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401. Views of France, Volume II

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

402. Six Designs for Colreidge's Rime of the Ancient Mariner: The Spectre Ship Approaches

Creator:: David Scott, 1806–1849
Date:: ca. 1831
Materials & Techniques:: Graphite and tracing on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 5/16 × 9 1/2 inches (31.3 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

403. Six Designs for Coleridge's Rime of the Ancient Mariner: The Spirit of the South Sends Forth the Albatross as a Sign of Peace to the Ship

Creator:: David Scott, 1806–1849
Date:: ca. 1831
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 13/16 × 9 5/16 inches (30 × 23.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

404. Christian and Hopeful in the Castle of Giant Despair

Creator:: David Scott, 1806–1849
Date:: ca. 1831
Materials & Techniques:: Graphite, red chalk, traced for transfer on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 5/8 × 9 11/16 inches (32.1 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

405. Christian, Accompanied by Discretion, Piety, Charity and Prudence

Creator:: David Scott, 1806–1849
Date:: ca. 1831
Materials & Techniques:: graphite, red chalk, traced for transfer on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 7/8 × 10 3/8 inches (32.7 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

406. Trial by Combat

Creator:: Thomas Sibson, 1817–1844
Date:: undated
Materials & Techniques:: Pen and black ink, brown ink, red ink, gray wash and graphite on thin, smooth, beige wove tracing paper
Dimensions:: Sheet: 10 3/4 × 13 inches (27.3 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

407. Saxon Pagans and Christians

Creator:: Thomas Sibson, 1817–1844
Date:: 1844
Materials & Techniques:: Graphite on thin, smooth, beige wove tracing paper
Dimensions:: Sheet: 5 7/8 × 8 9/16 inches (14.9 × 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

408. Detail of : A Saxon Slave-Market

Creator:: Thomas Sibson, 1817–1844
Date:: undated
Materials & Techniques:: Graphite on thin, smooth, beige wove tracing paper
Dimensions:: Sheet: 3 13/16 × 3 11/16 inches (9.7 × 9.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

409. A View of Hyde Park from Ennismore Gardens

Creator:: unknown artist
Date:: ca. 1830
Materials & Techniques:: Watercolor, white gouache, pen and black ink, pen and brown ink, and graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/2 × 37 1/2 inches (41.9 × 95.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

410. Interior of an Inn

Creator:: William Mason, 1724–1797
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/2 × 24 3/4 inches (44.5 × 62.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

411. Corvus albus (Pied Crows)

Creator:: Luigi Balugani, 1737–1770
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 × 12 1/2 inches (40.6 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

412. Design for a Silver Chalice (Design for a Wine-Cooler (?) for Rundell, Bride and Rundell)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Sepia on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 15 7/16 × 16 3/4 inches (39.2 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

413. Carthamus tinctorius L. (Safflower): finished drawing of flowering plant

Creator:: Luigi Balugani, 1737–1770
Date:: 1765-1773
Materials & Techniques:: Watercolor and gouache over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/2 × 28 1/4 inches (39.4 × 71.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

414. Hypericum quartinianum A. Rich. (St. John's-Wort): finished drawing without addditional details

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 × 12 inches (40.6 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

415. Fennecus verdus (Fennec)

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 9 3/4 × 12 3/8 inches (24.8 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

416. Six Designs for Coleridge's Rime of the Ancient Mariner: Death and Line-in-Death, Dice for the Crew

Creator:: David Scott, 1806–1849
Date:: ca. 1831
Materials & Techniques:: Graphite, red chalk, tracing on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 3/8 × 9 9/16 inches (31.4 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

417. Six Designs for Coleridge's Rime of the Ancient Mariner: While Spirits of Peace Descend

Creator:: David Scott, 1806–1849
Date:: ca. 1831
Materials & Techniques:: Graphite, red chalk, and tracing on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 5/16 × 9 7/16 inches (31.3 × 24 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

418. Six Designs for Coleridge's Rime of the Ancient Mariner: He Rows Ashore in the Pilot's Boat

Creator:: David Scott, 1806–1849
Date:: ca. 1831
Materials & Techniques:: Graphite, red chalk, tracing on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 9 5/16 × 12 9/16 inches (23.7 × 31.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

