Search Constraints
You searched for:
Search Results
1
- Self-Portrait
- ca. 1735
- On view at YUAG
2
- William Cavendish, Marquess of Hartington, Later fourth Duke of Devonshire
- 1741
- Not on view
3
- The Beggar's Opera
- 1729
- Not on view
4
- Mary Hogarth
- ca. 1740
- Not on view
5
- Ann Hogarth
- ca. 1740
- Not on view
6
- John and Elizabeth Jeffreys and Their Children
- 1730
- Not on view
7
- Girl in a Plumed Hat
- ca. 1740
- Not on view
8
- Miss Wood
- ca. 1730
- Not on view
9
- A Club of Gentlemen
- ca. 1730
- Not on view
10
- The Revd. John Lloyd, DD
- 1738
- Not on view
11
- John Palmer, Barrister of the Inner Temple
- 1749
- Not on view
12
- The Montagu Family and an Unknown Attendant
- between 1730 and 1735
- Not on view
13
- William Augustus, Duke of Cumberland
- 1732
- Not on view
14
- Study of a Girl's Head
- ca. 1740
- Not on view
15
- Sign for a Paviour
- 18th century
- Not on view
16
- The Brothers Clarke with Other Gentlemen Taking Wine
- between 1730 and 1735
- Not on view
17
- Study for a Group Portrait
- between 1729 and 1730
- Not on view
18
- Restoration Procession of Charles II at Cheapside
- mid-18th century
- Not on view
19
- A Midnight Modern Conversation
- ca. 1732
- Not on view
20
- Studies of Heads
- ca. 1740
- Not on view
21
- The Angel of Mercy
- ca. 1746
- Not on view
22
- Figures in a Tavern or Coffee House
- ca. 1725 or after 1750
- Not on view
23
- The Billiard Room
- ca. 1725
- Not on view
24
- The Second Stage of Cruelty: Coachman Beating a Fallen Horse
- 1751, printed 1790
25
- The Third Stage of Cruelty: Cruelty in Perfection - The Murder
- 1751, printed 1790
26
- The First Stage of Cruelty: Children Torturing Animals
- 1751, printed 1790
27
- The Fourth Stage of Cruelty: The Reward of Cruelty
- 1751, printed 1790
28
- Subscription Ticket for The March to Finchley
- 1746
29
- William Hogarth
- 1764
30
- Prospectus print "Crown & Mitre"
- 1754
31
- Sketches from Pen and Ink Drawings, Character and Caricatura
- 1794
32
- Sketches from Pen and Ink Drawings, Character and Caricatura
- 1794
33
- Sketches from Pen and Ink Drawings, Character and Caricatura
- 1794
34
- Sketches from Pen and Ink Drawings, Character and Caricatura
- 1794
35
- Satire on False Perspective
- 1799
36
- Satire on False Perspective
- 1799
37
- Industry and Idleness, Plate XI, The Idle 'Prentice Executed at Tyburn
- 1768
38
- Industry and Idleness, Plate VII, The Idle 'Prentice Returned from Sea, and in a Garret with a Prostitute
- 1833
39
- Industry and Idleness, Plate IX, The Idle 'Prentice Betrayed by a Prostitute
- 1833
40
- Industry and Idleness, Plate VIII, The Industrious 'Prentice Grown Rich, and Sheriff of London
- 1833
41
- Industry and Idleness, Plate X, The Industrious 'Prentice Alderman of London, the Idle One Impeach'd before Him by His Accomplice
- 1833
42
- Grotesque Female Head
- undated
43
- Grotesque Female Head
- undated
44
- The First Stage of Cruelty
- ca. 1750
45
- Grotesque Male Head
- undated
46
- Grotesque Male Head
- undated
47
- Grotesque Male Head
- undated
48
- Grotesque Male Head
- undated
49
- Grotesque Male Head
- undated
50
- Grotesque Male Head
- undated
51
- Grotesque Male Head
- undated
52
- Grotesque Female Head
- undated
53
- Grotesque Male Head
- undated
54
- Grotesque Female Head
- undated
55
- Grotesque Female Head
- undated
56
- Grotesque Male Head
- undated
57
- Hymen
- ca. 1748
58
- Gabriel Hunt
- undated
59
- Benjamin Read
- ca. 1757
60
- George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
- ca. 1750
61
- Study of a Female Nude
- undated
62
- Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right
- undated
63
- George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
- ca. 1750
64
- Study for the Foundlings
- ca. 1739
65
- Columbus Breaking the Egg
- 1752
66
- Copyright - Act of Parliament
- 1767
67
- The Five Orders of Periwigs
- 1761
68
- Marriage à la Mode, Plate 6
- 1745
69
- Strolling Actresses Dressing in a Barn
- 1738
70
- Prints Publish'd by the Late W. Hogarth
- 1765
71
- Plate 7, The Idle 'Prentice Returned from Sea and in a Garret with a Common Prostitute
- 1747
72
- Simon Lord Lovat
- 1746
73
- Royal Sport, Pit Ticket
- 1759
74
- Auction of Pictures, &c
- 1799
75
- Frontispiece to Leveridge's Songs
- 1799
76
- Frontispiece to Hogarth's Works, The Milk Maid
- 1850
77
- None
- 1833
78
- Country Inn Yard
- 1833
79
- The Invasion, Plate II, England
- 1768
80
- The Distressed Poet
- 1833
81
- The Invasion, Plate II, England
- 1833
82
- The Invasion, Plate II, England
- 1833
83
- Marriage à la Mode, Plate I, The Contract
- 1833
84
- The Invasion, Plate I, France
- 1768
85
- Auction of Pictures, &c
- 1799
86
- The Polling
- 1766
87
- Chairing the Members
- 1766
88
- The Chorus
- 1768
89
- Sketches from Pen and Ink Drawings, Character and Caricatura
- 1794
90
- The Laughing Audience
- 1768
91
- Sketches from Pen and Ink Drawings, Character and Caricatura
- 1794
92
- Sketches from Pen and Ink Drawings, Character and Caricatura
- 1794
93
- Sketches from Pen and Ink Drawings, Character and Caricatura
- 1794
94
- Concert Ticket, Mary's Chappel
- 1799
95
- Concert Ticket, Mary's Chappel
- 1799
96
- Concert Ticket, Mary's Chappel
- 1799
97
- Concert Ticket, Mary's Chappel
- 1799
98
- Concert Ticket, Mary's Chappel
- 1799
99
- Concert Ticket, Mary's Chappel
- 1799
100
- Concert Ticket, Mary's Chappel
- 1799