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1. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: begun before 1861
Materials & Techniques:: Etching and drypoint, with plate tone, retouched with white gouache on medium, smooth, beige wove paper
Dimensions:: Sheet: 7 x 9 15/16 inches (17.8 x 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. The Morning of Life

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1860-1861
Materials & Techniques:: Etching, engraving and drypoint, with plate tone, retouched with white watercolor, gouache or chalk on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 x 12 5/16 inches (22.6 x 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Opening the Fold

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: plate etched in 1880; impression printed in 1920
Materials & Techniques:: Etching and drypoint, with plate tone (printed in brown ink by Sir Frank Short) on thin, smooth, cream laid paper
Dimensions:: Sheet: 6 15/16 x 10 1/2 inches (17.6 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Opening the Fold

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: plate etched in 1880; impression printed in 1926
Materials & Techniques:: Etching and drypoint, with plate tone (printed under the supervision of Sir Frank Short, Martin Hardie and Frederick Landseer Maur Griggs, 1926) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 x 11 9/16 inches (18.4 x 29.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: begun before 1861
Materials & Techniques:: Etching and drypoint, with plate tone on thick, smooth, cream wove paper
Dimensions:: Sheet: 8 11/16 x 12 3/8 inches (22.1 x 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: etching begun before 1861; impression printed in 1926
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 15/16 x 13 1/8 inches (25.2 x 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. The Skylark

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint, retouched with graphite on moderately thick, smooth, cream wove paper with cream chine collé
Dimensions:: Sheet: 4 13/16 x 4 inches (12.3 x 10.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. The Skylark

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/16 x 6 11/16 inches (20.4 x 17 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

9. Christmas

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 13/16 x 10 1/4 inches (30 x 26.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

10. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1874
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/16 x 15 3/8 inches (28.1 x 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

11. Christmas

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1877
Materials & Techniques:: Etching and drypoint, with plate tone on thin, slightly textured, cream laid paper (Japanese paper)
Dimensions:: Sheet: 8 3/4 x 6 7/16 inches (22.2 x 16.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Christmas

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching retouched with black ink, watercolor, gray gouache, and white gouache on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 4 13/16 x 4 3/16 inches (12.3 x 10.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. The Skylark

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint on thick, smooth, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 1/8 x 8 1/2 inches (28.3 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. The Weary Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1858
Materials & Techniques:: Etching and drypoint on thick, smooth, cream wove paper
Dimensions:: Sheet: 8 7/16 x 11 9/16 inches (21.5 x 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Craigmillar Castle

Creator:: David Simson, 1803–1874
Date:: 1861
Materials & Techniques:: Watercolor, gouache, graphite, pen and red ink, and black ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 9 9/16 × 13 3/16 inches (24.3 × 33.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Banchory

Creator:: David Simson, 1803–1874
Date:: between 1861 and 1863
Materials & Techniques:: Watercolor, gouache, and graphite on thick, smooth, cream wove paper
Dimensions:: Sheet: 8 15/16 × 13 5/8 inches (22.7 × 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Goatfell Arran

Creator:: David Simson, 1803–1874
Date:: between 1861 and 1863
Materials & Techniques:: Watercolor, gouache and graphite on moderately thick, moderately textured, brown wove paper
Dimensions:: Sheet: 9 7/16 x 13 9/16in. (24 x 34.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Ben Venue - Loch Achray (view with reclining figure)

Creator:: David Simson, 1803–1874
Date:: between 1861 and 1863
Materials & Techniques:: Watercolor, gouache, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 1/8 x 12 5/16in. (23.1 x 31.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Church with Town, Cliffs and Sea Beyond

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite on thick, slightly textured, beige wove paper
Dimensions:: Image: 8 7/8 × 12 1/2 inches (22.5 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Pevensy Castle

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite on thick, smooth, beige wove paper
Dimensions:: Sheet: 8 3/4 × 13 13/16 inches (22.2 × 35.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. East Matting (?) Church 1848 (?)

Creator:: unknown artist
Date:: ca. 1848
Materials & Techniques:: Graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 3/4 × 8 1/8 inches (17.1 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Country House

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 7/8 × 9 15/16 inches (17.5 × 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. The Vail of Llangedwyn / Oct 16, 1825

Creator:: unknown artist
Date:: 1825
Materials & Techniques:: Graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 3/4 × 9 1/8 inches (14.6 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. The Old Bayswater Turnpike

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 3/8 × 9 1/4 inches (18.7 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Kilbride

Creator:: David Simson, 1803–1874
Date:: 1861
Materials & Techniques:: Watercolor, gouache, graphite, with pen and red ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 8 3/4 × 13 inches (22.2 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Newark (abbey?)

Creator:: David Simson, 1803–1874
Date:: 1861
Materials & Techniques:: Watercolor gouache, graphite, pen and red ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 9/16 × 13 3/16 inches (24.3 × 33.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. At Galldon

Creator:: David Simson, 1803–1874
Date:: between 1861 and 1863
Materials & Techniques:: Watercolor, gouache, graphite, pen and red ink, and black ink on thick, rough, cream wove paper
Dimensions:: Sheet: 9 5/8 × 13 3/4 inches (24.4 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Tilwhilly Castle/ Haunted

Creator:: David Simson, 1803–1874
Date:: between 1861 and 1863
Materials & Techniques:: Watercolor, gouache, graphite, pen and red ink on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 9 × 14 inches (22.9 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Junction of Fench and Dee

Creator:: David Simson, 1803–1874
Date:: between 1861 and 1863
Materials & Techniques:: Watercolor, gouache, and graphite on thick, rough, cream wove paper
Dimensions:: Sheet: 8 3/4 × 13 15/16 inches (22.2 × 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Gate House Battle Abbey

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 8 7/16 × 13 7/16 inches (21.4 × 34.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. From Tunbridge Wells

Creator:: David Simson, 1803–1874
Date:: 1863
Materials & Techniques:: Watercolor, gouache, graphite, pen and red ink on thick, rough, beige wove paper
Dimensions:: Sheet: 9 11/16 × 13 7/16 inches (24.6 × 34.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. On the Dee (view with fishing gear)

Creator:: David Simson, 1803–1874
Date:: between 1861 and 1863
Materials & Techniques:: Watercolor, gouache and graphite on thick, rough, cream wove paper
Dimensions:: Sheet: 8 7/8 x 13 7/8in. (22.5 x 35.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. On the Fench

Creator:: David Simson, 1803–1874
Date:: between 1861 and 1863
Materials & Techniques:: Watercolor, gouache, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 x 13 7/8in. (22.6 x 35.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Church at Dallington

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Image: 4 × 5 15/16 inches (10.2 × 15.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Albion House Hammersmith Academy

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 4 5/8 × 7 1/4 inches (11.8 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. North View of the Refectory Battle Abbey

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 15/16 x 13 7/8in. (22.7 x 35.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Norbury Park May 15 1805 (with ms. notes)

Creator:: unknown artist
Date:: 1805
Materials & Techniques:: Pen and black ink, over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 15/16 × 12 13/16 inches (22.7 × 32.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Entrance to a Village Below an Abbey

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 × 14 3/16 inches (22.8 × 36 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Coal Harbour House

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 9/16 × 7 3/8 inches (11.6 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Upper or Western Entrance to Eastbourne

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 6 3/16 × 8 7/8 inches (15.7 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. View Within the Northern Entrance of Gundecotta Pass (1 of 6)

Creator:: Thomas Anburey, 1759–1840
Date:: ca. 1792
Materials & Techniques:: Watercolor on thin, slightly textured, cream wove paper laid down on card
Dimensions:: Sheet: 16 7/8 x 22 1/16 inches (42.9 x 56 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Mahore, a Fortress Belonging to Nizam Alley (1 of 6)

Creator:: Thomas Anburey, 1759–1840
Date:: ca. 1792
Materials & Techniques:: Watercolor on thin, moderately textured, cream laid paper laid down on card
Dimensions:: Sheet: 17 1/4 x 26 inches (43.8 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. The Southern Entrance of Gundecotta Pass (1 of 6)

Creator:: Thomas Anburey, 1759–1840
Date:: ca. 1792
Materials & Techniques:: Watercolor on thin, slightly textured, cream wove paper laid down on card
Dimensions:: Sheet: 16 7/8 x 22 1/16 inches (42.9 x 56 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Ruins of Baugnee-Ghur near Hydrabad (1 of 6)

Creator:: Thomas Anburey, 1759–1840
Date:: ca. 1792
Materials & Techniques:: Watercolor on thin, moderately textured, cream laid paper laid down on card
Dimensions:: Sheet: 15 7/8 x 25 1/8in. (40.3 x 63.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Lady Cadogan

Creator:: Print made by John Dean, 1754–1798
Date:: 1787
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 9/16 × 12 1/2 inches (44.6 × 31.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

46. Mail Coach Behind Time

Creator:: Engraved by Henry Pyall, 1795–1833
Date:: 1827
Materials & Techniques:: Aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 13/16 x 20 3/16 inches (40.2 x 51.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. The Bird Cage

Creator:: Print made by John Dean, 1754–1798
Date:: 1786
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 20 9/16 x 15 9/16 inches (52.2 x 39.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

48. Mercury

Creator:: Print made by John Dean, 1754–1798
Date:: 1777
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 x 12 5/16 inches (43.2 x 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

49. Couple of Herders by a Cascade

Creator:: Print made by Robert Robinson, active 1674–1706
Date:: between 1683 and 1695
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 7/8 × 5 1/2 inches (14.9 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

50. Diana at a Fountain

Creator:: Print made by Robert Robinson, active 1674–1706
Date:: undated
Materials & Techniques:: Mezzotint, state before all letters on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 1/16 × 7 1/8 inches (25.6 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

51. The Sacrifice of Isaac

Creator:: Print made by Robert Robinson, active 1674–1706
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 3/4 × 7 7/8 inches (24.8 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

52. Charlotte at the Tomb of Werther

Creator:: William Dickinson, 1746–1823
Date:: 1785
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 13/16 × 13 1/2 inches (40.1 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Constantinople

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Stipple engraving, etching, aquatint and color woodcut on moderately thick, smooth, cream wove paper mounted on moderately thick, smooth, beige laid paper
Dimensions:: Image: 2 1/8 x 1 inches (5.4 x 2.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Bantry Hill

Creator:: John E. Nicholls, active ca. 1847–1851
Materials & Techniques:: Etching on laid paper
Dimensions:: Sheet: 6 x 6 3/4in. (15.2 x 17.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

55. Church Yard Gate and Dwarf Avenue Gate, Grittleton House, Wiltshire

Creator:: unknown artist
Date:: ca. 1835
Materials & Techniques:: Pen and black ink, watercolor on medium, slightly textured, white wove paper
Dimensions:: Sheet: 9 1/4 × 7 1/4 inches (23.5 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Priory Pond, Stroud

Creator:: Print made by Stanley Roy Badmin, 1906–1989
Date:: 1932
Materials & Techniques:: Etching on moderately thick, smooth, white wove paper
Dimensions:: Sheet: 8 3/16 x 9 13/16 inches (20.8 x 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

57. St. Paul's from Charing Cross

Creator:: Print made by Johnstone Baird, active 1900–1935
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 5/8 x 10 1/4 inches (37.1 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

58. Devon Coast

Creator:: Print made by Edward Bouverie-Hoyton, active 1930
Date:: 1920s
Materials & Techniques:: Etching on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 13 3/8 x 17 3/16 inches (33.9 x 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

59. Evening

Creator:: Print made by Paul Drury, 1903–1987
Date:: 1925
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 7 7/16 x 9 3/16 inches (18.9 x 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

60. March Morning

Creator:: Print made by Paul Drury, 1903–1987
Date:: 1933
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 11/16 x 9 inches (19.6 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

61. A Breton Farm

Creator:: Print made by Martin Hardie, 1875–1952
Date:: 1921
Materials & Techniques:: Drypoint on laid paper
Dimensions:: Sheet: 9 1/4 × 12 3/8 inches (23.5 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

62. Stanford, the Seat of Sir Edward Winnington, Baronet

Creator:: Print made by Thomas Bonnor, ca. 1740–ca. 1812
Date:: undated
Materials & Techniques:: Etching with stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/16 x 17 13/16 inches (28.8 x 45.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Well Over

Creator:: Gilbert Joseph Holiday, 1879 –1937
Date:: undated
Materials & Techniques:: Watercolor and gouache on medium, smooth, cream wove paper
Dimensions:: Mount: 14 11/16 × 12 5/16 inches (37.3 × 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. The Bullfinch: `Black as yer hat on this side and glorious uncertainty on the other'

Creator:: Charles Johnson Payne "Snaffles", 1884–1967
Date:: ca. 1913
Materials & Techniques:: Watercolor, gouache and black chalk on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 14 7/8 x 21 3/4 inches (37.8 x 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. The Gamekeeper

Creator:: Print made by Douglas Percy Bliss, 1900–1984
Date:: ca. 1925
Materials & Techniques:: Wood-engraving on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 5 13/16 x 8 1/8 inches (14.7 x 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

66. Village Street

Creator:: John Frederic Greenwood, 1885–1954
Date:: ca. 1925
Materials & Techniques:: Wood-engraving on medium, slightly textured, beige Asian paper
Dimensions:: Sheet: 8 1/8 x 6 3/4 inches (20.6 x 17.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

67. Country Road

Creator:: John Frederic Greenwood, 1885–1954
Date:: ca. 1925
Materials & Techniques:: Wood-engraving on medium, slightly textured, beige Asian paper
Dimensions:: Sheet: 6 5/8 x 9 7/16 inches (16.8 x 23.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

68. Mauritius - a scene with figures wearing classical costume standing by a pool flanked by palms; in the background is the Pieter Both Mountain

Creator:: William John Chamberlayne, 1821–1910
Date:: undated
Materials & Techniques:: Graphite and watercolor on textured, thick, beige wove paper
Dimensions:: Sheet: 13 13/16 × 20 3/4 inches (35.1 × 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Hedging and Ditching

Creator:: Print made by Edward Bouverie-Hoyton, active 1930
Date:: 1920s
Materials & Techniques:: Etching and line engraving on medium, slightly textured, beige Asian paper
Dimensions:: Sheet: 12 7/16 x 10 3/16 inches (31.6 x 25.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

70. Country Walks: Winter

Creator:: Dame Laura Knight, 1877–1970
Date:: 1957
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 39 15/16 x 24 7/8 inches (101.4 x 63.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

71. Landscape with Fallen Tree

Creator:: Print made by Richard Cooper the Younger, 1740–1814
Date:: 1806
Materials & Techniques:: Lithograph on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 15/16 x 13 3/4 inches (25.3 x 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul F. Walter

72. Anglers

Creator:: Print made by Douglas Percy Bliss, 1900–1984
Date:: ca. 1925
Materials & Techniques:: Woodcut on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 6 15/16 x 8 1/16 inches (17.6 x 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

73. Marlowe Meadows

Creator:: Edward P. Brandard, 1819–1898
Date:: 1884
Materials & Techniques:: Etching on moderately thick, textured, cream laid paper
Dimensions:: Sheet: 12 3/8 x 16 11/16 inches (31.5 x 42.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

74. Absalom

Creator:: Stephen Frederick Gooden, 1892–1955
Date:: 1923
Materials & Techniques:: Line engraving with etching on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 7 5/16 x 8 3/16 inches (18.5 x 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Lydia Evans Tunnard

75. Gargoyle

Creator:: Stephen Frederick Gooden, 1892–1955
Date:: 1933
Materials & Techniques:: Line engraving and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 12 5/8 x 10 1/8in. (32.1 x 25.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Dr. & Mrs. David Mininberg, B.A. 1957

76. Westminster Abbey from Dean's Yard

Creator:: Print made by Ernest L. Hampshire, born 1882
Date:: undated
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 8 5/8 x 12 1/4 inches (21.9 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

77. The End of the Day

Creator:: William Lee Hankey, 1869–1952
Date:: between 1911 and 1912
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/16 x 9 13/16 inches (20.5 x 25 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

78. The Sleeping Ferry

Creator:: Print made by Martin Hardie, 1875–1952
Date:: 1924
Materials & Techniques:: Etching and drypoint on laid paper
Dimensions:: Sheet: 10 1/4 × 15 3/4 inches (26 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

79. Mary Robinson

Creator:: Print made by William Dickinson, 1746–1823
Date:: 1785
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 17 3/8 x 12 13/16 inches (44.1 x 32.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

80. Drimnin

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1932
Materials & Techniques:: Drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 inches (27.9 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

81. St. Andrew's Castle in the Kingdom of Fife

Creator:: Hedley Fitton, 1859–1929
Date:: undated
Materials & Techniques:: Etching and drypoint on medium, smooth, cream laid paper
Dimensions:: Sheet: 18 5/8 x 14 13/16 inches (47.3 x 37.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

82. Still Waters

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1906
Materials & Techniques:: Etching and drypoint on very thin, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 13 inches (17.8 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

83. Forfecle

Creator:: George Percival Gaskell, 1868–1934
Date:: 1868
Materials & Techniques:: Mezzotint and etching on moderately thick, slightly textured, white wove paper with cream chine collé
Dimensions:: Sheet: 15 1/16 x 21 inches (38.3 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

84. Nicol's Farm

Creator:: Print made by Paul Drury, 1903–1987
Date:: 1925
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 9/16 x 10 1/8 inches (19.2 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

85. The Fire Tower, London

Creator:: Hedley Fitton, 1859–1929
Date:: undated
Materials & Techniques:: Etching and drypoint on moderately thick, smooth, cream laid paper
Dimensions:: Sheet: 18 11/16 x 12 3/4 inches (47.4 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

86. Eve

Creator:: Sir William Russell Flint, 1880–1969
Date:: 1930
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, beige Asian paper
Dimensions:: Sheet: 12 3/16 x 15 3/8 inches (31 x 39 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

87. Villa d'Este: Evening

Creator:: George Percival Gaskell, 1868–1934
Date:: undated
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 17 1/2 x 10 13/16 inches (44.5 x 27.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

88. A Marsh Farm

Creator:: Print made by Frederick Vango Burridge, 1869–1945
Date:: undated
Materials & Techniques:: Etching and drypoint on moderately thick, smooth, cream laid paper
Dimensions:: Sheet: 10 1/4 x 15 1/16 inches (26 x 38.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

89. Monzie

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1932
Materials & Techniques:: Drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 × 17 1/4 inches (30.5 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

90. Valley of the Tay

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1931
Materials & Techniques:: Drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 1/4 × 11 7/8 inches (43.8 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

91. Craigmillar Castle

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1931
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Plate: 4 3/16 × 11 7/8 inches (10.7 × 30.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

92. Old Castle of Gloom (Castle Campbell)

Creator:: Print made by Susan Fletcher Crawford, active 1892–died 1919
Date:: undated
Materials & Techniques:: Etching and drypoint print on medium, smooth, cream laid paper
Dimensions:: Sheet: 13 1/4 x 8 1/2 inches (33.7 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

93. Turkish Scenes

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, stipple engraving, etching and color woodcut on medium, smooth, cream wove paper cut into eight scenes and mounted on medium, smooth, beige wove paper
Dimensions:: Image: 2 11/16 x 7/8 inches (6.8 x 2.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Country Scenes

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, stipple engraving, etching and color woodcut on medium, smooth, cream wove paper cut into eight scenes and mounted on medium, smooth, beige wove paper
Dimensions:: Image: 2 3/4 x 7/8 inches (7 x 2.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Review of the Troops