419. Six Designs for Coleridge's Rime of the Ancient Mariner: The Crew Blames the Mariner for Killing the Albatross

Creator:: David Scott, 1806–1849
Date:: ca. 1831
Materials & Techniques:: Graphite on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 1/8 × 9 inches (30.8 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

420. Hearing the Music of the Spheres

Creator:: David Scott, 1806–1849
Date:: ca. 1831
Materials & Techniques:: Graphite on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 6 15/16 x 7 5/16in. (17.6 x 18.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

421. The Baron's Hall of Chaucer's Time

Creator:: Thomas Sibson, 1817–1844
Date:: 1844
Materials & Techniques:: Pen and black ink, gray wash and graphite on thin, smooth, brown tracing paper
Dimensions:: Sheet: 11 1/4 × 16 1/2 inches (28.6 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

422. A School in the Time of Alfred

Creator:: Thomas Sibson, 1817–1844
Date:: undated
Materials & Techniques:: Graphite on thin, smooth, brown tracing paper
Dimensions:: Sheet: 7 3/8 × 11 1/4 inches (18.7 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

423. Cash-Payment

Creator:: Thomas Sibson, 1817–1844
Date:: 1844
Materials & Techniques:: Pen and black ink, gray wash, graphite, traced for transfer on thin, smooth, brown tracing paper
Dimensions:: Sheet: 8 9/16 × 11 11/16 inches (21.7 × 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

424. A Saxon Town

Creator:: Thomas Sibson, 1817–1844
Date:: undated
Materials & Techniques:: Graphite on thin, smooth, beige wove tracing paper
Dimensions:: Mount: 7 1/8 × 9 1/8 inches (18.1 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

425. Saxon Pagans and Christians

Creator:: Thomas Sibson, 1817–1844
Date:: 1844
Materials & Techniques:: Pen and black ink, gray ink, and graphite on thin, smooth, beige wove tracing paper
Dimensions:: Sheet: 6 × 8 1/4 inches (15.2 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

426. A Saxon Slave-Market

Creator:: Thomas Sibson, 1817–1844
Date:: undated
Materials & Techniques:: Graphite, red chalk, tracing on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 5 9/16 × 10 3/16 inches (14.1 × 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

427. Two Profiles, Man and Woman

Creator:: Thomas Sibson, 1817–1844
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/8 × 2 1/4 inches (11.7 × 5.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

428. The "Love Match" No. 2

Creator:: Thomas Sibson, 1817–1844
Date:: undated
Materials & Techniques:: Black chalk on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 13/16 × 9 1/2 inches (30 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

429. The Love Match, No 3

Creator:: Thomas Sibson, 1817–1844
Date:: undated
Materials & Techniques:: Black chalk on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 15/16 × 9 9/16 inches (30.3 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

430. The Love Match, No. 4

Creator:: Thomas Sibson, 1817–1844
Date:: undated
Materials & Techniques:: Black chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 15/16 × 9 7/16 inches (30.3 × 24 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

431. The Love Match, No. 6

Creator:: Thomas Sibson, 1817–1844
Date:: undated
Materials & Techniques:: Black chalk, red chalk on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 12 1/8 × 9 7/16 inches (30.8 × 24 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

432. The "Love Match" No 5

Creator:: Thomas Sibson, 1817–1844
Date:: undated
Materials & Techniques:: Black chalk on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 7/8 × 9 9/16 inches (30.2 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

433. Praying in Church

Creator:: Thomas Sibson, 1817–1844
Date:: undated
Materials & Techniques:: Pen and black ink and graphite on medium, smooth, beige wove paper
Dimensions:: Mount: 6 7/16 × 7 7/8 inches (16.4 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

434. Torturing the Prisoners

Creator:: Thomas Sibson, 1817–1844
Date:: undated
Materials & Techniques:: Watercolor, graphite, and gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/4 × 4 5/8 inches (8.3 × 11.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

435. The Artist's Bedroom

Creator:: Thomas Sibson, 1817–1844
Date:: undated
Materials & Techniques:: Pen and brown ink over graphite on thin, smooth, cream wove paper
Dimensions:: Sheet: 10 13/16 × 8 5/16 inches (27.5 × 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

436. Rendering for a Crystal Palace near St. Cloud

Creator:: Sir Joseph Paxton, 1803–1865
Date:: 1861
Materials & Techniques:: Watercolor
Dimensions:: Sheet: 18 3/4 x 48 1/2in. (47.6 x 123.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Abel Cary Thomas, B.A. 1905

437. On the Road to Erlestoke

Creator:: unknown artist
Date:: ca. 1825
Materials & Techniques:: Brown wash, graphite, and scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 3/4 × 10 9/16 inches (19.7 × 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

438. Erlestoke Looking West

Creator:: unknown artist
Date:: ca. 1825
Materials & Techniques:: Pen and brown ink, brown wash, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 3/16 × 10 3/4 inches (18.3 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

439. In Stoke Gardens

Creator:: unknown artist
Date:: ca. 1825
Materials & Techniques:: Pen and black ink, gray ink, gray wash, blue wash and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 10 9/16 inches (19.1 × 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

440. Wooden Jetty

Creator:: Thomas Miles Richardson Sr., 1784–1848
Date:: undated
Materials & Techniques:: Graphite, watercolor, and gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 12 3/4 inches (20.3 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

441. Erlestoke House and Park

Creator:: unknown artist
Date:: ca. 1825
Materials & Techniques:: Watercolor with pen and brown ink, graphite, and scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 12 7/16 inches (19.1 × 31.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

442. Study of the Resurrection of Lazarus

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 × 9 5/8 inches (12.7 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

443. Study of the Resurrection of Lazarus

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 11/16 × 9 7/8 inches (19.5 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

444. Church Yard Gate and Dwarf Avenue Gate, Grittleton House, Wiltshire

Creator:: unknown artist
Date:: ca. 1835
Materials & Techniques:: Pen and black ink, watercolor on medium, slightly textured, white wove paper
Dimensions:: Sheet: 9 1/4 × 7 1/4 inches (23.5 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

445. Sir William Brewes and his Wife, Elizabeth Hopton, 1489, The Parish Church of St. Peter and St. Paul, Pressingfield, Suffolk

Creator:: Rubbed by Townsend Rich, 1909–1998
Date:: 1965
Materials & Techniques:: Crayon rubbing
Dimensions:: Sheet: 36 7/8 x 30in. (93.7 x 76.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Townsend Rich

446. Stables at Grittleton House, Wiltshire

Creator:: unknown artist
Date:: ca. 1835
Materials & Techniques:: Graphite, watercolor, pen and black ink on medium, smooth, white wove paper
Dimensions:: Sheet: 9 5/8 × 7 3/8 inches (24.4 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

447. Stables at Grittleton House, Wiltshire

Creator:: unknown artist
Date:: ca. 1835
Materials & Techniques:: Graphite, watercolor, pen and black ink on medium, smooth, white wove paper
Dimensions:: Sheet: 7 7/8 × 7 1/4 inches (20 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

448. Death of Ananias

Creator:: Joseph Goupy, 1689–1769
Date:: 1740
Materials & Techniques:: Gouache and graphite on vellum
Dimensions:: Sheet: 11 7/8 x 18 inches (30.2 x 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

449. Fishmonger's Hall and London Bridge

Creator:: Attributed to Gideon Yates, active 1825–1837
Date:: 1832
Materials & Techniques:: Watercolor and pen and black ink and graphite on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 12 3/8 × 20 1/2 inches (31.4 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

450. Ships and Boats on the River Avon

Creator:: Nicholas Pocock, 1740–1821
Date:: 1786
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 22 1/4 inches (41.6 × 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

451. Illustration to 'The Traveller'

Creator:: Myles Birket Foster, 1825–1899
Date:: 1859
Materials & Techniques:: Watercolor on moderately textured, cream wove paper
Dimensions:: Sheet: 2 × 3 1/2 inches (5.1 × 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

