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1. Emanuel College from St. Andrews Street, Cambridge

Creator:: Richard Banks Harraden, 1778–1862
Date:: ca. 1830
Materials & Techniques:: Watercolor, pen and black ink, brown ink, gouache, black chalk and graphite on thick, moderately textured, cream wove paper
Dimensions:: Cover: 18 11/16 × 24 1/8 inches (47.5 × 61.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Cobham Hall, Kent: Section of a Courtyard

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 1/2 x 21 1/8 inches (34.3 x 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Perspective View of Henry Phillip Hope's Arklow House in Connaught Place

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black ink, gray wash on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 17 1/2 × 21 3/8 inches (44.5 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Chapel Front, Emanuel College, Cambridge

Creator:: Richard Banks Harraden, 1778–1862
Date:: ca. 1833
Materials & Techniques:: Watercolor, pen and black ink, black chalk, and graphite on medium, slightly textured, cream wove paper, mounted on card
Dimensions:: Cover: 18 11/16 × 24 1/8 inches (47.5 × 61.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The Lock

Creator:: Print made by David Lucas, 1802–1881
Date:: 1834
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 7/8 × 21 1/4 inches (68.3 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Building for the Great Exhibition of Industry of all Nations in London in 1851

Creator:: unknown artist
Dimensions:: Sheet: 9 3/8 x 21 1/8in. (23.8 x 53.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. The Death of Tom Moody, Gone to Earth

Creator:: Dean Wolstenholme, 1757–1837
Date:: 1829
Materials & Techniques:: Aquatint, hand-colored, with etched vignette within title
Dimensions:: Sheet: 17 x 21 1/4in. (43.2 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Lady Harriet Clive

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1840
Materials & Techniques:: Mezzotint and line engraving (first published state) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 26 3/8 × 21 1/8 inches (67 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

9. The Silks and Satins of the Field

Creator:: J. Summers, active 1867–1868
Materials & Techniques:: Hand-colored aquatint
Dimensions:: Sheet: 16 9/16 x 21 3/8in. (42.1 x 54.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. [Fox-hunting] set of four - Worcestershire: 1. Breaking Cover (Hadley Heath)

Creator:: Theodore Henry Adolphus Fielding, 1781–1851
Date:: 1826
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 3/4 x 21 1/4in. (34.9 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. [Fox-hunting] set of four - Worcestershire: 2. Full Cry (Westwood Park Hall)

Creator:: Theodore Henry Adolphus Fielding, 1781–1851
Date:: 1826
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 3/4 x 21 1/4in. (34.9 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. [Fox-hunting] set of four - Worcestershire: 4. The Death (Southall Farm)

Creator:: Theodore Henry Adolphus Fielding, 1781–1851
Date:: 1826
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 3/4 x 21 1/4in. (34.9 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. [Fox-hunting] set of four - Worcestershire: 3. A Check (Near Hampton Lovett)

Creator:: Theodore Henry Adolphus Fielding, 1781–1851
Date:: 1826
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 3/4 x 21 1/4in. (34.9 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Heidelberg from the Opposite Bank of the Neckar

Creator:: Print made by Thomas Abiel Prior, 1809–1886
Date:: 1846
Materials & Techniques:: Etching and line engraving with graphite; touched engraver's proof (b) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 21 7/8 × 27 1/8 inches (55.6 × 68.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Heidelberg from the Opposite Bank of the Neckar

Creator:: Print made by Thomas Abiel Prior, 1809–1886
Date:: 1846
Materials & Techniques:: Etching and line engraving; first published state on thick, slightly textured, cream wove paper, with beige chine-collé
Dimensions:: Sheet: 29 × 38 1/8 inches (73.7 × 96.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. The Cornfield

Creator:: Print made by David Lucas, 1802–1881
Date:: 1833
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 7/8 × 21 1/8 inches (68.3 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Wigmore Castle, Herefordshire

