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Collection
Rare Books and Manuscripts
23
Creator
Dubreuil, Jean, 1602–1670
3
Ferguson, James, 1710–1776
2
Highmore, Joseph, 1692–1780
2
Cobin, A
1
Cowley, John Lodge, 1719–1797
1
Ditton, Humphry, 1675–1715
1
Hamilton, J. (John)
1
Kirby, John Joshua, 1716–1774
1
Noble, Edward
1
Oakley, Edward, active 18th century
1
Pozzo, Andrea, 1642–1709
1
Priestley, Joseph, 1733–1804
1
Serlio, Sebastiano, 1475–1554
1
Taylor, Brook, 1685–1731
1
Date
Date range begin
–
Date range end
Current results range from
1657
to
1798
On-site Access
Accessible by appointment in the Study Room
23
Image Use
Under Certain Circumstances
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23
Image Available
Unavailable
23
Classification
Books
23
Creator Gender
unknown
23
Period
18th century
18
17th century
5
Work Type
drawing book
5
handbooks and manual
5
engraving
3
booksellers' advertisement
1
etching
1
imposition errors (printing)
1
manuals (handbooks)
1
publishers' advertisement
1
Subject Terms
Perspective -- Early works to 1800.
[remove]
23
Drawing -- Technique.
9
Drawing -- Handbooks, manuals, etc.
7
Architecture -- Early works to 1800.
3
Cadell, T. -- Publisher.
2
Geometry -- Early works to 1800.
2
Jenner, Thomas, fl. 1631–1656 -- Publisher.
2
M. S. -- Printer.
2
Nourse, J. -- Publisher.
2
Strahan, W. -- Publisher.
2
Amber.
1
Architecture -- Study and teaching -- Early works to 1800.
1
Beaumont, Richard Blackett -- Bookplate.
1
Bowles, John -- Publisher.
1
Bowles, Thomas -- Publisher.
1
Bowyer, W. -- Printer.
1
Creake, B. -- Publisher.
1
Cuff, Thomas -- Bookplate.
1
Davidson, Jacob -- Autograph. (copy 1).
1
Davies, T. -- Publisher.
1
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Subject Terms
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Associated Places
England
2
London
2
Westminster (London, England)
1
Associated People
Jenner, Thomas, fl. 1631–1656
1
Rubens, Peter Paul, Sir, 1577–1640
1
Exhibition History
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
3
Language
English
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23
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English
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Subject Terms
Perspective -- Early works to 1800.
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1
The art of drawing in perspective
1786
2
Highmore, Joseph, 1692–1780
A critical examination of those two paintings on the cieling [sic] of the banqueting-house at Whitehall
1754
3
Hamilton, J. (John)
Stereography, or, A compleat body of perspective
1738
4
Ferguson, James, 1710–1776
The art of drawing in perspective made easy
1775
5
Highmore, Joseph, 1692–1780
The practice of perspective, on the principles of Dr. Brook Taylor
1763
6
Cowley, John Lodge, 1719–1797
The theory of perspective demonstrated;
1765
7
The art of drawing in perspective
1777
8
Dubreuil, Jean, 1602–1670
Perspective practical
1698
9
Kirby, John Joshua, 1716–1774
The perspective of architecture
MDCCLXI [1761]
10
Dubreuil, Jean, 1602–1670
The practice of perspective
1743
11
A new-naturalized work of a learned stranger, or, An exquisite tutor powerfull to benefit the publick
1657
12
Oakley, Edward, active 18th century
The magazine of architecture, perspective, & sculpture
MDCCXXX [1730]
13
Pozzo, Andrea, 1642–1709
Rules and examples of perspective, proper for painters and architects, etc.
[1707]
14
Cobin, A
Short and plain principles of linear perspective, adapted to naval architecture
1794
15
Dubreuil, Jean, 1602–1670
Perspective practical, or, A plain and easie method of true and lively representing all things to the eye at a distance, by the exact rules of art ...
1672
16
Ferguson, James, 1710–1776
The art of drawing in perspective made easy
1778
17
Ditton, Humphry, 1675–1715
A treatise of perspective, demonstrative and practical
1712
18
Priestley, Joseph, 1733–1804
The history and present state of discoveries relating to vision, light, and colours
1772
19
Noble, Edward
The elements of linear perspective demonstrated by geometrical principles, and applied to the most general and concise modes of practice
1771
20
Serlio, Sebastiano, 1475–1554
A book of perspective & geometry
1657
21
The art of drawing in perspective
1798
22
The geometry of landskips and paintings made familiar and easie
1690
23
Taylor, Brook, 1685–1731
Linear perspective: or, A new method of representing justly all manner of objects as they appear to the eye in all situations
1715