Studies for the Portraits of Lord Eglinton, Lord Douglas and Lord Stradbroke in `The Waterloo Cup Coursing Meeting' (in the Walker Art Gallery), 1840
before 1841
Not on view
4
Lawrence Gahagan, 1756–1820
George III
ca. 1820
Not on view
5
James Tassie, 1735–1799
David Garrick
1780
Not on view
6
attributed to John Constable, 1776–1837
Wormingford Church
between 1813 and 1815
7
John Constable, 1776–1837
Leatherhead Church, Near Epsom, from the Northeast
1806
8
John Constable, 1776–1837
Dawn
between 1831 and 1832
9
John Constable, 1776–1837
Dedham Vale from Langham
between 1830 and 1831
10
Samuel Palmer, 1805–1881
Shoreham, Kent
between 1831 and 1832
11
Samuel Palmer, 1805–1881
The Crescent Moon
undated
12
Samuel Palmer, 1805–1881
A Pastoral Scene
1835
13
Samuel Palmer, 1805–1881
Thatched Cottage and Church
undated
14
George Stubbs, 1724–1806
Dog [A Foxhound on the Scent]
1788
15
Edward Lear, 1812–1888
El Areesh
1867
16
Edward Lear, 1812–1888
Desenzano
1867
17
George Romney, 1734–1802
David Playing the Harp
undated
18
George Romney, 1734–1802
Figure Supporting a Fainting Figure
undated
19
George Romney, 1734–1802
Dancers and Musicians, Probably for "L'Allegro"
undated
20
George Romney, 1734–1802
Seated Woman, Possibly Mrs. Harris
undated
21
George Romney, 1734–1802
Richard Cumberland Frontispiece
undated
22
George Romney, 1734–1802
Standing Figure with Arm Upraised and Seated Figure
undated
23
George Romney, 1734–1802
Two Standing Figures Wearing Tall Hats
undated
24
George Romney, 1734–1802
A Pensive Lady
undated
25
George Romney, 1734–1802
Three Lamenting Women
undated
26
George Romney, 1734–1802
Head
undated
27
George Romney, 1734–1802
Kneeling Woman
undated
28
George Romney, 1734–1802
Standing Female Figure
undated
29
George Romney, 1734–1802
Standing Figure
undated
30
George Romney, 1734–1802
A Man with a Horse, Possibly Ward Thomas
undated
31
George Romney, 1734–1802
Two Sketches of Children at Play
undated
32
George Romney, 1734–1802
Study of a Horse's Hooves
undated
33
George Romney, 1734–1802
Figure Composition Study 29
undated
34
George Romney, 1734–1802
Manuscript Notes
1773
35
George Romney, 1734–1802
Manuscript Notes
1773
36
George Romney, 1734–1802
Manuscript Notes
1773
37
George Romney, 1734–1802
Manuscript Notes
1773
38
George Romney, 1734–1802
Manuscript Notes
1773
39
George Romney, 1734–1802
Manuscript Notes
1773
40
George Romney, 1734–1802
Manuscript Notes
1773
41
George Romney, 1734–1802
Manuscript Notes
1773
42
George Romney, 1734–1802
Manuscript Notes
1773
43
George Romney, 1734–1802
Manuscript Notes
1773
44
George Romney, 1734–1802
Manuscript Notes
1773
45
George Romney, 1734–1802
Head in Profile
undated
46
Print made by William Blake, 1757–1827
"And none but Bromian can hear my lamentations..." (Plate 6)
1793
47
Print made by William Blake, 1757–1827
II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
1789
48
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
49
Print made by William Blake, 1757–1827
At Length for Hatching Ripe He Breaks the Shell (Plate 8)
1793
50
Print made by William Blake, 1757–1827
I Want! I Want! (Plate 11)
1793
51
Print made by William Blake, 1757–1827
Alas! (Plate 9)
1793
52
Print made by William Blake, 1757–1827
Help! Help! (Plate 12)
1793
53
Print made by William Blake, 1757–1827
My Son! My Son! (Plate 10)
1793
54
Print made by William Blake, 1757–1827
Does Thy God O Priest Take such Vengeance as This? (Plate 14)
1793
55
Print made by William Blake, 1757–1827
I Have Said to the Worm, Thou Art My Mother & My Sister (Plate 18)
1793
56
Print made by William Blake, 1757–1827
I Found Him Beneath a Tree (Plate 3)
1793
57
Print made by William Blake, 1757–1827
Water (Plate 4)
1793
58
Print made by William Blake, 1757–1827
Earth (Plate 5)
1793
59
Print made by William Blake, 1757–1827
Title Page, For Children. The Gates of Paradise (Plate 2)
1793
60
Print made by William Blake, 1757–1827
Aged Ignorance (Plate 13)
1793
61
Print made by William Blake, 1757–1827
What is Man!, Frontispiece (Plate 1)
1793
62
Print made by William Blake, 1757–1827
The Traveller Hasteth in the Evening (Plate 16)
1793
63
Print made by William Blake, 1757–1827
Death's Door (Plate 17)
1793
64
Print made by William Blake, 1757–1827
Fire (Plate 7)
1793
65
Print made by William Blake, 1757–1827
Fear & Hope Are -- Vision (Plate 15)
1793
66
Print made by William Blake, 1757–1827
Air (Plate 6)
1793
67
Text by William Blake, 1757–1827
A Descriptive Catalogue of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London
1809
68
Prints made by William Blake, 1757–1827
For Children. The Gates of Paradise, London, by William Blake
1793
69
Prints made by William Blake, 1757–1827
The Book of Thel
1789
70
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 18
1821
71
William Blake, 1757–1827
Theocritus
1821
72
William Blake, 1757–1827
Epicurus
1821
73
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 16
1821
74
William Blake, 1757–1827
From Antique Coins
1821
75
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 17
1821
76
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 14
1821
77
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 15
1821
78
William Blake, 1757–1827
Octavius Augustus Cæsar
1821
79
William Blake, 1757–1827
Caius Julius Cæsar
1821
80
Print made by William Blake, 1757–1827
Los with the child Orc and Enitharmon (Plate 18)
1794
81
Print made by William Blake, 1757–1827
Chapter V, "Thus the Eternal Prophet was divided..." (Plate 20)
1794
82
Print made by William Blake, 1757–1827
"In living creations appear'd..." (Plate 8)
1794
83
Print made by William Blake, 1757–1827
II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
1789
84
Print made by William Blake, 1757–1827
Title Page, The Book of Thel (Plate 2)
1789
85
Print made by William Blake, 1757–1827
Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
1794
86
Print made by William Blake, 1757–1827
"Los howld in a dismal stupor..." (Plate 10)
1794
87
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 15 (Bentley 14)
1794
88
Print made by William Blake, 1757–1827
Chapter IV, "From the caverns of his jointed spine..." (Plate 14)
1794
89
Print made by William Blake, 1757–1827
Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)
1794
90
Print made by William Blake, 1757–1827
"They call'd her Pity, and fled..." (Plate 19)
1794
91
Print made by William Blake, 1757–1827
Chapter VII, "Stretch'd for a work of eternity..." (Plate 22)
1794
92
Print made by William Blake, 1757–1827
Title Page, The First Book of Urizen (Plate 1)
1794
93
Print made by William Blake, 1757–1827
"The Ox in the slaughter house moans..." (Plate 26)
1794
94
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 28 (Bentley 27)
1794
95
Print made by William Blake, 1757–1827
Chapter IX, "They lived a period of years..." (Plate 27)
1794
96
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 4 (Bentley 24)
1794
97
Print made by William Blake, 1757–1827
Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
1789
98
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
99
Print made by William Blake, 1757–1827
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
1789
100
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)