Creator:: Valentine Green, 1739–1813
Date:: 1778
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 16 1/4 x 21 3/8in. (41.3 x 54.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. The Pilgrim's Progress Illustrated, Uncut Panorama

Creator:: Print made by Ralph Hudson, active ca. 1820
Date:: ca. 1820
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 × 22 1/8 inches (30.5 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Pilgrim's Progress Illustrated, Uncut Panorama

Creator:: Print made by Ralph Hudson, active ca. 1820
Date:: ca. 1820
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 × 22 1/2 inches (30.5 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Views in the River and Gulph of St. Lawrence: A View of the Gaspe Bay, in the Gulf of St. Lawrence

Creator:: Peter Mazell, active 1761–1797
Date:: 1760
Materials & Techniques:: Hand colored engraving
Dimensions:: Overall: 13 3/4 × 21 1/8 inches (34.9 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Aspin

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1789
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:: Mount: 14 3/8 × 21 1/4 inches (36.5 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

22. Birch

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1789
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:: Mount: 14 1/4 × 21 1/4 inches (36.2 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

23. Hawthorn

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1789
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:: Mount: 14 3/8 × 21 1/8 inches (36.5 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

24. Weeping Willows

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1789
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:: Mount: 14 3/8 × 21 1/4 inches (36.5 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

25. Cedar

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1789
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:: Mount: 14 3/8 × 21 1/4 inches (36.5 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

26. Italian Pine and Cypress

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1789
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:: Mount: 14 1/2 × 21 3/8 inches (36.8 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

27. Beech

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1789
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:: Mount: 14 1/4 × 21 1/4 inches (36.2 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

28. Stag Hunting: His Majesty King George III returning from Hunting

Creator:: James Pollard, 1792–1867
Date:: 1820
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 7/8 x 21 1/4in. (40.3 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. High Summer Portfolio

Creator:: Print made by John Goto, born 1949
Date:: 2000 to 2001
Materials & Techniques:: Portfolio of 15 pigment inkjet prints and colophon in a storage box on Somerset Velvet Enhanced white wove paper
Dimensions:: Sheet: 16 1/2 × 23 3/8 inches (41.9 × 59.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

30. Brown, Blue, and Black Descending

Creator:: Print made by Sir Terry Frost, 1915–2003
Date:: 1981
Materials & Techniques:: Screen print on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 32 × 23 1/2 inches (81.3 × 59.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Lewis Walpole Library Collection

31. The Funeral of the Duke of Wellington. The Lying in State at Chelsea Hospital, November 18th 1852.

Creator:: Print made by William Simpson, 1823–1899
Date:: 1853
Materials & Techniques:: Colored lithograph on medium, smooth, cream wove paper
Dimensions:: Sheet: 28 3/4 × 21 5/16 inches (73 × 54.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. The Funeral of the Duke of Wellington. The Ceremony in St. Paul's Cathedral, November 18th 1852.

Creator:: Print made by William Simpson, 1823–1899
Date:: 1853
Materials & Techniques:: Colored lithograph on medium, smooth, cream wove paper
Dimensions:: Sheet: 28 3/4 × 21 3/8 inches (73 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Views in the River and Gulph of St. Lawrence: A View of Cape Rouge, Nine Miles above the City of Quebec

Creator:: Peter Mazell, active 1761–1797
Date:: 1760
Materials & Techniques:: Hand colored engraving
Dimensions:: Overall: 13 7/8 × 21 1/16 inches (35.2 × 53.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Ragland Castle, Monmouthshire

Creator:: Valentine Green, 1739–1813
Date:: 1778
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 15 3/4 x 21 1/8in. (40 x 53.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Sptrepsilas Interpres

Creator:: Print made by John Gould, 1804–1881
Date:: 1848
Materials & Techniques:: Chromolithograph on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 1/4 x 21 1/4 inches (36.2 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

