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1. Venus Rising from her Couch

Venus Rising from her Couch
Creator:
James Ward, 1769–1859
Date:
1828
Materials & Techniques:
Oil on panel
Dimensions:
30 x 25 3/4 inches (76.2 x 65.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. Male Nude, Kneeling, from the Back

Male Nude, Kneeling, from the Back
Creator:
Attributed to William Etty, 1787–1849
Date:
ca. 1840
Materials & Techniques:
Oil on board
Dimensions:
16 1/2 x 17 inches (41.9 x 43.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
On View:
Not on view

3. A Man Called W. C. Hunter

A Man Called W. C. Hunter
Creator:
George Chinnery, 1774–1852
Date:
after 1825
Materials & Techniques:
Oil on canvas
Dimensions:
11 1/2 x 9 inches (29.2 x 22.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

4. Study of a Groom, Seen from Behind

Study of a Groom, Seen from Behind
Creator:
Attributed to William Havell, 1782–1857
Date:
ca. 1820
Materials & Techniques:
Oil on tan paper
Dimensions:
10 1/2 x 7 1/2 inches (26.7 x 19.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

5. The Harlowe Family, from Samuel Richardson's "Clarissa"

The Harlowe Family, from Samuel Richardson's "Clarissa"
Creator:
Joseph Highmore, 1692–1780
Date:
between 1745 and 1747
Materials & Techniques:
Oil on canvas
Dimensions:
25 1/2 x 30 7/8 inches (64.8 x 78.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

6. Time Passing

Time Passing
Creator:
Nathan Eastwood, born 1972
Date:
2013
Materials & Techniques:
Enamel on board
Dimensions:
Overall: 23 5/8 × 29 1/8 × 2 3/16 inches (60 × 74 × 5.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Gift of the Priseman Seabrook Collection
On View:
Not on view

7. Human Figure, Posterior View, Undissected (Finished Study for Table VII)

Human Figure, Posterior View, Undissected (Finished Study for Table VII)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Human Figure, Posterior View (Almost Identical to Finished Drawing for Table XII)

Human Figure, Posterior View (Almost Identical to Finished Drawing for Table XII)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Black and red chalk; verso: graphite and black chalk, with evidence of print media, possibly soft-ground, along bottom edge on thin, smooth, cream wove paper
Dimensions:
Sheet: 19 5/8 x 13 1/2 inches (49.8 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Human Figure, Posterior View (Outline drawing for key figure to Table XII)

Human Figure, Posterior View (Outline drawing for key figure to Table XII)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 21 x 16 1/8 inches (53.3 x 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Human Body, Posterior View (Outline Drawing for Table VII)

Human Body, Posterior View (Outline Drawing for Table VII)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite and red chalk; verso: graphite and red chalk on thin, smooth, cream wove paper
Dimensions:
Sheet: 19 1/8 x 12 5/8 inches (48.6 x 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Human Figure, Posterior View (Outline drawing for a key figure showing the final stage of dissection)

Human Figure, Posterior View (Outline drawing for a key figure showing the final stage of dissection)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite on thin, smooth, cream wove paper
Dimensions:
Sheet: 20 x 13 7/8 inches (50.8 x 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Human Skeleton, Posterior View (Relates to Table II)

Human Skeleton, Posterior View (Relates to Table II)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Ink with traces of graphite on thin, smooth, cream wove paper
Dimensions:
Sheet: 18 7/8 x 12 5/8 inches (47.9 x 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Human Figure, Posterior View (Outline Drawing for Key Figure to Table XII)

Human Figure, Posterior View (Outline Drawing for Key Figure to Table XII)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Black and red chalk, and graphite; verso: black chalk and graphite on thin, smooth, cream wove paper
Dimensions:
Sheet: 19 1/4 x 13 inches (48.9 x 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Human Skeleton, Posterior View

Human Skeleton, Posterior View
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream wove paper with traces of platemarks
Dimensions:
Sheet: 18 7/8 x 14 3/4 inches (47.9 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Human Figure, Posterior View

Human Figure, Posterior View
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite and red chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 21 1/8 x 16 inches (53.7 x 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Human Skeleton, Posterior View

Human Skeleton, Posterior View
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Pen with iron gall ink, and graphite on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/4 x 10 3/8 inches (43.8 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Human Skeleton, Posterior View (Finished Study for Table II)

Human Skeleton, Posterior View (Finished Study for Table II)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Human Figure, Posterior View, Partially Dissected (Finished Study for Table XII)

Human Figure, Posterior View, Partially Dissected (Finished Study for Table XII)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream wove paper lined with Japanese paper
Dimensions:
Sheet: 21 x 15 7/8 inches (53.3 x 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Human Figure, Posterior View (Outline drawing for the key figure of an unpublished plate)

Human Figure, Posterior View (Outline drawing for the key figure of an unpublished plate)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite on thin, smooth, cream wove paper
Dimensions:
Sheet: 21 1/8 x 15 3/4 inches (53.7 x 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Human Figure, Posterior View (Further Study for Table XII)

Human Figure, Posterior View (Further Study for Table XII)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite and red chalk; verso: graphite on thin, smooth, cream wove paper
Dimensions:
Sheet: 21 x 13 1/4 inches (53.3 x 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Human Figure, Posterior View (Finished Study for an Unpublished Plate)

