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Robert Dighton, 1752–1814

Fives played at the Tennis court Leicester Fields

ca. 1784

Print made by Frederick Mackenzie, 1788–1854

View of St Stephen's Chapel as it appeared after the Fire in October 1834

1843

Print made by Henry Melville, active 1826–1841

The House of Commons

1834

Print made by John Le Keux, 1783–1846

Plate XXVII: St Stephen's Chapel, Looking East, Westminster

ca. 1836

Attributed to John Carter, 1748–1817

Parts in Stone Underhouse of Lords

between 1800 and 1807

Attributed to office of Sir John Soane, 1753–1837

Part of the Construction in the Old House of Lords

1823

Attributed to office of Sir John Soane, 1753–1837

Part of the Construction in the Old House of Lords

1823

Print made by John Thomas Smith, 1766–1833

A Doorway in one of the Cellars Under the Old House of Lords

1804

Print made by Henry Melville, active 1826–1841

The Kind Proroguing Parliament

1834

unknown artist

Survey view of a lobby, Palace of Westminster

undated

Attributed to office of Sir John Soane, 1753–1837

Plan of the Ground Floor, House of Lords

1835

Attributed to office of Sir John Soane, 1753–1837

Plan of the Principal Story, Shewing the New Committee Rooms &c, House of Lords

ca. 1794

Attributed to John Carter, 1748–1817

Palace at Westminster

between 1800 and 1807

Attributed to John Carter, 1748–1817

Details of one of the Figures

ca. 1795

unknown artist

Details of Capitals and Arches, Painted Chamber

between 1793 and 1799

Print made by G.F. Storm, active mid–19th century

Vol. 6, Plate XXIX

1842

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXXII: The Story of Hezekiah

1842

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech

1842

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha

1842

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews

1842

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger

after 1819

George Birch, 1842–1904

Sections of Room under Painted Chamber

1827

Print made by T. Kearnan, active 1821–1850

The House of Lords, as Restored after the Fire

1835

Attributed to John Carter, 1748–1817

Plan of Princes Chamber, One Pair

between 1800 and 1807

Attributed to John Carter, 1748–1817

Princes Chamber, East Side with the Old House of Lords

between 1800 and 1807

Attributed to John Carter, 1748–1817

South Side of Princes Chamber West

between 1800 and 1807

Attributed to John Carter, 1748–1817

Door near Painted Chamber

between 1800 and 1807

Attributed to John Carter, 1748–1817

Princes Chamber

between 1800 and 1807

Charles James Richardson, 1806–1871

Center Flower, and Cornice, Ceiling of Front Parlour, No. 3 Old Palace Yard

1871

Print made by unknown artist

North East View of Henry VII Chapel Westminster

ca. 1813

Print made by unknown artist

North East View of Henry VII Chapel Westminster

ca. 1813

John Phillipps Emslie, 1839–1913

Houses Adjacent to Westminster Abbey in the Process of Demolition

1896

Print made by Herbert Railton, 1857–1910

Henry VII's Shrine

ca. 1890

Attributed to John Carter, 1748–1817

North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey

1792

Attributed to John Carter, 1748–1817

Door-way in Wall of South Precints of Westminster Abbey

undated

Thomas Rowlandson, 1756–1827

The Departure from Wakefield

ca. 1817

Thomas Rowlandson, 1756–1827

The Esquire's Intrusion

ca. 1817

Thomas Rowlandson, 1756–1827

The Welcome

ca. 1817

Thomas Rowlandson, 1756–1827

Embarkation at Southampton, June 20th 1794

1794

James McNeill Whistler, 1834–1903

Title Page of "A Series of Sixteen Etchings of Scenes of the Thames and Other Subjects"