36. From 'Pond Life'

Creator:: Peter Doig, born 1959
Date:: 1996
Materials & Techniques:: Etching on woodgrain chine-collé on 350gsm Zerkall Etching white wove paper
Dimensions:: Sheet: 17 1/4 × 21 1/4 inches (43.8 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

37. Concrete Cabin

Creator:: Peter Doig, born 1959
Date:: 1996
Materials & Techniques:: Etching, aquatint, and deep bite on 350gsm Zerkall Etching white wove paper
Dimensions:: Sheet: 17 1/4 × 21 1/4 inches (43.8 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

38. The Recruiting Serjeant

Creator:: Engraved by John Goldar, 1729–1795
Date:: ca. 1760
Materials & Techniques:: Engraving on wove paper
Dimensions:: Sheet: 16 3/4 x 21 1/4in. (42.5 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. From 'Pond Life'

Creator:: Peter Doig, born 1959
Date:: 1996
Materials & Techniques:: Sugarlift, offset, and open bite on 350gsm Zerkall Etching white wove paper
Dimensions:: Sheet: 17 1/4 × 21 1/4 inches (43.8 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

40. Red House

Creator:: Peter Doig, born 1959
Date:: 1996
Materials & Techniques:: Etching and aquatint on 350gsm Zerkall Etching white wove paper
Dimensions:: Sheet: 17 1/4 × 21 1/4 inches (43.8 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

41. Border House

Creator:: Peter Doig, born 1959
Date:: 1996
Materials & Techniques:: Etching and aquatint on 350gsm Zerkall Etching white wove paper
Dimensions:: Sheet: 17 1/4 × 21 1/4 inches (43.8 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

42. Rosedale House

Creator:: Peter Doig, born 1959
Date:: 1996
Materials & Techniques:: Etching and aquatint on 350gsm Zerkall Etching white wove paper
Dimensions:: Sheet: 17 1/4 × 21 1/4 inches (43.8 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

43. Heart

Creator:: R. B. Kitaj, 1932–2007
Date:: 1966
Materials & Techniques:: Screen print on thick, slightly textured, brown wove paper
Dimensions:: Sheet: 12 5/8 × 21 1/4 inches (32.1 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Barbara Sunderman Hoerner

44. Black Monday or the Departure for School

Creator:: Published by John Jones, ca. 1745–1797
Date:: 1790
Materials & Techniques:: Mezzotint with hand coloring in watercolor and white gouache on medium, slightly textured, cream laid paper
Dimensions:: Frame: 25 1/8 × 30 × 1 inches (63.8 × 76.2 × 2.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Celia Hopkinson

45. Kenneth Koch Peasant Print

Creator:: R. B. Kitaj, 1932–2007
Date:: 1971
Materials & Techniques:: Screen print on machine-made laid style double-dipped Japanese paper
Dimensions:: Sheet: 36 7/8 × 24 5/8 inches (93.7 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Anonymous Gift

46. Guadalajara, Palace of the Duke of the Infantado, Facade

Creator:: Charles Clifford, ca. 1800–1863
Date:: ca. 1857
Materials & Techniques:: Albumen print from wet collodion glass negative on thin, smooth, cream wove paper
Dimensions:: Frame: 27 1/2 × 21 1/4 × 7/8 inches (69.9 × 54 × 2.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

47. Valley of the Yosemite from Glacier Point, No.33

Creator:: Eadweard Muybridge, 1830–1904
Date:: 1872
Materials & Techniques:: Albumen print on thin, smooth, beige wove paper
Dimensions:: Sheet: 16 1/2 × 21 1/8 inches (41.9 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

48. Prayer

Creator:: Arild Rosenkrantz, 1870–1964
Date:: undated
Materials & Techniques:: Pastel on thick, slightly textured, beige board
Dimensions:: Sheet: 13 5/8 × 21 1/8 inches (34.6 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Ronald G. Pisano

49. Oxford from North Hinksey

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1841
Materials & Techniques:: Etching and line engraving, with graphite; touched engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/8 × 21 1/4 inches (39.1 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

