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Creator Boys, Thomas Shotter, 1803–1874

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Subject Terms bridge (built work)

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Corner of the Palais de Justice, Paris
Creator:
Print made by Thomas Shotter Boys, 1803–1874
Date:
ca. 1833
Materials & Techniques:
Soft-ground etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 5/16 x 9 3/4 inches (33.8 x 24.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Pont des Arts, Paris
Creator:
Thomas Shotter Boys, 1803–1874
Date:
between 1831 and 1837
Materials & Techniques:
Pen and black ink and brown ink, graphite and watercolor on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 6 5/8 x 13 1/8 inches (16.8 x 33.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Le Pont Royal, Paris
Creator:
Thomas Shotter Boys, 1803–1874
Date:
ca. 1828
Materials & Techniques:
Watercolor with pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 5/8 x 9 1/2 inches (14.3 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Church of St. Magnus the Martyr, London Bridge, with the Monument in the Background
Creator:
Thomas Shotter Boys, 1803–1874
Date:
1832
Materials & Techniques:
Watercolor with pen in brown ink over graphite with gouache and arabic gum on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 11/16 x 10 5/8 inches (34.8 x 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Mantes

Mantes
Creator:
follower of Thomas Shotter Boys, 1803–1874
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 4 1/8 x 5 inches (10.4 x 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Notre Dame, Paris
Creator:
Thomas Shotter Boys, 1803–1874
Date:
between 1831 and 1845
Materials & Techniques:
Watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/4 x 8 7/16 inches (15.9 x 21.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Castle Mills Bridge, York
Creator:
Thomas Shotter Boys, 1803–1874
Date:
1839
Materials & Techniques:
Graphite and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/8 x 7 1/8 inches (11.1 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On the Seine
Creator:
Thomas Shotter Boys, 1803–1874
Date:
1831
Materials & Techniques:
Watercolor with pen and brown ink over graphite with gum arabic on moderately thick, slightly textured, cream wove paper, mounted to thick, slightly textured, cream wove paper, mounted to thick, slightly textured, beige card
Dimensions:
Mount: 5 3/4 x 8 3/4 inches (14.6 x 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Brussels from the Paris Road
Creator:
Thomas Shotter Boys, 1803–1874
Date:
1831
Materials & Techniques:
Watercolor, gouache, and scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 6 11/16 x 10 3/16 inches (17 x 25.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Iola S. Haverstick
Quayside, Notre Dame in Distance
Creator:
Print made by Thomas Shotter Boys, 1803–1874
Date:
undated
Materials & Techniques:
Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 7/16 x 19 15/16 inches (34.2 x 50.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
L'Institut de France, Paris
Creator:
Thomas Shotter Boys, 1803–1874
Date:
1830
Materials & Techniques:
Watercolor, with pen in brown ink over graphite on moderately thick, rough, beige wove paper
Dimensions:
Sheet: 14 x 10 7/16 inches (35.6 x 26.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection