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Vanessa Bell Flowers in a Lustre Pot
Vanessa Bell, 1879–1961
Flowers in a Lustre Pot
ca. 1950
Not on view
John Constable Dedham Lock
John Constable, 1776–1837
Dedham Lock
between 1819 and 1820
Not on view
John Constable Cloud Study
John Constable, 1776–1837
Cloud Study
ca. 1821
Not on view
John Constable Cloud Study
John Constable, 1776–1837
Cloud Study
1821
Not on view
John Constable Cloud Study
John Constable, 1776–1837
Cloud Study
1821
Not on view
Edward Lear Corfu from Santa Decca
Edward Lear, 1812–1888
Corfu from Santa Decca
1862
Not on view
Edward Lear Butrinto, Albania
Edward Lear, 1812–1888
Butrinto, Albania
1861
Not on view
Edward Lear Corfu from Ascension
Edward Lear, 1812–1888
Corfu from Ascension
ca. 1860
Not on view
Edward Lear Kinchinjunga
Edward Lear, 1812–1888
Kinchinjunga
1877
Not on view
Edward Lear Mount Athos and the Monastery of Stavronikétes
Edward Lear, 1812–1888
Mount Athos and the Monastery of Stavronikétes
1857
Not on view
John R. Skeaping Key to the Mint
John R. Skeaping, 1901–1980
Key to the Mint
1971
Not on view
George Morland Setters
George Morland, 1763–1804
Setters
between 1798 and 1799
Not on view
Sir Alfred J. Munnings Royal Grey in State Harness
Sir Alfred J. Munnings, 1878–1959
Royal Grey in State Harness
ca. 1925
Not on view
William Marlow View on the River Thames at Richmond
William Marlow, 1740–1813
View on the River Thames at Richmond
ca. 1776
Not on view
John Rogers Herbert David, the Future King of Israel, While a Shepherd at Bethlehem
John Rogers Herbert, 1810–1890
David, the Future King of Israel, While a Shepherd at Bethlehem
1877
Not on view
Charles Ginner Design for Tiger Hunting Mural in the Cabaret Theatre Club
Charles Ginner, 1878–1952
Design for Tiger Hunting Mural in the Cabaret Theatre Club
1912
Not on view
unknown artist Portrait of the Artist
unknown artist
Portrait of the Artist
1733 or after
Not on view
Richard Parkes Bonington Seated Turk
Richard Parkes Bonington, 1802–1828
Seated Turk
1826
Not on view
Francis Wheatley Portrait of an Unknown Man
Francis Wheatley, 1747–1801
Portrait of an Unknown Man
ca. 1778
Not on view
Gwen John The Brown Tea Pot
Gwen John, 1876–1939
The Brown Tea Pot
between 1915 and 1916
Not on view
Sir George Hayter Studies for the Duke of Wellington
Sir George Hayter, 1792–1871
Studies for the Duke of Wellington
ca. 1820
Not on view
Joseph Edgar Boehm Study of a Coat Belonging to John, 11th Earl of Westmorland
Joseph Edgar Boehm, 1834–1890
Study of a Coat Belonging to John, 11th Earl of Westmorland
mid-19th century
Not on view
Lionel Constable Landscape at Hampstead, with Harrow in the Distance
Lionel Constable, 1828–1887
Landscape at Hampstead, with Harrow in the Distance
between 1849 and 1855
Not on view
William Alfred Delamotte On the Isis, Waterperry, Oxfordshire
William Alfred Delamotte, 1775–1863
On the Isis, Waterperry, Oxfordshire
1805
Not on view
Gwen John Still Life with a Prayer Book, Shawl, Vase of Flowers and Inkwell
Gwen John, 1876–1939
Still Life with a Prayer Book, Shawl, Vase of Flowers and Inkwell
late 1920s
Not on view
Frank Auerbach Portrait of Leon Kossoff
Frank Auerbach, 1931-2024
Portrait of Leon Kossoff
ca. 1955
Not on view
Richard Parkes Bonington Grand Canal, Venice
Richard Parkes Bonington, 1802–1828
Grand Canal, Venice
1826
Not on view
William James Muller An Enslaved African
William James Muller, 1812–1845
An Enslaved African
1838
Not on view
George Chambers Two Fishing Boats on the Banks of Inland Waters
George Chambers, 1803–1840
Two Fishing Boats on the Banks of Inland Waters
1831
Not on view
Thomas Gainsborough The Rev. Samuel Uvedale
Thomas Gainsborough, 1727–1788
The Rev. Samuel Uvedale
1770 to 1774
