Cincinnatus in Retirement, Falsely Supposed to Represent Jesuit-Pad' Driven Back to his Native Potatoes. (from: Caricature, vol. 2)
1782
203
James Gillray, 1756–1815
The Friendly Agent
1787
204
James Gillray, 1756–1815
The Cole - Heavers. Two Virtuous Elves, Taking care of Themselves
1783
205
James Gillray, 1756–1815
The Tree of Liberty
1797
206
James Gillray, 1756–1815
The Genius of France Triumphant - or - Britannia Petitioning for Peace - Vide. The Proposals of Opposition
1795
207
James Gillray, 1756–1815
Horrors of the Irish-Union; - Botheration of Poor Pat! - or - A Whisper Across the Channel (from: Caricature, vol. 1)
1798
208
James Gillray, 1756–1815
Fighting for the Dunghill, - or - Jack Tar Settling Citoyen Francois (from: Caricature, vol. 1)
1798
209
James Gillray, 1756–1815
What a Cur ' tis
1795
210
James Gillray, 1756–1815
Substitutes for Bread; - or - Right Honorables, Saving the Loaves and Dividing the Fishes
1795
211
James Gillray, 1756–1815
The Noble Sans - Culotte
1794
212
James Gillray, 1756–1815
Love's Last Shift
1787
213
James Gillray, 1756–1815
Presentation of the Mahometan Credentials - or - The Final Resource of French Atheists (from: Caricature, vol. 2)
1793
214
James Gillray, 1756–1815
The Eruption of the Mountain - or - The Horrors of the Bocca Del Inforno----With the Head of the Protector Saint Januarius Carried in Processions by the Cardinal Archeveque of the Lazaroni
1794
215
James Gillray, 1756–1815
Cockney-Sportsmen Shooting-Flying
1800
216
James Gillray, 1756–1815
Hounds in Finding
1800
217
James Gillray, 1756–1815
Hounds Throwing-Off
1800
218
James Gillray, 1756–1815
Coming-In at the Death
1800
219
James Gillray, 1756–1815
Cockney-Sportsmen Re-charging
1800
220
James Gillray, 1756–1815
Fatal Effect of the French Defeat - Hanging (and) Drowning
1795
221
James Gillray, 1756–1815
Doublûres of Characters; - or - Striking Resemblance in Phisiognomy
1798
222
James Gillray, 1756–1815
Exhibition of a Democratic Transparency,-with its Effect upon Patriotic Feelings: Representing, the Secret-Committee throwing a Light upon the Dark Sketches of a Revolution found among the Papers of the Jacobin Societies lately apprehended..
1799
223
James Gillray, 1756–1815
The Leadenhall Volunteer, Drest in his Shawl
1797
224
James Gillray, 1756–1815
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
1791
225
James Gillray, 1756–1815
Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square
1796
226
James Gillray, 1756–1815
Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe
1796
227
James Gillray, 1756–1815
And The' - Tisick, - The Colic, Punch Cures The Gout
1799
228
James Gillray, 1756–1815
The Grand-Signior Retiring
1796
229
James Gillray, 1756–1815
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris
1796
230
James Gillray, 1756–1815
Hint to Modern Sculptors, as an Ornament to a Future Square ---
1796
231
James Gillray, 1756–1815
A Sun Setting in a Fog, With The Old Hanover Hack Descending
1783
232
James Gillray, 1756–1815
Which is the Better Man or The Pot Calls the Kettle Blacka-e
1786
233
James Gillray, 1756–1815
Two New Sliders for the State Magic Lanthern
1783
234
James Gillray, 1756–1815
The Soliloquy
1782
235
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
236
Print made by James Gillray, 1756–1815
The Sick Prince
1787
237
James Gillray, 1756–1815
Swearing to the Cutting Monster or - A Scene in Bow Street
1790
238
James Gillray, 1756–1815
The (Prince's) Nursery or Nine Months After
1786
239
James Gillray, 1756–1815
A Modern Cherub, - Vide Peters
1791
240
James Gillray, 1756–1815
The English Regency
1789
241
James Gillray, 1756–1815
The Battle of Bow-Street
1788
242
Print made by James Gillray, 1756–1815
Mason, The Duke's Confectioner Disposing of the Trinkets
1788
243
Print made by James Gillray, 1756–1815
Hyde-Park; - Sunday, - or - Both Hemispheres of the World in a Sweat ---
1789
244
Print made by James Gillray, 1756–1815
John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?
1789
245
James Gillray, 1756–1815
A Kick at the Broad-Bottoms! - i.e.- Emancipation of "All the Talents"
1807
246
James Gillray, 1756–1815
Cockney-Sportsmen marking game
1800
247
Charles Turner, 1774–1857
James Gillray
1819
248
Print made by James Gillray, 1756–1815
A Cognocenti Contemplating ye Beauties of ye Antique
1801
249
James Gillray, 1756–1815
The High German Method of Destroying Vermin at Rat-Stadt
1799
250
James Gillray, 1756–1815
Destruction of the French Collossus
1798
251
James Gillray, 1756–1815
Nelson's Victory: - or - Good - News Operating Upon Loyal - Feelings
1798
252
James Gillray, 1756–1815
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself
1798
253
James Gillray, 1756–1815
Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____
1798
254
James Gillray, 1756–1815
New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite
1798
255
James Gillray, 1756–1815
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
1797
256
James Gillray, 1756–1815
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar
1797
257
James Gillray, 1756–1815
Independence
1799
258
James Gillray, 1756–1815
A Man of Importance
1799
259
James Gillray, 1756–1815
Field Marshall Count Suwarrow-Rominskoy ---
1799
260
James Gillray, 1756–1815
A Portrait ------------
1799
261
James Gillray, 1756–1815
Elegance - Democratique, - A Sketch Found Near High-Wycombe; - Whenever I Wish to Form a Proper,- Estimate - of a Mans Mind, I Observe his Manners and his Dress. --- Lord Chesterfield,
1799
262
James Gillray, 1756–1815
A Hackney Meeting
1796
263
James Gillray, 1756–1815
The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat
1796
264
James Gillray, 1756–1815
Fashionable - Jockeyship
1796
265
James Gillray, 1756–1815
The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe
1792
266
Print made by James Gillray, 1756–1815
A Coalition of Parties, Give Justice Her Claims
1783
267
Print made by James Gillray, 1756–1815
The Minister In - The Minister Out
1782
268
Print made by James Gillray, 1756–1815
Scene Le Vrog House
1782
269
Print made by James Gillray, 1756–1815
Evacuation Before Resignation
1782
270
Print made by James Gillray, 1756–1815
Ornaments of Chelsea Hospital; or - A Peep Into the Last Century ---
1789
271
Print made by James Gillray, 1756–1815
The Coming-On, of the Monsoons; or - The Retreat from Seringapatam
1791
272
James Gillray, 1756–1815
The Prince at Grass --- The Prince in Clover
1787
273
Print made by Joseph Brown, 19th century
James Gillray
1848
274
James Gillray, 1756–1815
Cockney-Sportsmen finding a Hare
1800
275
James Gillray, 1756–1815
Evacuation Before Resignation
1782
276
James Gillray, 1756–1815
A Morning Ride
1804
277
unknown artist
We Explain the Rights of Man to de Noblesse -- Scene from the House of Lords
278
unknown artist
Sketch of the Interior of St. Stephens as it now Stands (Pitt speaking)
1802
279
James Gillray, 1756–1815
Aside he Turn'd for Envy, yet with Jealous leer Malign, Eyd them Askance
1782
280
James Gillray, 1756–1815
Paille d'Avoine - Paille d'Avoine
1786
281
Print made by James Gillray, 1756–1815
The (Coward), Comforted; - or - A Scene Immediately After the Duel ---
1789
282
James Gillray, 1756–1815
Sawney in the Bog-House
1779
283
James Gillray, 1756–1815
The Balance of Power. - OR - "The Posterity of the Immortal Chatham, Turn'd Posture Master." - Vide Sheridan's Speech -
1791
284
James Gillray, 1756–1815
The Bolgna Sausages or Opposition Flux'd
1788
285
James Gillray, 1756–1815
Ladies Dress, as it soon will be
1796
286
James Gillray, 1756–1815
The Orangerie; - or - the Dutch Cupid reposing after the fatigues of Planting
1796
287
James Gillray, 1756–1815
The Grand - Signior retiring
1796
288
James Gillray, 1756–1815
Presentation of the Mahometan Credentials - or - The Final resource of French Atheists
1793
289
James Gillray, 1756–1815
Ci-devant Occupations - or - Madame Talian and the Empress Josephine dancing Naked before Barrass in the Winter of 1797
1805
290
James Gillray, 1756–1815
Duke William's Ghost
1799
291
James Gillray, 1756–1815
Playing in Parts
1801
292
James Gillray, 1756–1815
Miss, I have a Monstrous Crow to pluck with you!!
1794
293
James Gillray, 1756–1815
The Man of Feeling, in search of Indispensibles
1800
294
James Gillray, 1756–1815
- "and would'st thou turn the vile Reproach on me?"