Creator:: Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, etching and stipple engraving with color woodcut on moderately thick, slightly textured, cream wove paper cut into six scenes and mounted on moderately thick, smooth, cream wove paper
Dimensions:: Image: 2 1/16 x 1 1/16 inches (5.3 x 2.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. The Druids: or, the Conversion of the Britons to Christianity

Creator:: Print made by Simon François Ravenet, 1706–1774
Date:: 1752
Materials & Techniques:: Engraving
Dimensions:: Sheet: 16 3/4 x 19in. (42.5 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Deer in the Forest

Creator:: Joseph Hecht, 1891–1951
Date:: ca. 1926
Materials & Techniques:: Etching and drypoint on moderately thick, moderately textured, blue laid paper
Dimensions:: Sheet: 14 1/4 x 9 3/8 inches (36.1 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

98. Souvenir d'Amsterdam

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: between 1915 and 1930
Materials & Techniques:: Etching and drypoint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

99. Castle Urquhart

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1929
Materials & Techniques:: Drypoint with etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 × 17 1/8 inches (30.5 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

100. Resting, Men and Dogs Under a Big Tree

Creator:: Print made by William Alfred Delamotte, 1775–1863
Date:: 1802
Materials & Techniques:: Lithograph on medium, rough, beige laid paper
Dimensions:: Sheet: 9 1/8 × 12 13/16 inches (23.2 × 32.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

YCBA Collections Search

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1. The Early Ploughman

2. The Morning of Life

3. Opening the Fold

4. Opening the Fold

5. The Early Ploughman

6. The Early Ploughman

7. The Skylark

8. The Skylark

9. Christmas

10. The Early Ploughman

11. Christmas

12. Christmas

13. The Skylark

14. The Weary Ploughman

15. Craigmillar Castle

16. Banchory

17. Goatfell Arran

18. Ben Venue - Loch Achray (view with reclining figure)

19. Church with Town, Cliffs and Sea Beyond

20. Pevensy Castle

21. East Matting (?) Church 1848 (?)

22. Country House

23. The Vail of Llangedwyn / Oct 16, 1825

24. The Old Bayswater Turnpike

25. Kilbride

26. Newark (abbey?)

27. At Galldon

28. Tilwhilly Castle/ Haunted

29. Junction of Fench and Dee

30. Gate House Battle Abbey

31. From Tunbridge Wells

32. On the Dee (view with fishing gear)

33. On the Fench

34. Church at Dallington

35. Albion House Hammersmith Academy

36. North View of the Refectory Battle Abbey

37. Norbury Park May 15 1805 (with ms. notes)

38. Entrance to a Village Below an Abbey

39. Coal Harbour House

40. Upper or Western Entrance to Eastbourne

41. View Within the Northern Entrance of Gundecotta Pass (1 of 6)

42. Mahore, a Fortress Belonging to Nizam Alley (1 of 6)

43. The Southern Entrance of Gundecotta Pass (1 of 6)

44. Ruins of Baugnee-Ghur near Hydrabad (1 of 6)

45. Lady Cadogan

46. Mail Coach Behind Time

47. The Bird Cage

48. Mercury

49. Couple of Herders by a Cascade

50. Diana at a Fountain

51. The Sacrifice of Isaac

52. Charlotte at the Tomb of Werther

53. Constantinople

54. Bantry Hill

55. Church Yard Gate and Dwarf Avenue Gate, Grittleton House, Wiltshire

56. Priory Pond, Stroud

57. St. Paul's from Charing Cross

58. Devon Coast

59. Evening

60. March Morning

61. A Breton Farm

62. Stanford, the Seat of Sir Edward Winnington, Baronet

63. Well Over

64. The Bullfinch: `Black as yer hat on this side and glorious uncertainty on the other'

65. The Gamekeeper

66. Village Street

67. Country Road

68. Mauritius - a scene with figures wearing classical costume standing by a pool flanked by palms; in the background is the Pieter Both Mountain

69. Hedging and Ditching

70. Country Walks: Winter

71. Landscape with Fallen Tree

72. Anglers

73. Marlowe Meadows

74. Absalom