Hilly Landscape with Horse-Drawn Cart in Foreground
4
William Brockedon, 1787–1854
Landscape with Grazing Cows and Watermill
5
William Brockedon, 1787–1854
Three Figures Illuminated in Dark Scene
6
William Brockedon, 1787–1854
Landscape with Crumbling Building atop a Cliff
7
unknown artist
View of lake surrounded by trees, with waterfowl flying over head
undated
8
unknown artist
View of gatehouse next to the park, with dog and traveller (the latter's belonging are wrapped in a bag, tied to a stick in foreground)
undated
9
unknown artist
View onto terrace of house, from a higher vantage point; female figure admiring the view
undated
10
unknown artist
View of facade of house, with its adjacent arcade
undated
11
unknown artist
View through a modest gate up a lane, where a man is leading two saddled horses
undated
12
unknown artist
View of terrace on one side of the house, including two men with scythes in foreground
undated
13
unknown artist
Man with two dogs standing under a very large Cedar of Lebanon (?)
undated
14
unknown artist
View of river with rowboat beached on one side, and several ducks flying overhead
undated
15
Print made by Charles Wilkin, 1750–1814
Mrs. Parkyns
1795
16
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
17
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
18
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
19
Giles Hussey, 1710–1788
Four Studies of heads from classical figures
between 1730 and 1768
20
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
21
Giles Hussey, 1710–1788
Study of head from classical figures
between 1730 and 1768
22
Richard Banks Harraden, 1778–1862
New Building of St. John's from the Gardens, Cambridge
ca. 1830
23
Richard Banks Harraden, 1778–1862
Corpus Christi College, Cambridge
1836
24
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of the Dining Parlor
ca. 1790
25
William Brockedon, 1787–1854
Landscape with Houses Set into a Hillside
26
William Brockedon, 1787–1854
Cityscape from a Distance, with Church Towers and Smokestacks
27
William Brockedon, 1787–1854
Full-length Portrait of Man Holding a Top Hat and Walking Stick
28
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
29
Giles Hussey, 1710–1788
Four chalk studies of heads
between 1730 and 1768
30
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
31
unknown artist
Sketch for Ceiling or Bed Canopy
undated
32
unknown artist
View of one side of house and part of the terrace, from behind a clump of trees
33
unknown artist
Front view of house, with cattle, horse and man in the foreground
34
unknown artist
View up an axis in the flower garden, from the sundial to a garden building: include a gardener pruning flowers
35
unknown artist
Study of very large Cedar of Lebanon (?)
36
unknown artist
View Across a meadow from behind a fence and tree
37
unknown artist
Man walking down lane towards fence and archway
38
unknown artist
View of side and front of house, including surrounding lawn and trees
39
unknown artist
View from a grove of trees, across several fields
40
unknown artist
View Across meadow towards house and chapel
41
unknown artist
View of Several Small Buildings on the estate with cattle in the foreground
42
Miss Elizabeth Hart, Born 1887
Volume I - Views in Staffordshire and Derbyshire
43
unknown artist
View up a lane in the park: Man hunting with his three dogs
44
Capt. Henry Pendarves Tremenheere, c.1763–1841
Newlyn from Penzance
undated
45
Capt. Henry Pendarves Tremenheere, c.1763–1841
Newlyn Town
undated
46
William Brockedon, 1787–1854
Landscape of Steep Hills with Building on one Summit
47
William Brockedon, 1787–1854
Coal Mining Posts and Houses Set Against a Dark Mountainside
48
William Brockedon, 1787–1854
Mountain Landscape with Building on one Peak
49
William Brockedon, 1787–1854
Two Sketches of Mountains
50
William Brockedon, 1787–1854
Sketch of Mountains, with House in the Foreground on right
51
William Brockedon, 1787–1854
Landscape with Houses set at the Foot of Hills
52
William Brockedon, 1787–1854
Hillside Entrance to a Mine, with Figure Standing in Front
53
William Brockedon, 1787–1854
Faint Sketch of Mountains
54
William Brockedon, 1787–1854
Grassy Ravine with Grazing Sheep
55
William Brockedon, 1787–1854
Faint Sketch of Mountains and Ravines
56
William Brockedon, 1787–1854
Step Mountain Landscape with Prominent Pine Tree
57
William Brockedon, 1787–1854
View up a River at the Base of a Steep Mountain Range
58
William Brockedon, 1787–1854
Hillside Landscape with River Winding Around Bottom
59
William Brockedon, 1787–1854
Faint landscape Sketch
60
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
61
Giles Hussey, 1710–1788
Study of head of man with helmet
between 1730 and 1768
62
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
63
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
64
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
65
Giles Hussey, 1710–1788
Two studies of head from classical figure
between 1730 and 1768
66
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
67
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
68
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
69
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
70
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
71
Charles Howard Hodges, 1764–1837
Mambrino
1788
72
Newton Limbird Smith Fielding, 1799–1856
[Fox-hunting] Set of four: "Moving Accidents by Flood and Field". Plate I. "Tis the pace that kills. / The chase is up, hark! to the wild away! /... Gallants have pause: though but a moment, stay /..."
