Deerhound and Bitch Cornering a Stag at the Edge of a Woodland Pool
1832
8
Print made by Edward Radclyffe, 1809–1863
Stag at the Edge of a Pond
undated
9
Print made by Newton Limbird Smith Fielding, 1799–1856
The Stable
1836
10
Print made by Newton Limbird Smith Fielding, 1799–1856
Goats in Glencoe
1836
11
Print made by Newton Limbird Smith Fielding, 1799–1856
Fallow Deer
1836
12
Newton Limbird Smith Fielding, 1799–1856
[Fox-hunting] Set of four: "Moving Accidents by Flood and Field". Plate I. "Tis the pace that kills. / The chase is up, hark! to the wild away! /... Gallants have pause: though but a moment, stay /..."
1836
13
Newton Limbird Smith Fielding, 1799–1856
[Fox-hunting] Set of four: "Moving Accidents by Flood and Field". Plate III. "Afloat. As troubles multiply, things grow select, / ... Dire is the daring now of the `elect', / ..."
1836
14
Newton Limbird Smith Fielding, 1799–1856
[Fox-hunting] Set of four: "Moving Accidents by Flood and Field". Plate IV. "Aground. The vermin sinks: mark, struggling for the lead, / ... Take counsel of our canvas - nurse your steed, / ..."
1836
15
Newton Limbird Smith Fielding, 1799–1856
[Fox-hunting] Set of four: "Moving Accidents by Flood and Field". Plate II. "A case of Pound. / Now Minrods! shew that ye are workmen: keep / ... Hold hard! 'ware Squire traps - look before ye leap / ..."
1836
16
Fielding, Newton Limbird Smith, 1799–1856
How to sketch from nature, or, Perspective and its application
[1856]
17
Fielding, Newton Limbird Smith, 1799–1856
Subjects after nature
[1836]
18
Fielding, Newton Limbird Smith, 1799–1856
What to sketch with, or, Hints on the use of coloured crayons, water colours, oil colours, black and white chalks, black-lead pencil
[1856]
19
Fielding, Newton Limbird Smith, 1799–1856
Copies after nature
[1836]
20
Fielding, Newton Limbird Smith, 1799–1856
How to sketch from nature, or, Perspective and its application