Nature display'd, shewing the Effect of the change of the Seasons on the Ladies garden
1797
103
James Gillray, 1756–1815
Brisk Cathartic
1804
104
James Gillray, 1756–1815
Going to London, through "Epping Forest"
1802
105
James Gillray, 1756–1815
Presentation of the Mahometan Credentials - or - The Final resource of French Atheists
1793
106
James Gillray, 1756–1815
The French Invasion; or John Bull, bombarding the Bum Boats
1793
107
James Gillray, 1756–1815
The Jersey Smuggler detected; - or - Good Cause for Seperation [scored through and replaced by] Discontent
1796
108
James Gillray, 1756–1815
The Orangerie; - or - the Dutch Cupid reposing after the fatigues of Planting
1796
109
James Gillray, 1756–1815
Fashionable Jockeyship
1796
110
James Gillray, 1756–1815
Cockney-Sportsmen marking game
1800
111
James Gillray, 1756–1815
The Valley of the Shadow of Death
1808
112
James Gillray, 1756–1815
Freedom (France) - Slavery (Britain)
1789
113
Print made by James Gillray, 1756–1815
Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will
1791
114
James Gillray, 1756–1815
Un Diplomatique, Settl'ing Affairs at Stevens's (Baron Haslang, Bavarian Minister)
1794
115
James Gillray, 1756–1815
Le Coup de Maitre
1797
116
James Gillray, 1756–1815
The Republican - Hercules Defending His Country
1797
117
James Gillray, 1756–1815
God Save the King. - In a Bumper. Or - An Evening Scene Three Times a Week at Wimbleton
1795
118
James Gillray, 1756–1815
The Tree of Liberty
1797
119
James Gillray, 1756–1815
The Table's Turn'd. Billy, in the Devil's Claws. - Billy, Sending the Devil Packing
1797
120
James Gillray, 1756–1815
Leaving off Powder, - or - a Frugal Family Saving the Guinea
1795
121
James Gillray, 1756–1815
Presages of the Millenium
1795
122
James Gillray, 1756–1815
The Prophet of the Hebrews, - The Prince of Peace, Conducting the Jews to the Promis'd-Land
1795
123
James Gillray, 1756–1815
A Slice of Glo'ster Cheese
1795
124
James Gillray, 1756–1815
-Gentle Manners, with Affections Mild, in Wit a Man, Simplicity a Child
1798
125
James Gillray, 1756–1815
Councellor Ego. - i.e.: - Little I, Myself, I
1798
126
James Gillray, 1756–1815
Portrait of an Irish Chief; Drawn from Life at Wexford
1798
127
James Gillray, 1756–1815
Copenhagen House
1795
128
James Gillray, 1756–1815
John Bull Taking a Luncheon; - or - British Cooks, Cramming Old Grumble-Gizzard with Bonne-Chere (from: Caricature, vol. 1)
1798
129
James Gillray, 1756–1815
Stealing Off; - or - Prudent Seces(s)ion. "Courageous Chief The First in Flight"
1798
130
James Gillray, 1756–1815
Improvement in Weights and Measures. - or - "Sir John Seeclear Discovering e/y Ballance of e/y Flag" (from: Caricature, vol. 1)
1798
131
James Gillray, 1756–1815
Fighting for the Dunghill, - or - Jack Tar Settling Citoyen Francois (from: Caricature, vol. 1)
1798
132
James Gillray, 1756–1815
The Royal Society
1786
133
James Gillray, 1756–1815
The Crown & Anchor - Libel, Burnt by the Public Hangman (from: Caricature, vol. 1)
1795
134
James Gillray, 1756–1815
Blindmans-Buff - or - Too Many for John Bull
1795
135
James Gillray, 1756–1815
The Eruption of the Mountain - or - The Horrors of the Bocca Del Inforno----With the Head of the Protector Saint Januarius Carried in Processions by the Cardinal Archeveque of the Lazaroni
1794
136
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
1806
137
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
1806
138
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
1806
139
James Gillray, 1756–1815
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself
1798
140
James Gillray, 1756–1815
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
1797
141
James Gillray, 1756–1815
The Leadenhall Volunteer, Drest in his Shawl
1797
142
James Gillray, 1756–1815
Exit Liberte a la Francois! - or - Buounaparte Closing the Farce of Egalite, at St. Cloud near Paris, Nov. 10th 1799
1799
143
James Gillray, 1756–1815
Homer Singing His Verses to the Greeks
1797
144
James Gillray, 1756–1815
Independence
1799
145
James Gillray, 1756–1815
Elegance - Democratique, - A Sketch Found Near High-Wycombe; - Whenever I Wish to Form a Proper,- Estimate - of a Mans Mind, I Observe his Manners and his Dress. --- Lord Chesterfield,
1799
146
James Gillray, 1756–1815
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar
1797
147
James Gillray, 1756–1815
Field Marshall Count Suwarrow-Rominskoy ---
1799
148
James Gillray, 1756–1815
A Man of Importance
1799
149
James Gillray, 1756–1815
Extirpation of the Plagues of Egypt
1798
