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1
- Cordelia
- 1784
2
- A Plate from Orlando Furioso: Depicting Orlando and Rodomont Fighting
- 1773
3
- Illustration from Orlando Furioso: "Che deb'bo sar? che poss'io sar qui sola? / che mi da ajuto, oime, che mi consola?"
- 1773
4
- Lovelace in Prison
- 1788
5
- Ophelia: There Is Rue for You and Here's Some for Me
- 1784
6
- Queen Katherine's Dream - "Henry VIII"
- 1788
7
- John Henderson as Iago
- before 1786
8
- Miss Anna Brunton
- 1785
9
- Tancred and Clorinda
- 1785
10
- Griselda Returning to her Father
- after 1785
11
- Gualtherus and Griselda
- 1784
12
- Alphonso and Aciloe
- 1788
13
- The Death of Cora
- 1788
14
- Celadon and Amelia
- 1782
15
- And Ah! Let Pity Turn Her Dewy Eyes..
- 1801
16
- Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II
- 1786
17
- Ophelia: There's Rue for You, and Here's Some for Me
- 1784
18
- Twelfth Night, Act V, Scene I: The Street
- 1803
19
- Tom Jones Assisting Molly Seagrim
- 1782
20
- Dido and Aeneas
- 1787
21
- Ticket: Anacreontic Society Meeting
- 1779
22
- Ticket: Anacreontic Society Meeting
- 1773
23
- John Henderson as Iago
- 1786
24
- Pospero Disarming Ferdinand from The Tempest, Act I, Scene II
- 1793