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Samuel Palmer The Cypress Grove
Print made by Samuel Palmer, 1805–1881
The Cypress Grove
plate etched between ca. 1880 and 1883; impression printed in 1924
William Blake "Then each an Arrow flaming from his Quiver..." (Plate 98)
Print made by William Blake, 1757–1827
"Then each an Arrow flaming from his Quiver..." (Plate 98)
1804 to 1820
William Blake Frontispiece, Europe. A Prophecy
Print made by William Blake, 1757–1827
Frontispiece, Europe. A Prophecy
ca. 1820
William Blake "O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)
Print made by William Blake, 1757–1827
"O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)
1804 to 1820
William Blake "And the Two that escaped..." (Plate 30)
Print made by William Blake, 1757–1827
"And the Two that escaped..." (Plate 30)
1804 to 1820
William Blake "Turning his back to the Divine Vision..." (Plate 33)
Print made by William Blake, 1757–1827
"Turning his back to the Divine Vision..." (Plate 33)
1804 to 1820
William Blake "Reuben return'd to his place, in vain..." (Plate 36)
Print made by William Blake, 1757–1827
"Reuben return'd to his place, in vain..." (Plate 36)
1804 to 1820
William Blake "The secret coverts of Albion & the hidden places of America..." (Plate 49)
Print made by William Blake, 1757–1827
"The secret coverts of Albion & the hidden places of America..." (Plate 49)
1804 to 1820
William Blake "In Great Eternity every particular Form..." (Plate 54)
Print made by William Blake, 1757–1827
"In Great Eternity every particular Form..." (Plate 54)
1804 to 1820
William Blake "When those who disregard all Mortal Things..." (Plate 55)
Print made by William Blake, 1757–1827
"When those who disregard all Mortal Things..." (Plate 55)
1804 to 1820
William Blake "And formed into Four precious stones..." (Plate 59)
Print made by William Blake, 1757–1827
"And formed into Four precious stones..." (Plate 59)
1804 to 1820
William Blake "Repose on me till the morning of the Grave..." (Plate 62)
Print made by William Blake, 1757–1827
"Repose on me till the morning of the Grave..." (Plate 62)
1804 to 1820
William Blake "By those who drink their blood & the blood of their Covenant..." (Plate 67)
Print made by William Blake, 1757–1827
"By those who drink their blood & the blood of their Covenant..." (Plate 67)
1804 to 1820
William Blake "Such are Cathedrons golden Halls..." (Plate 73)
Print made by William Blake, 1757–1827
"Such are Cathedrons golden Halls..." (Plate 73)
1804 to 1820
William Blake "And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
Print made by William Blake, 1757–1827
"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
1804 to 1820
William Blake "I see thy Form O lovely mild Jerusalem..." (Plate 86)
Print made by William Blake, 1757–1827
"I see thy Form O lovely mild Jerusalem..." (Plate 86)
1804 to 1820
William Blake "The Feminine separates from the Masculine..." (Plate 90)
Print made by William Blake, 1757–1827
"The Feminine separates from the Masculine..." (Plate 90)
1804 to 1820
William Blake "I have mock'd those who refused cruelty..." (Plate 81)
Print made by William Blake, 1757–1827
"I have mock'd those who refused cruelty..." (Plate 81)
1804 to 1820
William Blake "Elevate into the Region of Brotherhood..." (Plate 34)
Print made by William Blake, 1757–1827
"Elevate into the Region of Brotherhood..." (Plate 34)
1804 to 1820
William Blake "With one accord in love sublime..." (Plate 44)
Print made by William Blake, 1757–1827
"With one accord in love sublime..." (Plate 44)
1804 to 1820
William Blake "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
Print made by William Blake, 1757–1827
"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
1804 to 1820
William Blake "Of the Mundane Shell which froze..." (Plate 64)
Print made by William Blake, 1757–1827
"Of the Mundane Shell which froze..." (Plate 64)
1804 to 1820
William Blake "Highgates heights & Hampsteads..." (Plate 84)
Print made by William Blake, 1757–1827
"Highgates heights & Hampsteads..." (Plate 84)
1804 to 1820
William Blake "Became a Space & an Allegory..." (Plate 85)
Print made by William Blake, 1757–1827
"Became a Space & an Allegory..." (Plate 85)
1804 to 1820
William Blake "Repelling weeping Enion blind & age-bent..." (Plate 87)
Print made by William Blake, 1757–1827
"Repelling weeping Enion blind & age-bent..." (Plate 87)
1804 to 1820
William Blake "Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)
Print made by William Blake, 1757–1827
"Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)
1804 to 1820
William Blake "Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)
Print made by William Blake, 1757–1827
"Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)
1804 to 1820
William Blake "It is easier to forgive an enemy..." (Plate 91)
Print made by William Blake, 1757–1827
"It is easier to forgive an enemy..." (Plate 91)
1804 to 1820
William Blake "What do I see! The Briton Saxon Roman Norman..." (Plate 92)
Print made by William Blake, 1757–1827
"What do I see! The Briton Saxon Roman Norman..." (Plate 92)
1804 to 1820
William Blake "Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)
Print made by William Blake, 1757–1827
"Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)
1804 to 1820
William Blake "Albion thy fear has made me tremble..." (Plate 22)
Print made by William Blake, 1757–1827
"Albion thy fear has made me tremble..." (Plate 22)
1804 to 1820
William Blake "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
Print made by William Blake, 1757–1827
"Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
1804 to 1820
William Blake "Albion cold lays on his Rock..." (Plate 94)
Print made by William Blake, 1757–1827
"Albion cold lays on his Rock..." (Plate 94)
1804 to 1820
William Blake "Awake! Awake Jerusalem..." (Plate 97)
Print made by William Blake, 1757–1827
"Awake! Awake Jerusalem..." (Plate 97)
1804 to 1820
William Blake Jerusalem, Tailpiece (Plate 100)
Print made by William Blake, 1757–1827
Jerusalem, Tailpiece (Plate 100)
1804 to 1820
William Blake "And Hand & Hyle rooted into Jerusalem..." (Plate 15)
Print made by William Blake, 1757–1827
"And Hand & Hyle rooted into Jerusalem..." (Plate 15)
1804 to 1820
William Blake "His Spectre divides & Los in fury compells it to divide..." (Plate 17)
Print made by William Blake, 1757–1827
"His Spectre divides & Los in fury compells it to divide..." (Plate 17)
1804 to 1820
William Blake "In beauty the Daughters of Albion divide..." (Plate 58)
Print made by William Blake, 1757–1827
"In beauty the Daughters of Albion divide..." (Plate 58)
1804 to 1820
William Blake "The clouds of Albions Druid Temples..." (Plate 60)
Print made by William Blake, 1757–1827
"The clouds of Albions Druid Temples..." (Plate 60)
1804 to 1820
William Blake "Jehovah stood among the Druids..." (Plate 63)
Print made by William Blake, 1757–1827
"Jehovah stood among the Druids..." (Plate 63)
1804 to 1820
William Blake "O Skofield why art thou cruel?..." (Plate 68)
Print made by William Blake, 1757–1827
"O Skofield why art thou cruel?..." (Plate 68)
1804 to 1820
William Blake "Then all the Males conjoined into One Male..." (Plate 69)
Print made by William Blake, 1757–1827
"Then all the Males conjoined into One Male..." (Plate 69)
1804 to 1820
George Romney Temptation of Christ
George Romney, 1734–1802
Temptation of Christ
undated
George Romney Fiends for the Temptation of Christ
George Romney, 1734–1802
Fiends for the Temptation of Christ
undated
George Romney Temptation of Christ
George Romney, 1734–1802
Temptation of Christ
undated
George Romney The Temptation of Christ
George Romney, 1734–1802
The Temptation of Christ
undated
George Romney Possibly Lapland Witches
George Romney, 1734–1802
Possibly Lapland Witches
undated
George Romney Samson Overpowered
George Romney, 1734–1802
Samson Overpowered
undated
George Romney Seated Female Nude, Probably for "Susannah and the Elders"
George Romney, 1734–1802
Seated Female Nude, Probably for "Susannah and the Elders"
undated
Edward Anthony Carrick Eve
Print made by Edward Anthony Carrick, 1905–1998
Eve
undated
Francesco Bartolozzi The Virgin and Child
Print made by Francesco Bartolozzi, 1728–1815
The Virgin and Child
1770
Francesco Bartolozzi Paris and Oenone
Print made by Francesco Bartolozzi, 1728–1815
Paris and Oenone
1780
Placido Columbani At the City of Albano
Print made by Placido Columbani, born ca. 1744, active 1801
At the City of Albano
undated
Placido Columbani At Naples
Print made by Placido Columbani, born ca. 1744, active 1801
At Naples
undated
Edward Calvert A Woodland Nymph
Edward Calvert, 1799–1883
A Woodland Nymph
undated
Placido Columbani At Naples
Print made by Placido Columbani, born ca. 1744, active 1801
At Naples
undated
Placido Columbani At the Minerva at Rome
Print made by Placido Columbani, born ca. 1744, active 1801
At the Minerva at Rome
undated
Placido Columbani At the City of Albano
Print made by Placido Columbani, born ca. 1744, active 1801
At the City of Albano
undated
John Michael Rysbrack Penitent Magdalene
John Michael Rysbrack, 1694–1770
Penitent Magdalene
undated
unknown artist Hector, Andromache and Astyanax: Study of Three Figures
unknown artist
Hector, Andromache and Astyanax: Study of Three Figures
undated
unknown artist Group in Hell?
unknown artist
Group in Hell?
undated
Francesco Bartolozzi Trade Card for Thomas Sandby, Jr.
Print made by Francesco Bartolozzi, 1728–1815
Trade Card for Thomas Sandby, Jr
1791
unknown artist Apollo?
unknown artist
Apollo?
undated
unknown artist Creon or Cercyon Daughter
unknown artist
Creon or Cercyon Daughter
undated
Francesco Bartolozzi Ticket to Westminster Abbey
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Westminster Abbey
before 1791
Thomas Jeavons Infanticide in India, as Practised in the Temples of Ganesa
Print made by Thomas Jeavons, ca. 1800–1867
Infanticide in India, as Practised in the Temples of Ganesa
ca. 1840
Charles Grignion Britannia Allegory
Charles Grignion, 1717–1810
Britannia Allegory
between 1743 and 1747
Francesco Bartolozzi Ticket to Westminster Abbey
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Westminster Abbey
before 1791
James Smetham The Resurrection of the Daisy
James Smetham, 1821–1889
The Resurrection of the Daisy
1861
John Flaxman Illustration to Milton's Paradise Lost: Adam and Eve Guarded by the Angels
John Flaxman, 1755–1826
Illustration to Milton's Paradise Lost: Adam and Eve Guarded by the Angels
undated
John Fayram Frontispiece design for John Fayram's "Eight Views after Nature"
John Fayram, op.1713–1743
Frontispiece design for John Fayram's "Eight Views after Nature"
ca. 1739
Bernard Lens II Peter Delivered out of Prison by an Angel
Print made by Bernard Lens II, 1659–1725
Peter Delivered out of Prison by an Angel
undated
Luigi Schiavonetti The Meeting of a Family in Heaven
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808, published 1813
John Smith, the mezzotinter Cupid
Print made by John Smith, the mezzotinter, 1652–1743
Cupid
undated
Abraham Blooteling Virgin and Child
Print made by Abraham Blooteling, 1640–1690
Virgin and Child
between 1670 and 1690
William Faithorne the Younger Flora
Print made by William Faithorne the Younger, ca. 1669–1703
Flora
undated
unknown artist S. Maria Magdalena
Print made by unknown artist
S. Maria Magdalena
undated
John Smith, the mezzotinter Venus Holding the Apple of Paris
Print made by John Smith, the mezzotinter, 1652–1743
Venus Holding the Apple of Paris
1695
John Smith, the mezzotinter Holy Family
Print made by John Smith, the mezzotinter, 1652–1743
Holy Family
undated
Sir James Thornhill A Design for a Mural Executed in the Salon at Roehampton House, Surrey: Apollo Carrying off Aeneas in a Cloud
Sir James Thornhill, 1675–1734
A Design for a Mural Executed in the Salon at Roehampton House, Surrey: Apollo Carrying off Aeneas in a Cloud
ca. 1715
Sadanand Vyas A Parsi Priest or Adam
Sadanand Vyas, active late 18th century
A Parsi Priest or Adam
undated
Sadanand Vyas A Gosain - A Tribe of Hindu Religious Beggars
Sadanand Vyas, active late 18th century
A Gosain - A Tribe of Hindu Religious Beggars
undated
Sadanand Vyas A Lewsa of Jettee - A Kind of Hindu Monk
Sadanand Vyas, active late 18th century
A Lewsa of Jettee - A Kind of Hindu Monk
undated
Gangaram Chintaman Tambat Portrait of a Priest of the Borahs [Bohras]
Attributed to Gangaram Chintaman Tambat, active 1790s
Portrait of a Priest of the Borahs [Bohras]
1794
Theodore Casper von Furstenberg Head of Christ, Crowned with Thorns
Print made by Theodore Casper von Furstenberg, ca. 1615–1675
Head of Christ, Crowned with Thorns
between 1656 and 1675
Sir James Thornhill The Blinding of Elymas
Sir James Thornhill, 1675–1734
The Blinding of Elymas
between 1709 and 1717
Benjamin Robert Haydon Study of the Pieta
Benjamin Robert Haydon, 1786–1846
Study of the Pieta
undated
Robert Smirke Allegorical Scene
Robert Smirke, 1752–1845
Allegorical Scene
undated
Simon François Ravenet Isaac Watts
Simon François Ravenet, 1706–1774
Isaac Watts
undated
Stephen Frederick Gooden The Satyrs
Stephen Frederick Gooden, 1892–1955
The Satyrs
1937
John Martin The Rescue of Lot
John Martin, 1789–1854
The Rescue of Lot
1833
John Martin Burial of Sarah
John Martin, 1789–1854
Burial of Sarah
1833
John Martin The Walls of Jericho
John Martin, 1789–1854
The Walls of Jericho
1834
Edward Goodall St. Julienne's Chapel
Print made by Edward Goodall, 1795–1870
St. Julienne's Chapel
1834
James Bruce Sketch of Man, Woman and Child
James Bruce, 1730–1794
Sketch of Man, Woman and Child
undated
James Henry Watt St. Cecilia
James Henry Watt, 1799–1867
St. Cecilia
1834
Sir James Thornhill The Birth of Venus
Sir James Thornhill, 1675–1734
The Birth of Venus
undated
Sir David Wilkie A Group of Women at Mass
Sir David Wilkie, 1785–1841
A Group of Women at Mass
undated
Edward Francis Burney Madonna and Child
Edward Francis Burney, 1760–1848
Madonna and Child
undated