452. Landscape with Buildings: Possibly at Richmond, Surrey

Creator:: William Taverner, 1703–1772
Date:: undated
Materials & Techniques:: Watercolor and gouache on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/2 × 28 1/8 inches (24.1 × 71.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

453. Italian Churches

Creator:: Henry Shaw, 1800–1873
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, brown wash on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 5 15/16 × 4 3/4 inches (15.1 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

454. Fragmens des Differens Monumens de la Troade

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Watercolor and pen and black ink on slightly textured, medium, white wove paper
Dimensions:: Sheet: 8 3/8 × 12 inches (21.3 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

455. La Fontaine de Ste. Sophie a Constantinople

Creator:: Henry Phillip Hope, active 1799–1818
Date:: 1799
Materials & Techniques:: Graphite, pen and black ink, and watercolor on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 12 1/2 × 17 1/2 inches (31.8 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

456. Vue d'une Colonne dans L'Interieur du Serail a Constantinople

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Watercolor on slightly textured, medium, white wove paper
Dimensions:: Sheet: 14 5/16 × 9 7/8 inches (36.4 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

457. Paysage

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Watercolor on slightly textured, medium, white wove paper
Dimensions:: Sheet: 8 3/4 × 13 7/8 inches (22.2 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

458. Vue de la Porte aux Lions a Constantinople

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Watercolor on slightly textured, medium, white wove paper
Dimensions:: Sheet: 3 3/4 × 7 7/8 inches (9.5 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

459. La Fontaine de Topana a Constantinople

Creator:: Henry Phillip Hope, active 1799–1818
Date:: 1799
Materials & Techniques:: Graphite, pen and black ink, and watercolor on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 12 1/2 × 17 1/2 inches (31.8 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

460. Adrian Hope's House I: View of Entrance Hall Towards Staircase

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black ink, graphite on slightly textured, moderately thick, cream wove paper
Dimensions:: Image: 12 5/8 × 13 9/16 inches (32 × 34.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

461. Adrian Hope's House II: Corner Bedrooom on Chamber Floor - Elevations and Ceiling Plan

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black ink, watercolor, graphite on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 18 3/4 × 25 3/4 inches (47.6 × 65.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

462. Adrian Hope's House II: Drawing Room - Plan of Ceiling and Elevations

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Graphite, pen and black ink on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 21 1/8 × 25 5/8 inches (53.7 × 65.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

463. Badgebury House, South East Front - Elevation

Creator:: unknown artist
Date:: 1841
Materials & Techniques:: Pen and black ink, watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 18 1/2 × 26 3/8 inches (47 × 67 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

464. Bedgebury: Alternative design for Pavilion Window

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Graphite, watercolor on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 7 3/4 × 4 3/8 inches (19.7 × 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

465. Rue Pigale, Quai D'Orsay - Elevation sur la Cour

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black and brown ink, watercolor on slightly textured, thin, cream wove paper on smooth, thick, cream laid paper
Dimensions:: Sheet: 15 9/16 × 20 7/16 inches (39.5 × 51.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

466. Rue Pigale, Quai D'Orsay: Rez-de-Chaussee - Plan

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black ink, watercolor, graphite on slightly textured, thin, white wove paper laid on cream wove paper
Dimensions:: Sheet: 21 × 16 3/8 inches (53.3 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

467. Colmar, Chateau Wildenstein, Rue Plumer: Plan au Rez-de-Chaussee (du Chateau de Wildenstein)

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black ink, watercolor, graphite on slightly textured, medium, cream laid paper
Dimensions:: Sheet: 16 7/8 × 19 3/4 inches (42.9 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

468. Colmar, Chateau Wildenstein, Rue Plumer: Premier etage du Chateau de Wildenstein

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black ink, watercolor on slightly textured, moderately thick, cream laid paper
Dimensions:: Sheet: 12 1/2 × 13 inches (31.8 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

469. Colmar, Chateau Wildenstein, Rue Plumer: Sousterrain (du Chateau de Wildenstein)

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black ink, watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 7 1/4 × 8 3/8 inches (18.4 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