50. The House of the Chase, Pompeii

Creator:: W. E. Lockhart, 1846–1900
Date:: 1882
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 × 21 1/4 inches (36.8 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Lois Severini and Enrique Foster Gittes, Yale BA 1961

51. Richmond Castle

Creator:: George Cuitt, 1743–1818
Date:: 1788
Materials & Techniques:: Watercolor, gouache, pen and brown ink and graphite on medium, slightly textured, cream laid paper mounted on stretched canvas
Dimensions:: Sheet: 17 1/4 × 21 1/8 inches (43.8 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. First Folio C

Creator:: Print made by Harold Cohen, 1928–2016
Date:: 1965
Materials & Techniques:: Screen print on moderately thick, slightly textured, white wove paper
Dimensions:: Sheet: 27 1/8 x 27 1/8in. (68.9 x 68.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of R. B. Kitaj

53. British, Louis XIV style frame

Creator:: unknown framemaker
Date:: 20th century
Materials & Techniques:: Carved wood, oil and water gilt and patinated, punched ground
Dimensions:: Frame: 16 1/4 × 21 1/8 × 1 1/2 inches (41.3 × 53.7 × 3.8 cm)
Collection:: Frames
Credit Line:: Yale Center for British Art

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1. Emanuel College from St. Andrews Street, Cambridge

2. Cobham Hall, Kent: Section of a Courtyard

3. Perspective View of Henry Phillip Hope's Arklow House in Connaught Place

4. Chapel Front, Emanuel College, Cambridge

5. The Lock

6. Building for the Great Exhibition of Industry of all Nations in London in 1851

7. The Death of Tom Moody, Gone to Earth

8. Lady Harriet Clive

9. The Silks and Satins of the Field

10. [Fox-hunting] set of four - Worcestershire: 1. Breaking Cover (Hadley Heath)

11. [Fox-hunting] set of four - Worcestershire: 2. Full Cry (Westwood Park Hall)

12. [Fox-hunting] set of four - Worcestershire: 4. The Death (Southall Farm)

13. [Fox-hunting] set of four - Worcestershire: 3. A Check (Near Hampton Lovett)

14. Heidelberg from the Opposite Bank of the Neckar

15. Heidelberg from the Opposite Bank of the Neckar

16. The Cornfield

17. Wigmore Castle, Herefordshire

18. The Pilgrim's Progress Illustrated, Uncut Panorama

19. Pilgrim's Progress Illustrated, Uncut Panorama

20. Views in the River and Gulph of St. Lawrence: A View of the Gaspe Bay, in the Gulf of St. Lawrence

21. Aspin

22. Birch

23. Hawthorn

24. Weeping Willows

25. Cedar

26. Italian Pine and Cypress

27. Beech

28. Stag Hunting: His Majesty King George III returning from Hunting

29. High Summer Portfolio

30. Brown, Blue, and Black Descending

31. The Funeral of the Duke of Wellington. The Lying in State at Chelsea Hospital, November 18th 1852.

32. The Funeral of the Duke of Wellington. The Ceremony in St. Paul's Cathedral, November 18th 1852.

33. Views in the River and Gulph of St. Lawrence: A View of Cape Rouge, Nine Miles above the City of Quebec

34. Ragland Castle, Monmouthshire

35. Sptrepsilas Interpres

36. From 'Pond Life'

37. Concrete Cabin

38. The Recruiting Serjeant

39. From 'Pond Life'

40. Red House

41. Border House

42. Rosedale House

43. Heart

44. Black Monday or the Departure for School

45. Kenneth Koch Peasant Print

46. Guadalajara, Palace of the Duke of the Infantado, Facade

47. Valley of the Yosemite from Glacier Point, No.33

48. Prayer

49. Oxford from North Hinksey

50. The House of the Chase, Pompeii

51. Richmond Castle

52. First Folio C

53. British, Louis XIV style frame