1871

attributed to Peter DeWint, 1784–1849

View of the Thames at Kingston

1809

attributed to Peter DeWint, 1784–1849

Houses at Teddington on the Thames

1809

Thomas Rowlandson, 1756–1827

Comforts of Bath: Private Practice Previous to the Ball

1798

Thomas Rowlandson, 1756–1827

The Comforts of Bath: The Breakfast

1798

Thomas Rowlandson, 1756–1827

Comforts of Bath: Gouty Persons Fall on Steep HIll

1798

Thomas Rowlandson, 1756–1827

A View at Blackwall

undated

Thomas Rowlandson, 1756–1827

A Review in a Market Place

ca. 1790

Print made by John Bluck, active 1791–1831

Clare Hall

1814

Thomas Rowlandson, 1756–1827

The South Gate, Exeter

undated

Thomas Rowlandson, 1756–1827

Soldiers in St. James Park

undated

Print made by John Thomas Smith, 1766–1833

Oak Door Discovered in the Speaker's State Dining Room

1806

Attributed to John Carter, 1748–1817

Elevation of the Basement Story, House of Lords

between 1800 and 1807

Attributed to John Carter, 1748–1817

Side Window, North, Painted Chamber

between 1793 and 1799

Attributed to John Carter, 1748–1817

East Front of Painted Chamber

between 1793 and 1799

Attributed to John Carter, 1748–1817

Door on South Side of Painted Chamber

between 1793 and 1799

Attributed to John Carter, 1748–1817

Paintings on the Wall by H in Plan

between 1793 and 1799

Attributed to John Carter, 1748–1817

East End, Painted Chamber

between 1793 and 1799

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

1842

Print made by G.F. Storm, active mid–19th century

Vol. 6, Plate XXVIII

1842

James Basire II Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus.

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus

1842

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXVII: The Painted Chamber

1842

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus

1842

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha

1842

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City

1842

unknown artist Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

Print made by unknown artist

Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

undated

Charles James Richardson, 1806–1871

Sections of Room under Painted Chamber

1827

George Birch, 1842–1904

View of Guy Fawkes' Tower

1827

George Birch, 1842–1904

Plan and View of Room under the Painted Chamber

1827

George Harley, 1791–1871

Ruins of Westminster Palace

1834

Attributed to John Carter, 1748–1817

East Front of Princes Chamber

between 1800 and 1807

Print made by T. Clarke, 1799–1839

Plate XXXVIII: House of Lords, as Fitted up in 1835

1836

Print made by John Thomas Smith, 1766–1833

Views of the Four Sides of a Cellar under the Old House of Lords; East End of the Prison Chamber; South Side of the Princes Chamber

1804

Print made by John Woods, active 1836–1860

Plate XXXV: Capital Carved in Stone of the Time of William Rufus; Part of the Ceiling of the Ancient Palace of Westminster

1825

Charles James Richardson, 1806–1871

Drawing Room Ceiling, No. 3 Old Palace Yard

1871

Print made by unknown artist

Destruction of the Houses of Parliament, Oct 16th, 1834, as Seen from Henry VIIth's Chapel

undated

Print made by William Deeble, active 1814–1849

The King's Entrance to the House of Lords, From Poets Corner

1829

Print made by T. Kearnan, active 1821–1850

New Houses of Parliament, View of the Adopted Design as the Building Would Appear from the Surrey End of Westminster Bridge

ca. 1835

Print made by unknown artist

Houses of Parliament

undated

Print made by R.C. Roffe, active in London 1806–1835

Perspective View of the North & East Fronts of the Building Connected with the Houses of Parliament and Courts of Law, &c. &c

1827

Print made by John Collins, active ca. 1682

The North Prospect of Westminster Abbey

between 1680 and 1710

John Coney, 1786–1833

North East View of Henry VII Chapel Westminster

1813

Print made by Thomas Sutherland, ca. 1785–1838

Fragments & Parts of the Exterior of Henry the Seventh Chapel, Westminster Abbey

1811

Print made by Edward Rooker, 1724–1774

Henry the Seventh's Chapel

undated

Print made by George Barret Jr., 1767–1842

Marriage of Henry the seventh

1796

Attributed to Sir Charles Barry, 1795–1860

Doorway, Dean's Yard, Westminster

1837

James Basire II The North-East View of the Old Dormitory, in 1758; North-East View of the Remains of Part of the Crypt of the Old Dormitory, discovered in 1815; Plans and Elevations of the Remains

Print made by James Basire II, 1769–1822

The North-East View of the Old Dormitory, in 1758; North-East View of the Remains of Part of the Crypt of the Old Dormitory, discovered in 1815; Plans and Elevations of the Remains

1815