470. Colmar, Chateau Wildenstein, Rue Plumer: Second etage (du Chateau de Wildenstein)

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black ink, watercolor on slightly textured, moderately thick, cream laid paper
Dimensions:: Sheet: 12 × 13 3/8 inches (30.5 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

471. Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer appartennant a Madame la Comtesse Rapp. Cote des cours

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black ink, watercolor, graphite on slightly textured, moderately thick, cream laid paper
Dimensions:: Sheet: 17 7/16 × 24 3/4 inches (44.3 × 62.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

472. Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer Appartenant a Madame la Comtesse Rap. Cote du Jardin

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black ink, watercolor, graphite on textured, moderately thick, beige laid paper
Dimensions:: Sheet: 17 3/4 × 26 1/16 inches (45.1 × 66.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

473. Colmar, Chateau Wildenstein, Rue Plumer: Plan generale de la Propriete de la rue Plumer - Entree sur la rue Plumer - Vue Perspective de la Fontaine

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black ink, graphite, watercolor on textured, moderately thick, beige laid paper
Dimensions:: Sheet: 17 3/8 × 22 1/2 inches (44.1 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

474. Colmar, Chateau Wildenstein, Rue Plumer: Plan, au Premier Etage, du Petit Chateau de Brucourt, avec un Agrandissement Projete

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black and red ink, watercolor, graphite on textured, moderately thick, cream laid paper
Dimensions:: Sheet: 10 1/4 × 14 7/8 inches (26 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

475. Colmar, Chateau Wildenstein, Rue Plumer: Coupe, sur la Ligne AB, du Petit Chateau de Brucourt dans son Etat Primitif

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black and red ink, watercolor, graphite on slightly textured, moderately thick, cream laid paper
Dimensions:: Sheet: 14 5/8 × 10 3/8 inches (37.1 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

476. Colmar, Chateau Wildenstein, Rue Plumer: Coupe sur la Ligne AB du Petit Chateau de Brucourt avec l'Agrandissement Projete

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black ink, graphite, watercolor on slightly textured, moderately thick, cream laid paper
Dimensions:: Sheet: 14 × 10 3/4 inches (35.6 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

477. Colmar, Chateau Wildenstein, Rue Plumer: Facade du Petit Chateau de Brucourt, du Cote du Nord, avec l'Agrandissement Projete

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black and red ink, gray wash, graphite on slightly textured, moderately thick, cream laid paper
Dimensions:: Sheet: 10 1/4 × 14 1/2 inches (26 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

478. Colmar, Chateau Wildenstein, Rue Plumer: Maison ou est ne le General Rapp a Colmar

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite and chalk on slightly textured, medium, beige wove paper
Dimensions:: Sheet: 10 × 7 1/2 inches (25.4 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

479. Colmar, Chateau Wildenstein, Rue Plumer: Maison dans laquelle le General Rapp a ete place comme Apprenti Epicier a Colmar

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite and chalk on smooth, medium, cream wove paper
Dimensions:: Sheet: 10 1/4 × 7 1/2 inches (26 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

480. Study of classical figure of man

Creator:: Giles Hussey, 1710–1788
Date:: between 1730 and 1768
Materials & Techniques:: Pen and ink over graphite on tracing paper on medium, slightly textured, cream tracing paper
Dimensions:: Sheet: 12 1/4 x 9 1/4in. (31.1 x 23.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

481. (One of) Twenty-one pen drawings of Decorative Details in Antique Style

Creator:: Thomas Hope, 1769–1831
Date:: undated
Materials & Techniques:: Pen and black ink and graphite on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 9 1/4 × 6 3/8 inches (23.5 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

482. (One of) Twenty-one pen drawings of Decorative Details in Antique Style

Creator:: Thomas Hope, 1769–1831
Date:: undated
Materials & Techniques:: Pen and black ink and graphite on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 6 3/8 × 9 1/4 inches (16.2 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

483. (One of) Twenty-one pen drawings of Decorative Details in Antique Style

Creator:: Thomas Hope, 1769–1831
Date:: undated
Materials & Techniques:: Pen and black ink and graphite on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 6 3/8 × 9 3/8 inches (16.2 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