1836
73
Engraved by Henry Pyall, 1795–1833
Mail Coach Behind Time
1827
74
Thomas Creswick, 1811–1869
Etchings for the Art Union of London by the Etching Club: The Old Bridge, Number 1
75
Sir John Everett Millais, 1829–1896
Etchings for the Art Union of London by the Etching Club: Going to the Park, Number 2
1872
76
John Calcott Horsley, 1817–1903
Etchings for the Art Union of London by the Etching Club: Monsieur se Chauffe, Number 3
77
John Calcott Horsley, 1817–1903
Etchings for the Art Union of London by the Etching Club: Madame se Chauffe, Number 4
78
George Bernard O'Neill, 1828–1917
Etchings for the Art Union of London by the Etching Club: The Fourteenth of February, Number 5
79
Charles West Cope, 1811–1890
Etchings for the Art Union of London by the Etching Club: The Illuminator, Number 6
80
John Frederick Tayler, 1802–1889
Etchings for the Art Club of London by the Etching Club: Otter-Hounds Questing, Number 8
81
Richard Ansdell, 1815–1885
Etchings for the Art Union of London by the Etching Club: The Anxious Mother, Number 10
82
John Frederick Tayler, 1802–1889
Etchings for the Art Union of London by the Etching Club: Dogs and Wild Boar, Number 12
83
Richard Redgrave, 1804–1888
Etchings for the Art Union of London by the Etching Club: Silver Thames, Number 17
1867
84
William Brockedon, 1787–1854
Mountainous Sketch
85
William Brockedon, 1787–1854
Mining Scene: Buildings and Standing Figure Set Against Dark Mountainside
86
William Brockedon, 1787–1854
Mountain Landscape with Building on one Peak
87
unknown artist
View of House, taken from across the lake
undated
88
unknown artist
View of house, through trees and shrubbery
undated
89
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Coupe, sur la Ligne AB, du Petit Chateau de Brucourt dans son Etat Primitif
undated
90
James Clarke Hook, 1819–1907
Etchings for the Art Union of London by the Etching Club: Dort, The Birthplace of Cuyp, Number 11
91
Richard Ansdell, 1815–1885
Etchings for the Art Union of London by the Etching Club: Habilants of our Shores, Number 14
92
Richard Redgrave, 1804–1888
Etchings for the Art Club of London by the Etching Club: Undercliff, Number 15
1868
93
unknown artist
The House of Peers, view of the Throne end
94
Benjamin Cole, 1697–1783
A View of the House of Peers
95
James Ward, 1769–1859
Dogs of the Dalmatian Breed - from an original picture in the possession of Sir John Fleming Leicester Baronet &, &
1821
96
Print made by unknown artist
The Bay of Baiae - Apollo and the Sibyl
between 1852 and 1856
97
John Spilsbury, 1730–1795
George Legge, 3rd Earl of Dartmouth, Viscount Lewisham