Image Available: Available / Width [cm]: 92 - YCBA Collections Search Search Results

1. Prospero, Miranda and Ariel, from "The Tempest"

Creator:: unknown artist
Date:: ca. 1780
Materials & Techniques:: Oil on canvas
Dimensions:: 27 3/4 x 36 3/8 inches (70.5 x 92.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

2. A View of Edinburgh from the West

Creator:: Alexander Nasmyth, 1758–1840
Date:: 1822 to 1826
Materials & Techniques:: Oil on canvas
Dimensions:: 24 1/4 x 36 1/4 inches (61.6 x 92.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. A View of Murton Colliery near Seaham, County Durham

Creator:: John Wilson Carmichael, 1799–1868
Date:: 1843
Materials & Techniques:: Oil on canvas
Dimensions:: 24 × 36 1/8 inches (61 × 91.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. A Thames Barge running downwind off Tilbury Fort

Creator:: Clarkson Stanfield, 1793–1867
Date:: 1853
Materials & Techniques:: Oil on canvas
Dimensions:: 24 x 36 1/4 inches (61 x 92.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. David Garrick and Hannah Pritchard (née Vaughan) in Benjamin Hoadly's "The Suspicious Husband"

Creator:: Francis Hayman, 1707/8–1776
Date:: 1747
Materials & Techniques:: Oil on canvas laid to board
Dimensions:: 28 1/8 x 36 1/8 inches (71.4 x 91.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. Drainage Mills in the Fens, Croyland, Lincolnshire

Creator:: John Sell Cotman, 1782–1842
Date:: ca. 1835
Materials & Techniques:: Oil on canvas
Dimensions:: 21 3/4 x 36 1/8 inches (55.2 x 91.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. Interior of the British Institution (Old Master Exhibition, Summer 1832)

Creator:: Alfred Joseph Woolmer, 1805–1892
Date:: 1833
Materials & Techniques:: Oil on canvas
Dimensions:: 28 1/4 x 36 1/4 inches (71.8 x 92.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. An Extensive View of the Oxford Races

Creator:: Charles Turner, 1774–1857
Date:: ca. 1820
Materials & Techniques:: Oil on canvas
Dimensions:: 25 1/8 x 36 1/4 inches (63.8 x 92.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. Heath Ewe and Lambs

Creator:: James Ward, 1769–1859
Date:: 1810
Materials & Techniques:: Oil on canvas
Dimensions:: 28 1/8 x 36 3/8 inches (71.4 x 92.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. Group portrait, probably of the Raikes family

Creator:: Gawen Hamilton, ca. 1697–1737
Date:: between 1730 and 1732
Materials & Techniques:: Oil on canvas
Dimensions:: 26 x 36 1/8 inches (66 x 91.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. Dr. Syntax, a Bay Racehorse, Standing in a Coastal Landscape, an Estuary Beyond

Creator:: James Ward, 1769–1859
Date:: 1820
Materials & Techniques:: Oil on canvas
Dimensions:: 28 1/4 x 36 1/4 inches (71.8 x 92.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. On the Downs

Creator:: Sir Alfred J. Munnings, 1878–1959
Date:: 1933
Materials & Techniques:: Oil on canvas
Dimensions:: 30 x 36 1/4 inches (76.2 x 92.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

13. The Reverend Thomas Levett and Favourite Dogs, Cock-shooting

Creator:: James Ward, 1769–1859
Date:: 1811
Materials & Techniques:: Oil on canvas
Dimensions:: 28 1/8 x 36 1/8 inches (71.4 x 91.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

14. An Imaginary View of Westminster Bridge

Creator:: unknown artist
Date:: mid-18th century
Materials & Techniques:: Oil on canvas
Dimensions:: 28 1/4 × 36 1/4 inches (71.8 × 92.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

15. The Death of Chatham

Creator:: Benjamin West, 1738–1820
Date:: 1778
Materials & Techniques:: Oil on canvas
Dimensions:: 28 1/8 x 36 1/4 inches (71.4 x 92.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund, in honor of Professor Jules David Prown
On View:: Not on view

16. Caligula's Palace and Bridge, Bay of Baiæ

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1842
Materials & Techniques:: Etching and line engraving; engraver's proof (a) on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 1/8 × 36 3/8 inches (66.4 × 92.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Ancient Italy