484. (One of) Twenty-one pen drawings of Decorative Details in Antique Style

Creator:: Thomas Hope, 1769–1831
Date:: undated
Materials & Techniques:: Pen and black ink and graphite on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 6 3/8 × 9 1/4 inches (16.2 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

485. (One of) Twenty-one pen drawings of Decorative Details in Antique Style

Creator:: Thomas Hope, 1769–1831
Date:: undated
Materials & Techniques:: Pen and black ink and graphite on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 6 3/8 × 9 1/4 inches (16.2 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

486. (One of) Twenty-one pen drawings of Decorative Details in Antique Style

Creator:: Thomas Hope, 1769–1831
Date:: undated
Materials & Techniques:: Pen and black ink and graphite on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 6 3/8 × 9 1/4 inches (16.2 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

487. Album Drawings

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1820
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

488. Views of England and Wales, Volume II

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

489. Views of Northern Europe, Volume I

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

490. Views of Northern Europe, Volume II

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

491. Kneeling Man Trapped in Trees Reaching Out to Another Swathed in Mists

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite and varnish on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 9 × 12 3/8 inches (22.9 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

492. A Saxon Slave Market

Creator:: Thomas Sibson, 1817–1844
Date:: undated
Materials & Techniques:: Graphite on thin, smooth, beige wove tracing paper
Dimensions:: Sheet: 5 1/4 x 7in. (13.3 x 17.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

493. Detail from Saxon Hospitality

Creator:: Thomas Sibson, 1817–1844
Date:: undated
Materials & Techniques:: Graphite on thin, smooth, beige wove tracing paper
Dimensions:: Sheet: 3 1/2 × 2 1/4 inches (8.9 × 5.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

494. Saxon Hospitality

Creator:: Thomas Sibson, 1817–1844
Date:: 1843
Materials & Techniques:: Graphite, red chalk, tracing on medium, slightly textured, beige wove tracing paper
Dimensions:: Sheet: 12 3/4 × 20 1/2 inches (32.4 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

495. A School Room

Creator:: Thomas Sibson, 1817–1844
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, gouache, and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 9 5/8 × 12 inches (24.4 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

496. Danes Attacking the Coast

Creator:: Thomas Sibson, 1817–1844
Date:: undated
Materials & Techniques:: Pen and black ink, gray ink, brown ink and graphite on thin, smooth, cream tracing paper
Dimensions:: Sheet: 7 3/4 × 12 inches (19.7 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

497. Circulation

Creator:: Thomas Sibson, 1817–1844
Date:: undated
Materials & Techniques:: Pen and blue ink and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 3 5/8 x 5 5/8in. (9.2 x 14.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

498. Our Own Time

Creator:: Thomas Sibson, 1817–1844
Date:: undated
Materials & Techniques:: Graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 3 7/8 × 5 3/4 inches (9.8 × 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

499. Shrew Mouse and Other Sketches

Creator:: Thomas Sibson, 1817–1844
Date:: 1843
Materials & Techniques:: Pen and black ink, gray wash and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 9/16 x 7 3/8in. (11.6 x 18.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

500. The Love Match, No. 1

Creator:: Thomas Sibson, 1817–1844
Date:: undated
Materials & Techniques:: Black chalk on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 12 3/16 × 9 7/16 inches (31 × 24 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

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401. Views of France, Volume II

402. Six Designs for Colreidge's Rime of the Ancient Mariner: The Spectre Ship Approaches

403. Six Designs for Coleridge's Rime of the Ancient Mariner: The Spirit of the South Sends Forth the Albatross as a Sign of Peace to the Ship

404. Christian and Hopeful in the Castle of Giant Despair

405. Christian, Accompanied by Discretion, Piety, Charity and Prudence

406. Trial by Combat

407. Saxon Pagans and Christians

408. Detail of : A Saxon Slave-Market

409. A View of Hyde Park from Ennismore Gardens

410. Interior of an Inn

411. Corvus albus (Pied Crows)

412. Design for a Silver Chalice (Design for a Wine-Cooler (?) for Rundell, Bride and Rundell)

413. Carthamus tinctorius L. (Safflower): finished drawing of flowering plant

414. Hypericum quartinianum A. Rich. (St. John's-Wort): finished drawing without addditional details

415. Fennecus verdus (Fennec)

416. Six Designs for Coleridge's Rime of the Ancient Mariner: Death and Line-in-Death, Dice for the Crew

417. Six Designs for Coleridge's Rime of the Ancient Mariner: While Spirits of Peace Descend

418. Six Designs for Coleridge's Rime of the Ancient Mariner: He Rows Ashore in the Pilot's Boat

419. Six Designs for Coleridge's Rime of the Ancient Mariner: The Crew Blames the Mariner for Killing the Albatross

420. Hearing the Music of the Spheres

421. The Baron's Hall of Chaucer's Time

422. A School in the Time of Alfred

423. Cash-Payment

424. A Saxon Town

425. Saxon Pagans and Christians

426. A Saxon Slave-Market

427. Two Profiles, Man and Woman

428. The "Love Match" No. 2

429. The Love Match, No 3

430. The Love Match, No. 4

431. The Love Match, No. 6

432. The "Love Match" No 5

433. Praying in Church

434. Torturing the Prisoners

435. The Artist's Bedroom

436. Rendering for a Crystal Palace near St. Cloud

437. On the Road to Erlestoke

438. Erlestoke Looking West

439. In Stoke Gardens

440. Wooden Jetty

441. Erlestoke House and Park

442. Study of the Resurrection of Lazarus

443. Study of the Resurrection of Lazarus

444. Church Yard Gate and Dwarf Avenue Gate, Grittleton House, Wiltshire

445. Sir William Brewes and his Wife, Elizabeth Hopton, 1489, The Parish Church of St. Peter and St. Paul, Pressingfield, Suffolk

446. Stables at Grittleton House, Wiltshire

447. Stables at Grittleton House, Wiltshire

448. Death of Ananias

449. Fishmonger's Hall and London Bridge

450. Ships and Boats on the River Avon

451. Illustration to 'The Traveller'

452. Landscape with Buildings: Possibly at Richmond, Surrey

453. Italian Churches

454. Fragmens des Differens Monumens de la Troade

455. La Fontaine de Ste. Sophie a Constantinople

456. Vue d'une Colonne dans L'Interieur du Serail a Constantinople

457. Paysage

458. Vue de la Porte aux Lions a Constantinople

459. La Fontaine de Topana a Constantinople

460. Adrian Hope's House I: View of Entrance Hall Towards Staircase

461. Adrian Hope's House II: Corner Bedrooom on Chamber Floor - Elevations and Ceiling Plan

462. Adrian Hope's House II: Drawing Room - Plan of Ceiling and Elevations

463. Badgebury House, South East Front - Elevation

464. Bedgebury: Alternative design for Pavilion Window

465. Rue Pigale, Quai D'Orsay - Elevation sur la Cour

466. Rue Pigale, Quai D'Orsay: Rez-de-Chaussee - Plan

467. Colmar, Chateau Wildenstein, Rue Plumer: Plan au Rez-de-Chaussee (du Chateau de Wildenstein)

468. Colmar, Chateau Wildenstein, Rue Plumer: Premier etage du Chateau de Wildenstein

469. Colmar, Chateau Wildenstein, Rue Plumer: Sousterrain (du Chateau de Wildenstein)

470. Colmar, Chateau Wildenstein, Rue Plumer: Second etage (du Chateau de Wildenstein)

471. Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer appartennant a Madame la Comtesse Rapp. Cote des cours

472. Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer Appartenant a Madame la Comtesse Rap. Cote du Jardin

473. Colmar, Chateau Wildenstein, Rue Plumer: Plan generale de la Propriete de la rue Plumer - Entree sur la rue Plumer - Vue Perspective de la Fontaine

474. Colmar, Chateau Wildenstein, Rue Plumer: Plan, au Premier Etage, du Petit Chateau de Brucourt, avec un Agrandissement Projete