Not on view
William Hamilton The revelation of Olivia's betrothal, from "Twelfth Night," Act V, Scene i
William Hamilton, 1751–1801
The revelation of Olivia's betrothal, from "Twelfth Night," Act V, Scene i
ca. 1790
Not on view
William James Muller Gillingham on the Medway
William James Muller, 1812–1845
Gillingham on the Medway
1842
Not on view
Staffordshire pottery Cricketers - a pair: each in iron-red cap, spotted shirt and red sash, one bowling, one batting
Staffordshire pottery
Cricketers - a pair: each in iron-red cap, spotted shirt and red sash, one bowling, one batting
19th to mid-19th century
Not on view
Alfred Turner Charlotte Turner (née Gavin)
Alfred Turner, 1874–1940
Charlotte Turner (née Gavin)
ca. 1910 or ca. 1930, exhibited 1930
Not on view
Adrian Jones Horse and Stable Lad
Adrian Jones, 1845–1938
Horse and Stable Lad
ca. 1890
Not on view
Staffordshire pottery Cricketers - a pair: each in iron-red cap, spotted shirt and red sash, one bowling, one batting
Staffordshire pottery
Cricketers - a pair: each in iron-red cap, spotted shirt and red sash, one bowling, one batting
19th-mid-19th century
Not on view
Robert Polhill Bevan The White House (Gould's Farm Luppitt)
Robert Polhill Bevan, 1865–1925
The White House (Gould's Farm Luppitt)
ca. 1920
Robert Polhill Bevan A Morning at Tattersalls (with further sketches in left margin folded over)
Robert Polhill Bevan, 1865–1925
A Morning at Tattersalls (with further sketches in left margin folded over)
undated
Robert Polhill Bevan The Bayhorse, Tattersall’s
Robert Polhill Bevan, 1865–1925
The Bayhorse, Tattersall’s
1921
Robert Polhill Bevan Study for Mare and Foal, Lytchetts, Clayhidon
Robert Polhill Bevan, 1865–1925
Study for Mare and Foal, Lytchetts, Clayhidon
1917
Robert Polhill Bevan Sussex Landscape
Robert Polhill Bevan, 1865–1925
Sussex Landscape
undated
Samuel Palmer Study for "The Shearers"
Samuel Palmer, 1805–1881
Study for "The Shearers"
between 1833 and 1834
John Constable A Recollection of the New R.A.
John Constable, 1776–1837
A Recollection of the New R.A
1837
George Stubbs A Horse Affrighted by a Lion
Print made by George Stubbs, 1724–1806
A Horse Affrighted by a Lion
1777
George Stubbs Tiger Body, Lateral View
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
William Hogarth Southwark Fair
Print made by William Hogarth, 1697–1764
Southwark Fair
1733
William Hogarth Southwark Fair
William Hogarth, 1697–1764
Southwark Fair
1733
Joseph Mallord William Turner Chain of Alps from Grenoble to Chamberi
Etched by Joseph Mallord William Turner, 1775–1851
Chain of Alps from Grenoble to Chamberi
1812
Joseph Mallord William Turner St. Augustine's Gate, Canterbury
Joseph Mallord William Turner, 1775–1851
St. Augustine's Gate, Canterbury
ca. 1793
Edward Lear Turin, Italy
Edward Lear, 1812–1888
Turin, Italy
after 1872
Edward Lear (Swindern's Parrakeet) (Plate 42)
Edward Lear, 1812–1888
(Swindern's Parrakeet) (Plate 42)
1832
Edward Lear Benares
Edward Lear, 1812–1888
Benares
1873
William Blake "Her voice pierc'd Albions clay cold ear..." (Plate 95)
Print made by William Blake, 1757–1827
"Her voice pierc'd Albions clay cold ear..." (Plate 95)
1804 to 1820
William Blake "Why wilt thou give to her a Body..." (Plate 12)
Print made by William Blake, 1757–1827
"Why wilt thou give to her a Body..." (Plate 12)
1804 to 1820
William Blake "One hair nor particle of dust..." (Plate 14)
Print made by William Blake, 1757–1827
"One hair nor particle of dust..." (Plate 14)
1804 to 1820
William Blake "And Hand & Hyle rooted into Jerusalem..." (Plate 15)
Print made by William Blake, 1757–1827
"And Hand & Hyle rooted into Jerusalem..." (Plate 15)
1804 to 1820
William Blake "His Spectre divides & Los in fury compells it to divide..." (Plate 17)
Print made by William Blake, 1757–1827
"His Spectre divides & Los in fury compells it to divide..." (Plate 17)
1804 to 1820
William Blake "From every-one of the Four Regions..." (Plate 18)
Print made by William Blake, 1757–1827
"From every-one of the Four Regions..." (Plate 18)
1804 to 1820
William Blake "Albion thy fear has made me tremble..." (Plate 22)
Print made by William Blake, 1757–1827
"Albion thy fear has made me tremble..." (Plate 22)
1804 to 1820
William Blake "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
Print made by William Blake, 1757–1827
"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
1804 to 1820
William Blake "What have I said? What have I done?..." (Plate 24)
Print made by William Blake, 1757–1827
"What have I said? What have I done?..." (Plate 24)
1804 to 1820
William Blake "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
Print made by William Blake, 1757–1827
"And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
1804 to 1820
William Blake "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
1804 to 1820
William Blake "Then the Divine Vision like a silent Sun..." (Plate 29)
Print made by William Blake, 1757–1827
"Then the Divine Vision like a silent Sun..." (Plate 29)
1804 to 1820
William Blake "To the Public. After my three years slumber..." (Plate 3)
Print made by William Blake, 1757–1827
"To the Public. After my three years slumber..." (Plate 3)
1804 to 1820
William Blake "And the Two that escaped..." (Plate 30)
Print made by William Blake, 1757–1827
"And the Two that escaped..." (Plate 30)
1804 to 1820
William Blake "His western heaven with rocky clouds..." (Plate 31)
Print made by William Blake, 1757–1827
"His western heaven with rocky clouds..." (Plate 31)
1804 to 1820
William Blake "Turning his back to the Divine Vision..." (Plate 33)
Print made by William Blake, 1757–1827
"Turning his back to the Divine Vision..." (Plate 33)
1804 to 1820
William Blake "His face and bosom with petrific hardness..." (Plate 38)
Print made by William Blake, 1757–1827
"His face and bosom with petrific hardness..." (Plate 38)
1804 to 1820
William Blake "By Satan's Watch-fiends tho' they search..." (Plate 39)
Print made by William Blake, 1757–1827
"By Satan's Watch-fiends tho' they search..." (Plate 39)
1804 to 1820
William Blake "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
1804 to 1820
William Blake "Thus Albion sat, studious of others..." (Plate 42)
Print made by William Blake, 1757–1827
"Thus Albion sat, studious of others..." (Plate 42)
1804 to 1820
William Blake "They saw their Wheels rising up poisonous..." (Plate 43)
Print made by William Blake, 1757–1827
"They saw their Wheels rising up poisonous..." (Plate 43)
1804 to 1820
William Blake "With one accord in love sublime..." (Plate 44)
Print made by William Blake, 1757–1827
"With one accord in love sublime..." (Plate 44)
1804 to 1820
William Blake "Bath, healing City!..." (Plate 45)
Print made by William Blake, 1757–1827
"Bath, healing City!..." (Plate 45)
1804 to 1820
William Blake "These were his last words, and the merciful Saviour in his arms..." (Plate 48)
Print made by William Blake, 1757–1827
"These were his last words, and the merciful Saviour in his arms..." (Plate 48)
1804 to 1820
William Blake "The secret coverts of Albion & the hidden places of America..." (Plate 49)
Print made by William Blake, 1757–1827
"The secret coverts of Albion & the hidden places of America..." (Plate 49)
1804 to 1820
William Blake "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
Print made by William Blake, 1757–1827
"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
1804 to 1820
William Blake "And formed into Four precious stones..." (Plate 59)
Print made by William Blake, 1757–1827
"And formed into Four precious stones..." (Plate 59)
1804 to 1820
William Blake "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
Print made by William Blake, 1757–1827
"His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
1804 to 1820
William Blake "Was living: panting like a frighted wolf..." (Plate 7)
Print made by William Blake, 1757–1827
"Was living: panting like a frighted wolf..." (Plate 7)
1804 to 1820
William Blake "Albion cold lays on his Rock..." (Plate 94)
Print made by William Blake, 1757–1827
"Albion cold lays on his Rock..." (Plate 94)
1804 to 1820
William Blake "As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96)
Print made by William Blake, 1757–1827
"As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96)
1804 to 1820
William Blake "Bath who is Legions..." (Plate 41)
Print made by William Blake, 1757–1827
"Bath who is Legions..." (Plate 41)
1804 to 1820
William Blake "The banks of the Thames are clouded..." (Plate 5)
Print made by William Blake, 1757–1827
"The banks of the Thames are clouded..." (Plate 5)
1804 to 1820
William Blake "To the Deists. He never can be a Friend to the Human Race..." (Plate 52)
Print made by William Blake, 1757–1827
"To the Deists. He never can be a Friend to the Human Race..." (Plate 52)
1804 to 1820
William Blake "Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)
1804 to 1820
William Blake "In Great Eternity every particular Form..." (Plate 54)
Print made by William Blake, 1757–1827
"In Great Eternity every particular Form..." (Plate 54)
1804 to 1820
William Blake "When those who disregard all Mortal Things..." (Plate 55)
Print made by William Blake, 1757–1827
"When those who disregard all Mortal Things..." (Plate 55)
1804 to 1820
William Blake "Then Los heaved his thund'ring Bellows on the Valley of Middlesex..." (Plate 56)
Print made by William Blake, 1757–1827
"Then Los heaved his thund'ring Bellows on the Valley of Middlesex..." (Plate 56)
1804 to 1820
William Blake "In beauty the Daughters of Albion divide..." (Plate 58)
Print made by William Blake, 1757–1827
"In beauty the Daughters of Albion divide..." (Plate 58)
1804 to 1820
William Blake "The clouds of Albions Druid Temples..." (Plate 60)
Print made by William Blake, 1757–1827
"The clouds of Albions Druid Temples..." (Plate 60)
1804 to 1820
William Blake "Behold: in the Visions of Elohim Jehovah, behold Joseph & Mary..." (Plate 61)
Print made by William Blake, 1757–1827
"Behold: in the Visions of Elohim Jehovah, behold Joseph & Mary..." (Plate 61)
1804 to 1820
William Blake "Repose on me till the morning of the Grave..." (Plate 62)
Print made by William Blake, 1757–1827
"Repose on me till the morning of the Grave..." (Plate 62)
1804 to 1820
William Blake "To decide Two Worlds with a great decision..." (Plate 65)
Print made by William Blake, 1757–1827
"To decide Two Worlds with a great decision..." (Plate 65)
1804 to 1820
William Blake "Of the Mundane Shell which froze..." (Plate 64)
Print made by William Blake, 1757–1827
"Of the Mundane Shell which froze..." (Plate 64)
1804 to 1820
William Blake "And above Albions Land was seen the Heavenly Canaan..." (Plate 71)
Print made by William Blake, 1757–1827
"And above Albions Land was seen the Heavenly Canaan..." (Plate 71)
1804 to 1820
William Blake "The Four Zoa's clouded rage..." (Plate 74)
Print made by William Blake, 1757–1827
"The Four Zoa's clouded rage..." (Plate 74)
1804 to 1820
William Blake "And Rahab Babylon the Great..." (Plate 75)
Print made by William Blake, 1757–1827
"And Rahab Babylon the Great..." (Plate 75)
1804 to 1820
William Blake Chapter 4 Frontispiece (Plate 76)
Print made by William Blake, 1757–1827
Chapter 4 Frontispiece (Plate 76)
1804 to 1820