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1. Thenot Remonstrates with Colinet; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Thenot and Colinet Converse Seated between Two Trees; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Thenot Remonstrates with Colinet, Lightfoot in the Distance; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 × 6 inches (12.1 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Thenot, with Colinet Waving his Arms in Sorrow; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Colinet's Fond Desire Strange Lands to Know; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. With Songs the Jovial Hinds Return from Plow; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Thenot and Colinet, Frontispiece; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. The Blighted Corn; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Nor Fox, nor Wolf, nor Rat among Our Sheep; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Sabrina's Silvery Flood; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. A Rolling Stone is Ever Bare of Moss; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Colinet Rests by a Stream at Night; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. For Him Our Yearly Wakes and Feasts We Hold; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. And Unyok'd Heifers, Loitering Homewards, Low; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Colinet with his Shepherd's Pipe, Mocked by Two Boys; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Thenot and Colinet Folding their Flocks together at Sunset; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Thenot and Colinet at Supper; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. The Wood Engravings of William Blake for Thornton's 'Pastorals of Virgil'

Creator:: Wood blocks engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Seventeen electrotypes taken from the original wood-engraved blocks, each in a small folio with letterpress text on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. The Pastorals of Virgil, Volume 1

Creator:: William Blake, 1757–1827
Date:: 1821
Materials & Techniques:: Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. The Pastorals of Virgil, Volume 2

Creator:: Print made by William Blake, 1757–1827
Date:: 1821
Materials & Techniques:: Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Ben Nevis

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper cut into five scenes and mounted on medium, smooth, beige wove paper
Dimensions:: Image: 1 7/8 x 1 inches (4.8 x 2.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Constantinopole

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper cut into six scenes and mounted on medium, smooth, beige wove paper
Dimensions:: Image: 2 1/8 x 1 1/16 inches (5.4 x 2.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Constantinople

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Stipple engraving, etching, aquatint and color woodcut on moderately thick, smooth, cream wove paper mounted on moderately thick, smooth, beige laid paper
Dimensions:: Image: 2 1/8 x 1 inches (5.4 x 2.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. St Paul Preaching in Athens

Creator:: George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Aquatint, etching, stipple engraving and color woodcut on cream card mounted on contemporary cream card
Dimensions:: Mount: 7 11/16 x 10 1/8 inches (19.6 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Scottish Scenes. Albanian Scenes.

Creator:: Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint and stipple engraving, with color woodcut on moderately thick, slightly textured, cream wove paper cut into six scenes and mounted on moderately thick, smooth, cream wove paper
Dimensions:: Image: 2 15/16 x 13/16 inches (7.4 x 2.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Scottish Scenes. Albanian Scenes.

Creator:: Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint and stipple engraving, with color woodcut on moderately thick, slightly textured, cream wove paper cut into two rows of five scenes and mounted on moderately thick, smooth, cream wove paper
Dimensions:: Image: 2 7/8 x 7/8 inches (7.3 x 2.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Country Scenes

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, stipple engraving, etching and color woodcut on medium, smooth, cream wove paper cut into eight scenes and mounted on medium, smooth, beige wove paper
Dimensions:: Image: 2 3/4 x 7/8 inches (7 x 2.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Turkish Scenes

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, stipple engraving, etching and color woodcut on medium, smooth, cream wove paper cut into eight scenes and mounted on medium, smooth, beige wove paper
Dimensions:: Image: 2 11/16 x 7/8 inches (6.8 x 2.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Review of the Troops

Creator:: Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, etching and stipple engraving with color woodcut on moderately thick, slightly textured, cream wove paper cut into six scenes and mounted on moderately thick, smooth, cream wove paper
Dimensions:: Image: 2 1/16 x 1 1/16 inches (5.3 x 2.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Highland Dancers

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Stipple engraving, etching and colored woodcut on moderately thick, smooth, cream wove paper cut into five scenes and mounted on medium, smooth, beige wove paper
Dimensions:: Image: 1 7/8 x 1 inches (4.8 x 2.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Advertisement for prints after J.M.W. Turner by George and William B. Cooke

Creator:: Print made by unknown artist
Materials & Techniques:: Letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Advertisement for 'List of New Prints and Engraved Works published by W.B. Cooke 9 Soho Square'

Creator:: Print made by unknown artist
Materials & Techniques:: Letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Wrapper for Rivers of England (Number One)

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1823 to 1827
Materials & Techniques:: Letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Wrapper for Rivers of England (Number Two)

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1823 to 1827
Materials & Techniques:: Letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Wrapper and Advertisements for Rivers of England (Number Three)

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1823 to 1827
Materials & Techniques:: Letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Wrapper and Advertisements for Rivers of England (Number Four)

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1823 to 1827
Materials & Techniques:: Letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Wrapper and Text (bound) for River Scenery

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1823 to 1827
Materials & Techniques:: Letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Front of Wrapper; and Advertisement for Ports of England

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1826 to 1828
Materials & Techniques:: Letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Front Wrapper for Turner's Sketches from Nature, Part Three

Creator:: Print made by unknown artist
Materials & Techniques:: Letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Dedication for 'The Rape of Hastings'

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816 to 1820
Materials & Techniques:: Letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Text for Picturesque Views on the Southern Coast

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1823 to 1827
Materials & Techniques:: Letterpress (five sheets)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Wrapper and Advertisements and Text (unbound) for Rivers of England (Number two)

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1823 to 1827
Materials & Techniques:: Letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Text for 'The Rape of Hastings'

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816 to 1820
Materials & Techniques:: Letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Text for 'The Rape of Hastings'

