786–1869
Date:: undated
Materials & Techniques:: Pen and brown ink, and graphite on medium, slightly textured, gray wove paper
Dimensions:: Sheet: 6 1/4 × 5 9/16 inches (15.9 × 14.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. A Camel Resting

Creator:: George Jones, 1786–1869
Date:: undated
Materials & Techniques:: Brown wash, black chalk, and white gouache on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 3 3/4 × 5 1/4 inches (9.5 × 13.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Ross Castle, Killarney, Sept. 4, 1812

Creator:: George Jones, 1786–1869
Date:: 1812
Materials & Techniques:: Watercolor on moderately thick, rough, blue wove paper
Dimensions:: Sheet: 5 × 10 inches (12.7 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Study of Sailing Ships

Creator:: George Jones, 1786–1869
Date:: undated
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/8 × 4 5/8 inches (7.9 × 11.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Interior of a Blacksmith's Forge

Creator:: George Jones, 1786–1869
Date:: undated
Materials & Techniques:: Gray wash, brown wash and white gouache on moderately thick, slightly textured, gray wove paper
Dimensions:: Sheet: 5 7/8 × 6 inches (14.9 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Chantrey's Studio

Creator:: George Jones, 1786–1869
Date:: undated
Materials & Techniques:: Graphite and brown wash on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 4 3/4 x 4 1/2 inches (12.1 x 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

25. Study of J.M.W. Turner Sketching

Creator:: George Jones, 1786–1869
Date:: undated
Materials & Techniques:: Gray wash on medium, slightly textured, wove paper
Dimensions:: Sheet: 6 5/8 x 6 7/16in. (16.8 x 16.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Cliffs and a Cove

Creator:: attributed to George Jones, 1786–1869
Date:: 1813
Materials & Techniques:: Watercolor on moderately thick, moderately textured, blue wove paper
Dimensions:: Sheet: 5 3/4 × 8 inches (14.6 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. The Blacksmith

Creator:: George Jones, 1786–1869
Date:: undated
Materials & Techniques:: Brown wash and white gouache on moderately thick, rough, gray wove paper
Dimensions:: Sheet: 5 3/8 × 5 3/4 inches (13.7 × 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Fire on the Thames

Creator:: George Jones, 1786–1869
Date:: ca. 1808
Materials & Techniques:: Watercolor, gouache, and graphite on medium, slightly textured, blue wove paper
Dimensions:: Sheet: 9 1/4 × 14 5/8 inches (23.5 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Lady Westmorland (Priscilla Anne Fane, Countess of Westmorland, nee Wellesley-Pole)

Creator:: George Jones, 1786–1869
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 x 9 3/8in. (29.8 x 23.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Portentous Things

Creator:: George Jones, 1786–1869
Date:: undated
Materials & Techniques:: Pen and brown ink, watercolor, brown wash, black chalk, white chalk, and graphite, with scraping out on smooth, thin, beige wove paper
Dimensions:: Sheet: 23 3/4 × 19 3/8 inches (60.3 × 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

31. Proscenium of the Opera House

Creator:: Henry R. Cook, active 1802–1849
Date:: 1816
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Circe

Creator:: Print made by Richard Reeve, 1780–ca. 1835
Date:: between 1800 and 1835
Materials & Techniques:: Soft-ground etching and stipple engraving with hand coloring in watercolor
Dimensions:: Sheet: 15 7/8 x 11 7/8in. (40.3 x 30.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Helen

Creator:: Print made by Richard Reeve, 1780–ca. 1835
Date:: between 1800 and 1835
Materials & Techniques:: Soft ground etching and stipple engraving with hand coloring in watercolor
Dimensions:: Sheet: 15 7/8 x 11 7/8in. (40.3 x 30.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. La Nuit et Le Jour (Volume of 102 lithographs)

Creator:: Richard James Lane, 1800–1872
Date:: 1828
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 16 1/2 x 12 3/4in. (41.9 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. George L. Green

35. Sir Francis Chantrey, R. A. : recollections of his life, practice and opinions / by George Jones, R.A.

Creator:: Jones, George, 1786–1869
Date:: MDCCCXLIX [1849]
Physical Description:: 304 p. ; 20 cm.
Collection:: Rare Books and Manuscripts
Credit Line:: Yale Center for British Art, Gift of Jules D. Prown, MAH 1971

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Creator Jones, George, 1786–1869

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1. Studies of Royal Horse Artillery Uniform, and of an A.D.C. to the Commander-in-Chief: a study for 'The Battle of Waterloo'

2. Studies of Military Accoutrements: a study for `The Battle of Waterloo'

3. A 42nd Highlander Attending a General of the 7th Hussars, possibly Henry William Bayly, first earl of Uxbridge, later first Marquess of Anglesey: a study for 'The Battle of Waterloo'

4. Study for 'Battle of Waterloo'

5. The Passing of the Great Emancipation Act

6. Arena of Astley's Amphitheatre, Surrey Road

7. Proscenium of the Opera House ...

8. Arena of Astley's Amphiteatre, Surrey Road

9. An Elephant

10. Two Horses Feeding: Each Seen Three-Quarters From the Rear, Facing Left

11. A Camel Resting, Side View to the Right

12. A Camel, Facing Left, Sept. 3, 1850

13. Magdalen Tower and Bridge, Oxford

14. A Polar Bear, Asleep, Front View

15. A Camel Moving to the Right; a Sketch of a Camel's Head, Bottom Right

16. Head of a Donkey

17. A Camel, Facing Left, Sept. 1856

18. A Male Lion, Lying Down and Half Facing Right

19. Figures on an Elephant and Other Elephant Studies

20. A Camel Resting

21. Ross Castle, Killarney, Sept. 4, 1812

22. Study of Sailing Ships

23. Interior of a Blacksmith's Forge

24. Chantrey's Studio

25. Study of J.M.W. Turner Sketching

26. Cliffs and a Cove

27. The Blacksmith

28. Fire on the Thames

29. Lady Westmorland (Priscilla Anne Fane, Countess of Westmorland, nee Wellesley-Pole)

30. Portentous Things

31. Proscenium of the Opera House

32. Circe

33. Helen

34. La Nuit et Le Jour (Volume of 102 lithographs)

35. Sir Francis Chantrey, R. A. : recollections of his life, practice and opinions / by George Jones, R.A.