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1842
Materials & Techniques:: Etching and line engraving; engraver's proof II, Moon's Impressions on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 1/8 × 36 1/8 inches (66.4 × 91.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Landing Place at Pallanza

Creator:: Charles Gore, 1729–1807
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink, gouache, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 9 1/16 × 36 5/8 inches (23 × 93 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Elysium and Tartarus or the State of Final Retribution

Creator:: James Barry, 1741–1806
Date:: 1791
Materials & Techniques:: Etching strengthened by engraving
Dimensions:: Plate: 16 1/2 x 36 3/8in. (41.9 x 92.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Caligula's Palace and Bridge, Bay of Baiæ

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1842
Materials & Techniques:: Etching and line engraving; first published state on thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 25 1/4 × 36 1/8 inches (64.1 × 91.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Interior of St. Paul's Cathedral

Creator:: Thomas Malton the Younger, 1748–1804
Date:: ca. 1792
Materials & Techniques:: Watercolor, pen and black ink, and graphite on smooth, medium, cream laid paper laid down on card
Dimensions:: Sheet: 26 1/4 x 36 1/8 inches (66.7 x 91.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. The Prize Fight

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1787
Materials & Techniques:: Watercolor with pen and black and gray ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 18 1/8 x 27 3/8 inches (46 x 69.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. View of St. Peters, Rome

Creator:: David Roberts, 1796–1864
Date:: undated
Materials & Techniques:: Watercolor over graphite with some scratching out on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 15 1/16 x 36 1/4 inches (38.3 x 92.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. 1st edition digital print from the series "Ghosting" (2004)

Creator:: Roshini Kempadoo, born 1959
Date:: 2004
Materials & Techniques:: Giclée print on Hahnemuhle paper
Dimensions:: Sheet: 22 11/16 x 36 in. (57.7 x 91.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

25. A View of Snowdon from the Sands of Traeth Mawr, taken at the Ford Between Pont Aberglaslyn and Tremadoc

Creator:: Anthony Vandyke Copley Fielding, 1787–1855
Date:: 1834
Materials & Techniques:: Watercolor, gouache, blue chalk, graphite, and pen and brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 25 1/2 x 36 1/4 inches (64.8 x 92.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. British (?), 'Carlo Maratta' style frame

Creator:: unknown framemaker
Date:: 20th century
Materials & Techniques:: Wood and compo, patinated bronze leaf
Dimensions:: Frame: 31 3/8 × 36 1/4 × 2 1/4 inches (79.7 × 92.1 × 5.7 cm)
Collection:: Frames
Credit Line:: Yale Center for British Art

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Width [cm] 92

Search Results

1. Prospero, Miranda and Ariel, from "The Tempest"

2. A View of Edinburgh from the West

3. A View of Murton Colliery near Seaham, County Durham

4. A Thames Barge running downwind off Tilbury Fort

5. David Garrick and Hannah Pritchard (née Vaughan) in Benjamin Hoadly's "The Suspicious Husband"

6. Drainage Mills in the Fens, Croyland, Lincolnshire

7. Interior of the British Institution (Old Master Exhibition, Summer 1832)

8. An Extensive View of the Oxford Races

9. Heath Ewe and Lambs

10. Group portrait, probably of the Raikes family

11. Dr. Syntax, a Bay Racehorse, Standing in a Coastal Landscape, an Estuary Beyond

12. On the Downs

13. The Reverend Thomas Levett and Favourite Dogs, Cock-shooting

14. An Imaginary View of Westminster Bridge

15. The Death of Chatham

16. Caligula's Palace and Bridge, Bay of Baiæ

17. Ancient Italy

18. Landing Place at Pallanza

19. Elysium and Tartarus or the State of Final Retribution

20. Caligula's Palace and Bridge, Bay of Baiæ

21. Interior of St. Paul's Cathedral

22. The Prize Fight

23. View of St. Peters, Rome

24. 1st edition digital print from the series "Ghosting" (2004)

25. A View of Snowdon from the Sands of Traeth Mawr, taken at the Ford Between Pont Aberglaslyn and Tremadoc

26. British (?), 'Carlo Maratta' style frame