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816 to 1820
Materials & Techniques:: Letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Advertisement for 'The Old Téméraire'

Creator:: unknown artist
Date:: 1859 to 1861
Materials & Techniques:: Letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Greek set

Creator:: Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, etching and stipple engraving with color woodcut on moderately thick, slightly textured, cream wove paper cut into eight scenes and mounted on moderately thick, smooth, cream wove paper
Dimensions:: Image: 2 13/16 x 7/8 inches (7.2 x 2.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. The Grave, A Poem, by Robert Blair

Creator:: Prints made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching and letterpress, bound in contemporary publisher's paper-covered boards, rebacked on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. A Group of Mathematicians

Creator:: Print made by Arthur Pond, ca. 1705–1758
Date:: 1734
Materials & Techniques:: Etching printed in brown ink
Dimensions:: Sheet: 6 1/2 x 7 1/2in. (16.5 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. The Lake of Geneva; Frontispiece, Title Page, and Index

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1830
Materials & Techniques:: Letterpress on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. The Landing of Her Majesty at Cove, Ireland in 1849

Creator:: Print made by George Baxter, 1804–1867
Date:: 1850
Materials & Techniques:: Baxter print on medium, slightly textured, cream wove paper mounted to gold card
Dimensions:: Sheet: 4 × 5 7/8 inches (10.2 × 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Linda G. Mitchell and David M. Doret, Yale BA 1968

51. Winter

Creator:: Print made by George Baxter, 1804–1867
Date:: 1859
Materials & Techniques:: Baxter print on thick, smooth, cream wove paper
Dimensions:: Sheet: 10 1/2 × 15 inches (26.7 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Linda G. Mitchell and David M. Doret, Yale BA 1968

52. Cavalry Advancing to the Charge

Creator:: Print made by Arthur Pond, ca. 1705–1758
Date:: 1735
Materials & Techniques:: Etching and chiaroscuro woodcut on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/2 × 10 1/2 inches (21.6 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Linda G. Mitchell and David M. Doret, Yale BA 1968

53. Death and the Robber

Creator:: Print made by William Strang, 1859–1921
Date:: 1901
Materials & Techniques:: Woodcut; proof on thin, slightly textured, cream Asian laid paper
Dimensions:: Sheet: 17 1/4 × 12 1/4 inches (43.8 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, transfer from the Yale University Art Gallery Collection

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1. Thenot Remonstrates with Colinet; Imitation of Eclogue I

2. Thenot and Colinet Converse Seated between Two Trees; Imitation of Eclogue I

3. Thenot Remonstrates with Colinet, Lightfoot in the Distance; Imitation of Eclogue I

4. Thenot, with Colinet Waving his Arms in Sorrow; Imitation of Eclogue I

5. Colinet's Fond Desire Strange Lands to Know; Imitation of Eclogue I

6. With Songs the Jovial Hinds Return from Plow; Imitation of Eclogue I

7. Thenot and Colinet, Frontispiece; Imitation of Eclogue I

8. The Blighted Corn; Imitation of Eclogue I

9. Nor Fox, nor Wolf, nor Rat among Our Sheep; Imitation of Eclogue I

10. Sabrina's Silvery Flood; Imitation of Eclogue I

11. A Rolling Stone is Ever Bare of Moss; Imitation of Eclogue I

12. Colinet Rests by a Stream at Night; Imitation of Eclogue I

13. For Him Our Yearly Wakes and Feasts We Hold; Imitation of Eclogue I

14. And Unyok'd Heifers, Loitering Homewards, Low; Imitation of Eclogue I

15. Colinet with his Shepherd's Pipe, Mocked by Two Boys; Imitation of Eclogue I

16. Thenot and Colinet Folding their Flocks together at Sunset; Imitation of Eclogue I

17. Thenot and Colinet at Supper; Imitation of Eclogue I

18. The Wood Engravings of William Blake for Thornton's 'Pastorals of Virgil'

19. The Pastorals of Virgil, Volume 1

20. The Pastorals of Virgil, Volume 2

21. Ben Nevis

22. Constantinopole

23. Constantinople

24. St Paul Preaching in Athens

25. Scottish Scenes. Albanian Scenes.

26. Scottish Scenes. Albanian Scenes.

27. Country Scenes

28. Turkish Scenes

29. Review of the Troops

30. Highland Dancers

31. Advertisement for prints after J.M.W. Turner by George and William B. Cooke

32. Advertisement for 'List of New Prints and Engraved Works published by W.B. Cooke 9 Soho Square'

33. Wrapper for Rivers of England (Number One)

34. Wrapper for Rivers of England (Number Two)

35. Wrapper and Advertisements for Rivers of England (Number Three)

36. Wrapper and Advertisements for Rivers of England (Number Four)

37. Wrapper and Text (bound) for River Scenery

38. Front of Wrapper; and Advertisement for Ports of England

39. Front Wrapper for Turner's Sketches from Nature, Part Three

40. Dedication for 'The Rape of Hastings'

41. Text for Picturesque Views on the Southern Coast

42. Wrapper and Advertisements and Text (unbound) for Rivers of England (Number two)

43. Text for 'The Rape of Hastings'

44. Text for 'The Rape of Hastings'

45. Advertisement for 'The Old Téméraire'

46. Greek set

47. The Grave, A Poem, by Robert Blair

48. A Group of Mathematicians

49. The Lake of Geneva; Frontispiece, Title Page, and Index

50. The Landing of Her Majesty at Cove, Ireland in 1849

51. Winter

52. Cavalry Advancing to the Charge

53. Death and the Robber