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James Gillray, 1756–1815

The Introduction of the Pope to the Convocation at Oxford, By the Cardinal Broad Bottom

1809

James Gillray, 1756–1815

Pillars of the Constitution - Three O'Clock and A Cloudy Morning

1809

James Gillray, 1756–1815

Sketch of the Interior of St. Stephen's, as It Now Stands. -

1802

James Gillray, 1756–1815

Fat Cattle, a Sketch of Tavistock Farmyard Dedicated to the Society for Improving the Breed of Cattle

1802

James Gillray, 1756–1815

Hope

1802

James Gillray, 1756–1815

Be gone Dull Care, I Prithee Begone From Me!

1801

James Gillray, 1756–1815

Despair

1802

James Gillray, 1756–1815

Forming a Line on the Parade

1801

James Gillray, 1756–1815

King Henry The Fourth's Last Scene

1788

James Gillray, 1756–1815

Prince Pitt

1788

Print made by William M. Larkins, 1901–1974

Old Bruges

undated

Print made by William M. Larkins, 1901–1974

Old Bruges

undated

Print made by William M. Larkins, 1901–1974

Old Bruges

undated

Print made by William M. Larkins, 1901–1974

Old Bruges

undated

Print made by William M. Larkins, 1901–1974

Old Bruges

undated

Print made by William M. Larkins, 1901–1974

Le Quai de Rosaire

undated

Print made by William M. Larkins, 1901–1974

Le Quai de Rosaire

undated

Print made by William M. Larkins, 1901–1974

Le Quai de Rosaire

undated

Print made by Thomas Bonnor, ca. 1740–ca. 1812

Stanford, the Seat of Sir Edward Winnington, Baronet

undated

Print made by William M. Larkins, 1901–1974

The Cloth Hall

undated

Print made by Stephen Buckley, born 1944

Untitled

1977

Print made by Stephen Buckley, born 1944

Untitled

1977

Print made by Stephen Buckley, born 1944

Untitled

1977

James Gillray, 1756–1815

Blood on Thunder Fording the Red Sea

1788

James Gillray Patriot's Deciding a Point of Honor! - or - An Exact Representation of the Celebrated Rencontre which Took Place at Combe Wood at May 2nd 1807 - Between Little-Paul the Taylor and Sir Francis Goose

James Gillray, 1756–1815

Patriot's Deciding a Point of Honor! - or - An Exact Representation of the Celebrated Rencontre which Took Place at Combe Wood at May 2nd 1807 - Between Little-Paul the Taylor and Sir Francis Goose

1807

James Gillray The New Dynasty; or the Little Corsican Gardener Planting a Royal Pippin-Tree. -All the Talents (Busy in) are Clearing the Ground of the Old Timber.

James Gillray, 1756–1815

The New Dynasty; or the Little Corsican Gardener Planting a Royal Pippin-Tree. -All the Talents (Busy in) are Clearing the Ground of the Old Timber

1807

James Gillray, 1756–1815

German - Nonchalence: - or - The Vexation of Little Boney

1803

James Gillray, 1756–1815

The Man of Feeling, in Search of Indispensibles: - A Scene at the Little French Milleners

1800

James Gillray, 1756–1815

Overthrow of the Republican-Babel

1809

James Gillray, 1756–1815

True Reform of Parliament, i.e. - Patriots Lighting a Revolutionary Bonfire in New Palace Yard

1809

James Gillray, 1756–1815

An Old English-Gentleman pester'd by Servants wanting Places

1809

James Gillray, 1756–1815

Spanish Patriots Attacking the French Banditti - Loyal Britons Lending a Lift!

1808

James Gillray British Tars Towing the Danish Fleet into Harbour; The Broad Bottom Leviathan Trying to Swamp Billy's Old Boat; and the Little Corsican Tottering on the Clouds of Ambition

James Gillray, 1756–1815

British Tars Towing the Danish Fleet into Harbour; The Broad Bottom Leviathan Trying to Swamp Billy's Old Boat; and the Little Corsican Tottering on the Clouds of Ambition

1807

Print made by William M. Larkins, 1901–1974

Old Bruges

undated

Print made by William M. Larkins, 1901–1974

Old Bruges

undated

James Gillray Meeting of the Monied Interest: - Constitutional Opposition to e/y 10 pr. cent: - i.e. John Bull's Friends Alarm'd by the New Tax (from: Caricature, vol. 1)

James Gillray, 1756–1815

Meeting of the Monied Interest: - Constitutional Opposition to e/y 10 pr. cent: - i.e. John Bull's Friends Alarm'd by the New Tax (from: Caricature, vol. 1)

1798

Print made by William M. Larkins, 1901–1974

Le Quai de Rosaire

undated

Print made by William M. Larkins, 1901–1974

The Cloth Hall

undated

Print made by William M. Larkins, 1901–1974

The Cloth Hall

undated

Edward W. Trendall, active 1816–1848

Grandstand on the Race Ground at Epsom

undated

Henry Thomas Alken, 1785–1851

The Quorn Hunt: The Meet at Ashby Pastures

undated

Henry Thomas Alken, 1785–1851

The Quorn Hunt: Tally-Ho and Away

undated

Henry Thomas Alken, 1785–1851

The Quorn Hunt: The Pace Begins to Tell

undated

Henry Thomas Alken, 1785–1851

The Quorn Hunt: 'Snob is Beat'

undated

Henry Thomas Alken, 1785–1851

The Quorn Hunt: Full Cry

undated

Henry Thomas Alken, 1785–1851

The Quorn Hunt: The Whissendine Appears in View

undated

Henry Thomas Alken, 1785–1851

The Quorn Hunt: The Death

undated

James Gillray, 1756–1815

Tiddy-Doll the Great French-Ginger-Bread-Baker, Drawing Out a Batch of Kings-His Man, Hopping Talley, Mixing the Dough

1806

James Gillray, 1756–1815

Political Mathematician's Shaking the Broad Bottom'd Hemispheres

ca. 1811

Print made by Malcolm Osborne, 1880–1963

Evening, Ambleside

undated

Print made by Thomas Rowlandson, 1756–1827

Frontispiece, All Hail Dalblair!

1786

Print made by Malcolm Osborne, 1880–1963

National Gallery

ca.1929

Henry Thomas Alken, 1785–1851

The Quorn Hunt: Drawing Cover

undated

Print made by Francesco Bartolozzi, 1728–1815

June

1789

Print made by Sir Frank William Brangwyn, 1867–1956

Coffee Stall, Hammersmith

1919

Print made by Patrick Heron, 1920–1999

Morning Reds

1979

Print made by Robert Brandard, 1805–1862

Between Quilleboeuf and Villequier

1834

Print made by William Thomas Fry, 1789–1843

George Romney, Esq

1817

Bradshaw & Blacklock, active ca.1850

Greek set

after 1850

William Alfred Delamotte, 1775–1863

[A set of] Twenty etchings, Ten etchings, Sandhurst, 1816, 1817

1816 to 1817

Print made by Richard Cockle Lucas, 1800–1883

Etchings by R. C. Lucas

between 1837 and 1874

Print made by Joseph Strutt, 1749–1802

John Bunyan. " Pilgrim's Progress ", illustrated by Thomas Stothard

1788 to 1791

Print made by John Thompson, 1785–1866

Proof for an illustration: Walton, Izaak. The Complete Angler. London, 1836

1836