Human Figure, Posterior View (Finished Study for an Unpublished Plate)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite and red chalk on moderately thick, slightly textured, cream wove paper with traces of well-defined platemarks along margins
Dimensions:
Sheet: 21 3/8 x 16 inches (54.3 x 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Human Skeleton, Posterior View (Perhaps the first of the studies of the skeleton)

Human Skeleton, Posterior View (Perhaps the first of the studies of the skeleton)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite on thin, smooth, cream wove paper
Dimensions:
Sheet: 18 1/2 x 10 1/4 inches (47 x 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Human Skeleton, Posterior View (Right Arm Outstretched; finished study for an unpublished table)

Human Skeleton, Posterior View (Right Arm Outstretched; finished study for an unpublished table)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 17 5/8 x 11 1/8 inches (44.8 x 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Back View of a Standing Classical Male Figure

Back View of a Standing Classical Male Figure
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Graphite; verso: pen and brownk ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 20 x 10 3/8 inches (50.8 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

25. Urizen (Plate 21)

Urizen (Plate 21)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. The First Book of Urizen, Plate 28 (Bentley 27)

The First Book of Urizen, Plate 28 (Bentley 27)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Study of J.M.W. Turner Sketching

Study of J.M.W. Turner Sketching
Creator:
George Jones, 1786–1869
Date:
undated
Materials & Techniques:
Gray wash on medium, slightly textured, wove paper
Dimensions:
Sheet: 6 5/8 x 6 7/16in. (16.8 x 16.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Study of a Reclining, Nude Figure

Study of a Reclining, Nude Figure
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
1806
Materials & Techniques:
Black chalk and white chalk on medium, rough, brown wove paper
Dimensions:
Sheet: 10 1/2 × 12 11/16 inches (26.7 × 32.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Rear View Sstudy of a Nude Figure

Rear View Sstudy of a Nude Figure
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Blackk chalk and white chalk on moderately thick, slightly textured, gray wove paper
Dimensions:
Sheet: 5 5/8 × 4 3/4 inches (14.3 × 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Rear View Figure Study of a Male Nude

Rear View Figure Study of a Male Nude
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 6 7/8 × 4 7/16 inches (17.5 × 11.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Le Retour

Le Retour
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1826
Materials & Techniques:
Lithograph on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/4 x 10 7/8 inches (36.2 x 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Girl in a Brown Dress

Girl in a Brown Dress
Creator:
Joshua Cristall, 1768–1847
Date:
undated
Materials & Techniques:
Watercolor over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 13/16 x 5 1/8 inches (22.4 x 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Male with Arms Spread Wide Seen from Behind

Male with Arms Spread Wide Seen from Behind
Creator:
James Barry, 1741–1806
Date:
undated
Materials & Techniques:
Brown wash, pen and brown ink, black chalk, graphite, and white gouache on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 19 3/4 × 11 3/4 inches (50.2 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Study ot the Backside of a Nude Figure

Study ot the Backside of a Nude Figure
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 15/16 × 3 5/16 inches (7.5 × 8.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Figure Studies of a Man Rising From the Ground

Figure Studies of a Man Rising From the Ground
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 6 15/16 × 10 15/16 inches (17.6 × 27.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Soldier's Head: front and back

Soldier's Head: front and back
Creator:
George Dance, 1741–1825
Date:
undated
Materials & Techniques:
Watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 3/8 × 9 inches (16.2 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Man with a Stick, Seen From Behind

Man with a Stick, Seen From Behind
Creator:
unknown artist
Date:
1755
Materials & Techniques:
Etching on medium, smooth, beige wove paper
Dimensions:
Sheet: 5 9/16 × 3 13/16 inches (14.2 × 9.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. W. Mulready RA

W. Mulready RA
Creator:
Print made by Charles West Cope, 1811–1890
Date:
1863
Materials & Techniques:
Etching on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 17 1/4 × 11 1/2 inches (43.8 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Views in the Levant: Back View of the Head of the Sphinx

Views in the Levant: Back View of the Head of the Sphinx
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 7/8 × 12 5/16 inches (25.1 × 31.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. The Chemise

The Chemise
Creator:
Augustus Edwin John, 1878–1961
Date:
undated
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/2 x 7 1/4in. (44.5 x 18.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. The Dying Gladiator, Back View, Capitol

The Dying Gladiator, Back View, Capitol
Creator:
Robert MacPherson, 1814–1872
Date:
ca. 1860
Materials & Techniques:
Albumen print on medium, smooth, cream wove paper mounted to board
Dimensions:
Sheet: 9 × 14 1/2 inches (22.9 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, transfer from the Yale University Art Gallery

42. Somerset Maugham

Somerset Maugham
Creator:
Lewis Morley, 1925–2013
Date:
1961
Materials & Techniques:
Gelatin silver print on semigloss photographic paper
Dimensions:
Sheet: 14 × 11 inches (35.6 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy

43. Study of a Man Riding a Horse

Study of a Man Riding a Horse
Creator:
Theodor von Holst, 1810–1844
Date:
undated
Materials & Techniques:
Graphite and black chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/8 × 8 1/4 inches (25.7 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Back View of a Standing Female, Called Mrs. Fuseli

Back View of a Standing Female, Called Mrs. Fuseli
Creator:
Henry Fuseli, 1741–1825
Date:
1810
Materials & Techniques:
Watercolor, gray wash and graphite on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/8 x 8 3/4 inches (36.5 x 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection