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Creator Blake, William, 1757–1827

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601. Fable XXVIII. The Persian, the Sun, and the Cloud

Fable XXVIII. The Persian, the Sun, and the Cloud
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

602. Fable XXX. The Setting-dog and the Partridge

Fable XXX. The Setting-dog and the Partridge
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

603. Fable I. The Dog and the Fox

Fable I. The Dog and the Fox
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

604. Fable XII. Pan and Fortune

Fable XII. Pan and Fortune
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

605. Fable XVI. The Ravens, the Sexton, and the Earth-Worm

Fable XVI. The Ravens, the Sexton, and the Earth-Worm
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

606. The Widow Embracing Her Husband's Grave

The Widow Embracing Her Husband's Grave
Creator:
William Blake, 1757–1827
Date:
1805 to 1808
Materials & Techniques:
Pen and gray ink with graphite and watercolor on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 6 x 8 1/8 inches (15.2 x 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

607. Copy of the Laocoön, for Rees's Cyclopædia

Copy of the Laocoön, for Rees's Cyclopædia
Creator:
William Blake, 1757–1827
Date:
1815
Materials & Techniques:
Graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 12 5/8 × 9 inches (32.1 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

608. A Visionary Head

A Visionary Head
Creator:
William Blake, 1757–1827
Date:
1819 to 1820
Materials & Techniques:
Graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 5/8 inches (19.1 x 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

609. Five Visionary Heads of Women

Five Visionary Heads of Women
Creator:
William Blake, 1757–1827
Date:
1819 to 1820
Materials & Techniques:
Graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 10 5/8 x 12 3/4 inches (27 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

610. Socrates, a Visionary Head

Socrates, a Visionary Head
Creator:
William Blake, 1757–1827
Date:
ca. 1820
Materials & Techniques:
Graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 8 7/8 x 7 1/4 inches (22.5 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

611. Pity

Pity
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1795
Materials & Techniques:
Color printed monotype, with watercolor, pen and black ink, and varnish on moderately textured wove paper
Dimensions:
Sheet: 16 1/4 x 20 1/4 inches (41.3 x 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

612. Illustrations of Imitation of Eclogue I, Frontispiece

Illustrations of Imitation of Eclogue I, Frontispiece
Creator:
William Blake, 1757–1827
Date:
1821
Materials & Techniques:
Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:
Spine: 7 1/8 inches (18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

613. Pericles, Frontispiece

Pericles, Frontispiece
Creator:
Print made by William Blake, 1757–1827
Date:
1800
Materials & Techniques:
Engraving
Dimensions:
Plate: 7 3/4 x 6 1/2in. (19.7 x 16.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

614. Thomas Hayley the Disciple of John Flaxman, from a Medallion

Thomas Hayley the Disciple of John Flaxman, from a Medallion
Creator:
Print made by William Blake, 1757–1827
Date:
1800
Materials & Techniques:
Engraving
Dimensions:
Plate: 7 3/4 x 6 1/2in. (19.7 x 16.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

615. Publius Virgilius Maro

Publius Virgilius Maro
Creator:
Print made by William Blake, 1757–1827
Date:
1821
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Spine: 7 1/8 inches (18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

616. A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq.

A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq.
Creator:
Print made by William Blake, 1757–1827
Date:
1804
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 11 1/2 inches (29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

617. The Death of Demosthenes

The Death of Demosthenes
Creator:
Print made by William Blake, 1757–1827
Date:
1800
Materials & Techniques:
Engraving
Dimensions:
Plate: 7 3/4 x 6 1/2in. (19.7 x 16.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

618. Beggar's Opera, Act III

Beggar's Opera, Act III
Creator:
William Blake, 1757–1827
Date:
c.1790
Materials & Techniques:
Engraving
Dimensions:
Sheet: 17 7/16 x 22 9/16in. (44.3 x 57.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

619. Thomas Hayley the Disciple of John Flaxman, from a Medallion

Thomas Hayley the Disciple of John Flaxman, from a Medallion
Creator:
Print made by William Blake, 1757–1827
Date:
1800
Materials & Techniques:
Stipple engraving and line engraving on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 11 5/16 x 8 11/16 inches (28.7 x 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

620. A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq.

A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq.
Creator:
Print made by William Blake, 1757–1827
Date:
1804
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 11 1/2 inches (29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

621. Introduction to the Fables, The Shepherd and the Philosopher

Introduction to the Fables, The Shepherd and the Philosopher
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

622. Fable VI. The Miser and Plutus

Fable VI. The Miser and Plutus
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

623. Fable XIII. The Tame Stag

Fable XIII. The Tame Stag
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

624. Fable XXIV. The Butterfly and the Snail

Fable XXIV. The Butterfly and the Snail
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

625. Fable XLI. The Owl and the Farmer

Fable XLI. The Owl and the Farmer
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

626. God Creating the Universe

God Creating the Universe
Creator:
unknown artist
Date:
ca. 1800
Materials & Techniques:
Graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 x 13 1/8 inches (23.5 x 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

627. Death of the Strong Wicked Man

Death of the Strong Wicked Man
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 15 inches (28.9 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

628. The Meeting of a Family in Heaven

The Meeting of a Family in Heaven
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

629. The Counsellor, King, Warrior, Mother & Child, in the Tomb

The Counsellor, King, Warrior, Mother & Child, in the Tomb
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 15 inches (28.9 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

630. The Day of Judgment

The Day of Judgment
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

631. Robert Blair, The Grave, Title Page

Robert Blair, The Grave, Title Page
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

632. Christ Descending into the Grave

Christ Descending into the Grave
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

633. Death's Door

Death's Door
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

634. The Soul Exploring the Recesses of the Grave

The Soul Exploring the Recesses of the Grave
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

635. The Death of the Good Old Man

The Death of the Good Old Man
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 15 inches (28.9 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

636. The Soul Hovering over the Body reluctantly Parting with Life

The Soul Hovering over the Body reluctantly Parting with Life
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 15 inches (28.9 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

637. The Descent of Man into the Vale of Death

The Descent of Man into the Vale of Death
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

638. The Reunion of the Soul & the Body

The Reunion of the Soul & the Body
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

639. Songs of Innocence and of Experience

Songs of Innocence and of Experience
Creator:
unknown artist
Date:
ca. 1808
Materials & Techniques:
54 watercolors with pen & brown ink, on 54 leaves (with a letter from Samuel Rogers)
Dimensions:
Spine: 8 1/8in. (20.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

640. Illustrations of the Book of Job

Illustrations of the Book of Job
Creator:
John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor with pen and black ink on card
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

641. Job and His Daughters

Job and His Daughters
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 3/4 x 4 3/4 inches (9.5 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

642. The Destruction of Job's Sons

The Destruction of Job's Sons
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 1/8 inches (13.3 x 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

643. Satan Smiting Job with Boils

Satan Smiting Job with Boils
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 3/4 x 4 3/4 inches (9.5 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

644. Job's Despair

Job's Despair
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 3/4 x 4 3/4 inches (9.5 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

645. Reproduction of "William Blake in Youth and Age"

Reproduction of "William Blake in Youth and Age"
Creator:
Print made by George Richmond, 1809–1896
Date:
ca. 1830
Materials & Techniques:
Lithograph with gray tint on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 11/16 x 8 1/16 inches (27.1 x 20.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

646. The Creation

The Creation
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/4 x 3 3/4 inches (14.6 x 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

647. Job and His Family

Job and His Family
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Black ink and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/2 x 4 5/8 inches (8.9 x 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

648. Job Accepting Charity

Job Accepting Charity
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/2 x 4 3/4 inches (8.9 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

649. Job and His Wife Restored to Prosperity

Job and His Wife Restored to Prosperity
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/2 x 4 5/8 inches (8.9 x 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

650. The Messengers Tell Job of the Misfortunes that Have Befallen Him

The Messengers Tell Job of the Misfortunes that Have Befallen Him
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/2 x 4 5/8 inches (8.9 x 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

651. Title Page: Illustrations of the Book of Job

Title Page: Illustrations of the Book of Job
Creator:
circle of John Linnell, 1792–1882
Date:
after 1825
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 x 3 1/2 inches (12.7 x 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

652. Job's Evil Dreams

Job's Evil Dreams
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 5/8 x 4 5/8 inches (9.2 x 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

653. The Fall of Satan

The Fall of Satan
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 3 7/8 inches (13.3 x 9.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

654. The Vision of God

The Vision of God
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 5/8 x 5 inches (9.2 x 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

655. Job's Sacrifice

Job's Sacrifice
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/4 x 3 1/2 inches (12.1 x 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

656. Satan before the Throne of God

Satan before the Throne of God
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/8 x 4 1/8 inches (13.7 x 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

657. Facsimile of plate number 76 from "Jerusalem"

Facsimile of plate number 76 from "Jerusalem"
Creator:
Published by Whittington and Griggs, Chiswick, active 1921
Date:
1921
Materials & Techniques:
Color printed collotype
Dimensions:
Sheet: 13 1/2 x 10 3/8in. (34.3 x 26.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

658. Reproduction of "William Blake in Youth and Age"

Reproduction of "William Blake in Youth and Age"
Creator:
Print made by George Richmond, 1809–1896
Date:
ca. 1830
Materials & Techniques:
Lithograph with gray tint on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 11/16 x 7 13/16 inches (27.2 x 19.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

659. The Vision of Eliphaz

The Vision of Eliphaz
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 3 3/4 inches (13.3 x 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

660. Job Rebuked by His Friends

Job Rebuked by His Friends
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 5/8 x 4 3/4 inches (9.2 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

661. The Wrath of Elihu

The Wrath of Elihu
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 5/8 x 4 3/4 inches (9.2 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

662. The Lord Answering Job out of the Whirlwind

The Lord Answering Job out of the Whirlwind
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 3/4 x 4 7/8 inches (9.5 x 12.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

663. Behemoth and Leviathan

Behemoth and Leviathan
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Frame: 20 1/4 x 15 1/4 x 1in. (51.4 x 38.7 x 2.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

664. Satan Going Forth from the Presence of the Lord

Satan Going Forth from the Presence of the Lord
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 1/8 inches (13.3 x 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

665. Job's Comforters

Job's Comforters
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 5/8 x 4 5/8 inches (9.2 x 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

666. The Monument of Ann of Cleves, Fourth Wife of King Henry VIII, Plate VII

The Monument of Ann of Cleves, Fourth Wife of King Henry VIII, Plate VII
Creator:
Print made by James Basire, 1730–1802
Date:
1780
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

667. The Front of the Monument of Aveline, First Wife of Edmund Crouchback, Plate I

The Front of the Monument of Aveline, First Wife of Edmund Crouchback, Plate I
Creator:
Print made by James Basire, 1730–1802
Date:
1780
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

668. The North Front of the Monument of King Sebert, Plate IV

The North Front of the Monument of King Sebert, Plate IV
Creator:
Print made by James Basire, 1730–1802
Date:
1780
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

669. The Figure of Aveline Countess of Lancaster, Cumbent on her Monument, Plate II

The Figure of Aveline Countess of Lancaster, Cumbent on her Monument, Plate II
Creator:
Print made by James Basire, 1730–1802
Date:
1780
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

670. The Figures Supposed to be those of King Sebert and King Henry III, Plate V

The Figures Supposed to be those of King Sebert and King Henry III, Plate V
Creator:
Print made by James Basire, 1730–1802
Date:
1780
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

671. The Under Vaulting of one Side of the Canopy of the Monument of Aveline, Coutess of Lancaster, Plate III

The Under Vaulting of one Side of the Canopy of the Monument of Aveline, Coutess of Lancaster, Plate III
Creator:
Print made by James Basire, 1730–1802
Date:
1780
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

672. Heads & Ornaments on the North Side of the Monument of King Sebert, Plate VI

Heads & Ornaments on the North Side of the Monument of King Sebert, Plate VI
Creator:
Print made by James Basire, 1730–1802
Date:
1780
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

673. Psyche Disobeys

No cover image available
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Etching
Dimensions:
Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

674. Cupid & Psyche

No cover image available
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Etching
Dimensions:
Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

675. Cupid & Psyche

No cover image available
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Etching and line engraving
Dimensions:
Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

676. Iron Age

No cover image available
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Etching
Dimensions:
Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

677. Aristophanes Clouds. Scene I

No cover image available
Creator:
Print made by William Blake, 1757–1827
Date:
1795
Materials & Techniques:
Etching and line engraving
Dimensions:
Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

678. Psyche Repents

No cover image available
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Etching
Dimensions:
Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

679. Venus Counsels Cupid

No cover image available
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Etching
Dimensions:
Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

680. Sabrina's Silvery Flood; Imitation of Eclogue I

No cover image available
Creator:
Wood block engraved by William Blake, 1757–1827
Date:
1821, reprinted 1977
Materials & Techniques:
Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:
Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

681. Colinet's Fond Desire Strange Lands to Know; Imitation of Eclogue I

No cover image available
Creator:
Wood block engraved by William Blake, 1757–1827
Date:
1821, reprinted 1977
Materials & Techniques:
Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:
Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

682. A Rolling Stone is Ever Bare of Moss; Imitation of Eclogue I

No cover image available
Creator:
Wood block engraved by William Blake, 1757–1827
Date:
1821, reprinted 1977
Materials & Techniques:
Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:
Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

683. Colinet with his Shepherd's Pipe, Mocked by Two Boys; Imitation of Eclogue I

No cover image available
Creator:
Wood block engraved by William Blake, 1757–1827
Date:
1821, reprinted 1977
Materials & Techniques:
Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:
Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

684. For Him Our Yearly Wakes and Feasts We Hold; Imitation of Eclogue I

No cover image available
Creator:
Wood block engraved by William Blake, 1757–1827
Date:
1821, reprinted 1977
Materials & Techniques:
Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:
Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

685. Psyche Repents

No cover image available
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Etching
Dimensions:
Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

686. Thenot and Colinet Folding their Flocks together at Sunset; Imitation of Eclogue I

No cover image available
Creator:
Wood block engraved by William Blake, 1757–1827
Date:
1821, reprinted 1977
Materials & Techniques:
Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:
Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

687. Thenot and Colinet at Supper; Imitation of Eclogue I

No cover image available
Creator:
Wood block engraved by William Blake, 1757–1827
Date:
1821, reprinted 1977
Materials & Techniques:
Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:
Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

688. And Unyok'd Heifers, Loitering Homewards, Low; Imitation of Eclogue I

No cover image available
Creator:
Wood block engraved by William Blake, 1757–1827
Date:
1821, reprinted 1977
Materials & Techniques:
Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:
Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

689. With Songs the Jovial Hinds Return from Plow; Imitation of Eclogue I

No cover image available
Creator:
Wood block engraved by William Blake, 1757–1827
Date:
1821, reprinted 1977
Materials & Techniques:
Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:
Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

690. Psyche Disobeys

No cover image available
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Etching and line engraving
Dimensions:
Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

691. Aristophanes Clouds. Scene I

No cover image available
Creator:
Print made by William Blake, 1757–1827
Date:
1795
Materials & Techniques:
Etching
Dimensions:
Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

692. Anacreon Ode LII

No cover image available
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Etching
Dimensions:
Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

693. Venus Councels Cupid

No cover image available
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Etching and line engraving
Dimensions:
Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

694. The Conjugal Union of Cupid

No cover image available
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Etching and line engraving
Dimensions:
Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

695. Anacreon Ode LII

No cover image available
Creator:
Print made by William Blake, 1757–1827
Date:
1795
Materials & Techniques:
Etching
Dimensions:
Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

696. The Conjugal Union of Cupid

No cover image available
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Etching
Dimensions:
Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

697. Job and his Family

No cover image available
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

698. Satan before the Throne of God

No cover image available
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

699. Job's Comforters

No cover image available
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Line engraving on india proof paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

700. The Fall of Satan

No cover image available
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection