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Print made by William Dickinson, 1746–1823

Diana, Viscountess Crosbie

ca. 1779

Print made by Samuel Cousins, 1801–1887

Miss Peel, Daughter of the Right Honble. Sir Robert Peel, Bart

1833

Print made by Charles Turner, 1774–1857

Mrs. Littleton

1827

Print made by William Bromley, 1769–1842

David Garrick as Richard III in the Drury Lane Theatre Performance, 1759

1811

William Nutter, 1754–1802

Mr. Macklin and Mrs. Pope in the Characters of Shylock and Portia

1789

Charles Normand, 1765–1840

The Infant Shakspeare attended by Nature and the Passions

Charles Normand, 1765–1840

Shakspeare nursed by Tragedy and Comedy

William Dickinson, 1746–1823

Honorable Richard Lord Edgcumbe, 1st Baron Edgcumbe

1774

Robert Dunkarton, 1744–1811

Reverend John Fisher, Bishop of Salisbury

1811

John Jones, ca. 1745–1797

Sylvia

1791

Giuseppe Marchi, ca. 1735–1808

Mrs. Elizabeth Hartley

1773

Peltro W. Tomkins, 1760–1840

Miss Linwood

1806

Print made by John Cousen, 1804–1880

Mercury and Herse

1842

Edward Fisher, 1722–1785

Miss Morris, as Hope Nursing Cupid

1771

Thomas Gainsborough, 1727–1788

Wooded Landscape with Two Country Carts and Figures

1779 to 1780

Valentine Green, 1739–1813

Charles William Henry, Earl of Dalkeith

1778

unknown artist

One of Eleven Designs for Houses and Shops

ca. 1800

Print made by James Tibbits Willmore, 1800–1863

Mercury and Argus

1841

Print made by George Cruikshank, 1792–1878

Monstrosities of 1822 - Pt. 5

1835

Print made by James Tibbits Willmore, 1800–1863

The Old Téméraire

1845

Print made by James Tibbits Willmore, 1800–1863

The Old Téméraire

1845

Print made by James Tibbits Willmore, 1800–1863

The Old Téméraire

1845

Print made by George Cruikshank, 1792–1878

Le Retour de Paris, or, the Niece Presented to her Relatives by her French Governess

1835

Charles Picart, c.1780–1837

The Right Honorable Charles Abbot

1804

Charles Howard Hodges, 1764–1837

Mrs. Sophia (née Heywood) Musters as Hebe

1785

James Faed Sr., 1821–1911

Shakespeare in His Study

1859

John Jones, ca. 1745–1797

Francis Hargrave

1793

Print made by Robert Brandard, 1805–1862

Crossing the Brook

1838

Johann Jacobé, 1733–1797

Honorable Miss Mary Monkton

1781

Johann Jacobé, 1733–1797

Omai

1777

Thomas Chambars, ca. 1724–1789

Mrs. Quarrington as St. Agnes

1787

Samuel William Reynolds, 1773–1835

Sir Joshua Reynolds

1796

Valentine Green, 1739–1813

Sir Joshua Reynolds

1780

Print made by Charles Ansell, ca.1752–active 1790

Hamlet

1809

Print made by William Heath, 1795–1840

Opera Reminiscences: Desdemona and Otello

1829

Print made by Robert Brandard, 1805–1862

Crossing the Brook

1842

Print made by Isaac Cruikshank, 1764–1811

Washing the Blackamoor

1795

Sir Edwin Henry Landseer, 1802–1873

Francis Rawdon-Hastings, 1st Marquess of Hastings

1793-1816

John Raphael Smith, 1752–1812

Lady Caroline Montagu

1777

Edward Fisher, 1722–1785

Elizabeth, Countess of Northumberland

undated

Thomas Watson, 1743–1781

Mrs. Theresa (née Robinson) Parker

1773

John Raphael Smith, 1752–1812

Reverend Richard Robinson, Archibishop of Armagh

1775

John Finlayson, 1730–1776

Robert Marsham, 2nd Baron Romney

1773

Print made by unknown artist

St. Martin's Church

between 1731 and 1754

Capt. Francis Grose, 1731–1791

St. Mary's Priory, Thetford

undated

Print made by William Say, 1768–1834

The Society of Dilettanti

1821

Gainsborough Dupont, 1754–1797

Landscape: Man Carrying Faggots

undated

Isaac Cruikshank, 1764–1811

The Corporation Hogs Journey to Smithfield in Stile, or Aldermen turned Pig Show Men

1790

Isaac Cruikshank, 1764–1811

The Murder of Custine, French Gratitude or Republican Rewards for Past Services (from: Caricature, vol. 3)

1793

Isaac Cruikshank, 1764–1811

Resurection (sic) Men Disturbed, or a Guilty Conscience Needs no Accuser (from: Caricature, vol. 3)

1794

Isaac Cruikshank, 1764–1811

John Bulls hint for a Profitable Alliance

1794

Isaac Cruikshank, 1764–1811

The Modern Leviathan!!

1796

Isaac Cruikshank, 1764–1811

The Political Pawn Brokers

1793

Isaac Cruikshank, 1764–1811

Parsonic Piety (Good Precepts do As I Say - but Bad Examples Not as I Do)

1794

Isaac Cruikshank, 1764–1811

The Fruition of Nantes or the Vision Interpreted

1791

James Gillray, 1756–1815

Which is the Better Man or The Pot Calls the Kettle Blacka-e

1786

Attributed to Thomas Rowlandson, 1756–1827

(The) A Grand Battle between the Famous English Cock and Russian Hen!

1791

Print made by Isaac Cruikshank, 1764–1811

The New Birth

1789

Richard Newton, 1777–1798

Hibernian Sagacity and Sang Froid

1795

James Sayer, 1748–1823

The Injured Count, - S. -

ca. 1792

Print made by unknown artist

The Remains of the Great Temple in Palmira seen from the West. ..

between 1780 and 1815

Peter DeWint, 1784–1849

Pond with Willow Tree and Ducks

undated

James Chisholm Gooden, active 1835–1865

Coastal Village in Sussex

undated

Print made by Jean B. Michel, active 1803

King Henry VI, Part III: Act V, Scene VII (Queen Bess Presenting King Edward . . . with Their Infant Son)

1791

Print made by Charles Gauthier Playter, died 1809

Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . .

1793