150
James Gillray, 1756–1815
A Hackney Meeting
1796
151
James Gillray, 1756–1815
The Grand-Signior Retiring
1796
152
James Gillray, 1756–1815
Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square
1796
153
James Gillray, 1756–1815
Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe
1796
154
James Gillray, 1756–1815
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris
1796
155
James Gillray, 1756–1815
The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat
1796
156
James Gillray, 1756–1815
Fashionable - Jockeyship
1796
157
James Gillray, 1756–1815
Patience on a Monument
1791
158
Print made by James Gillray, 1756–1815
The Prince of Wales
1802
159
James Gillray, 1756–1815
The Friendly Agent
1787
160
James Gillray, 1756–1815
Two New Sliders for the State Magic Lanthern
1783
161
James Gillray, 1756–1815
The Thunderer. Vide; Every Man in His Humour, Alter'd From Ben John
1782
162
James Gillray, 1756–1815
The Castle in the Moon. A New Adventure, Not Mentioned By Cerventes
1782
163
Print made by James Gillray, 1756–1815
The Sick Prince
1787
164
Print made by James Gillray, 1756–1815
The Dutch Divisions
1787
165
James Gillray, 1756–1815
The Funeral Procession of Miss Regency
1789
166
Print made by James Gillray, 1756–1815
Mason, The Duke's Confectioner Disposing of the Trinkets
1788
167
Print made by James Gillray, 1756–1815
Hyde-Park; - Sunday, - or - Both Hemispheres of the World in a Sweat ---
1789
168
Print made by James Gillray, 1756–1815
John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?
1789
169
James Gillray, 1756–1815
French Generals Retiring, on Account of their Health; - with Lepaux Presiding in the Directorial Dispensary
1799
170
James Gillray, 1756–1815
Exhibition of a Democratic Transparency,-with its Effect upon Patriotic Feelings: Representing, the Secret-Committee throwing a Light upon the Dark Sketches of a Revolution found among the Papers of the Jacobin Societies lately apprehended..
1799
171
James Gillray, 1756–1815
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery
1791
172
James Gillray, 1756–1815
Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon
1796
173
James Gillray, 1756–1815
The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe
1792
174
James Gillray, 1756–1815
John Bull & His Dog Faithful; - "Among The Faithless, Faithful Only Found"
1796
175
James Gillray, 1756–1815
Margarets Ghost. What's the Matter Auntee-Peg, What Makes You Put on Such a Long Face?
1791
176
James Gillray, 1756–1815
The Seige of Blenheim, - or - The New System of Gunning, Discovered -- Vide - A Bold Stroke for a Husband-Dedicated to the Duke of A.-
1791
177
Print made by James Gillray, 1756–1815
Scene Le Vrog House
1782
178
James Gillray, 1756–1815
Aside he Turn'd for Envy, yet with Jealous leer Malign, Eyd them Askance
1782
179
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
180
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
181
James Gillray, 1756–1815
The Doctor Indulged with his Favorite Scene ---
ca. 1790
182
James Gillray, 1756–1815
Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____
1798
183
James Gillray, 1756–1815
Buonaparte Leaving Egypt
1800
184
James Gillray, 1756–1815
The High German Method of Destroying Vermin at Rat-Stadt
1799
185
James Gillray, 1756–1815
New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite
1798
186
James Gillray, 1756–1815
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
1791
187
James Gillray, 1756–1815
A Portrait ------------
1799
188
James Gillray, 1756–1815
And The' - Tisick, - The Colic, Punch Cures The Gout
1799
189
James Gillray, 1756–1815
Hint to Modern Sculptors, as an Ornament to a Future Square ---
1796
190
James Gillray, 1756–1815
The - Battle Royal, or Who Wears the Breeches
1784
191
James Gillray, 1756–1815
A Natural Crop; - Alias - A Norfolk Dumpling
1791
192
James Gillray, 1756–1815
A Sun Setting in a Fog, With The Old Hanover Hack Descending
1783
193
James Gillray, 1756–1815
Which is the Better Man or The Pot Calls the Kettle Blacka-e
1786
194
James Gillray, 1756–1815
A Witch, Upon a Mount's Edge - Vide: Fuzelli
1791
195
James Gillray, 1756–1815
A Uniform Whig ---
1791
196
James Gillray, 1756–1815
The April Fool or The Follies of a Night ---
1786
197
James Gillray, 1756–1815
The Royal Academy
1786
198
James Gillray, 1756–1815
Gloria Mundi, or The Devil Addressing the Sun
ca. 1782
199
James Gillray, 1756–1815
Cincinnatus in Retirement, Falsely Supposed to Represent Jesuit-Pad' Driven Back to his Native Potatoes. (from: Caricature, vol. 2)