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Creator Hoppner, John, 1758–1810

Remove constraint Creator: Hoppner, John, 1758–1810

Height [cm] 53

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Francis Rawdon-Hastings, 1st Marquess of Hastings
Creator:
Sir Edwin Henry Landseer, 1802–1873
Date:
1793-1816
Materials & Techniques:
Stipple engraving on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 21 × 16 inches (53.3 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Sleeping Nymph
Creator:
Print made by William Ward, 1766–1826
Date:
1808
Materials & Techniques:
Mezzotint (only state) on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 20 11/16 × 24 13/16 inches (52.5 × 63 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Douglas Children
Creator:
Print made by James Ward, 1769–1859
Date:
1796
Materials & Techniques:
Mezzotint (second state) on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 21 5/8 × 17 3/4 inches (54.9 × 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Lady Charlotte Greville
Creator:
Print made by John Young, 1755–1825
Date:
1796
Materials & Techniques:
Mezzotint (first state) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 21 × 15 1/2 inches (53.3 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Lord Keith
Creator:
Print made by Samuel William Reynolds, 1773–1835
Date:
1800
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, ream, laid paper
Dimensions:
Sheet: 20 3/4 × 14 3/4 inches (52.7 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
No cover image available
Creator:
Print made by Valentine Green, 1739–1813
Date:
1785
Materials & Techniques:
Mezzotint (etched letter proof, title open) on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 22 7/8 × 17 3/4 inches (58.1 × 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund