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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
17
Creator
Blake, William, 1757–1827
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17
Date
1804
17
On-site Access
Accessible by appointment in the Study Room
17
Image Use
Free to Use
17
Image Available
Available
17
Classification
Prints
17
Creator Gender
male
17
Collective Title
Jerusalem: The Emanation of The Giant Albion, Copy E
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Period
19th century
17
Materials & Techniques
black ink
17
relief etching
17
watercolor
17
wove paper
17
gold
1
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26
Work Type
drawing
17
relief print
17
watercolor
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Genre
literary theme
17
religious and mythological subject
17
Subject Terms
literary theme
17
religious and mythological subject
17
text
17
vines
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17
men
7
nudes
6
roots
5
leaf
4
birds
3
branches
3
sky
3
spires
3
sun
3
women
3
beard
2
serpent
2
sinews
2
sitting
2
stars
2
vegetation
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Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
17
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
17
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
2
William Blake: Visionary (The J. Paul Getty Museum, 2023-10-17 - 2024-01-14)
2
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
1
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
17
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Creator
Blake, William, 1757–1827
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vines
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1
Print made by William Blake, 1757–1827
"When those who disregard all Mortal Things..." (Plate 55)
1804 to 1820
2
Print made by William Blake, 1757–1827
"The clouds of Albions Druid Temples..." (Plate 60)
1804 to 1820
3
Print made by William Blake, 1757–1827
"Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)
1804 to 1820
4
Print made by William Blake, 1757–1827
"The Feminine separates from the Masculine..." (Plate 90)
1804 to 1820
5
Print made by William Blake, 1757–1827
"It is easier to forgive an enemy..." (Plate 91)
1804 to 1820
6
Print made by William Blake, 1757–1827
"The secret coverts of Albion & the hidden places of America..." (Plate 49)
1804 to 1820
7
Print made by William Blake, 1757–1827
"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
1804 to 1820
8
Print made by William Blake, 1757–1827
"By those who drink their blood & the blood of their Covenant..." (Plate 67)
1804 to 1820
9
Print made by William Blake, 1757–1827
"O Skofield why art thou cruel?..." (Plate 68)
1804 to 1820
10
Print made by William Blake, 1757–1827
"Highgates heights & Hampsteads..." (Plate 84)
1804 to 1820
11
Print made by William Blake, 1757–1827
"Became a Space & an Allegory..." (Plate 85)
1804 to 1820
12
Print made by William Blake, 1757–1827
"I see thy Form O lovely mild Jerusalem..." (Plate 86)
1804 to 1820
13
Print made by William Blake, 1757–1827
"And Hand & Hyle rooted into Jerusalem..." (Plate 15)
1804 to 1820
14
Print made by William Blake, 1757–1827
"Elevate into the Region of Brotherhood..." (Plate 34)
1804 to 1820
15
Print made by William Blake, 1757–1827
"In beauty the Daughters of Albion divide..." (Plate 58)
1804 to 1820
16
Print made by William Blake, 1757–1827
"Then each an Arrow flaming from his Quiver..." (Plate 98)
1804 to 1820
17
Print made by William Blake, 1757–1827
Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
1804 to 1820