Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
1789-1794
12
William Blake, 1757–1827
Tiriel Supporting the Dying Myratana and Cursing His Sons
1786 to 1789
13
John Nixon, ca. 1760–1818
Study for, In Mr. Barnard's Boat, Kingston
undated
14
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
15
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
16
John Thomas Smith, 1766–1833
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
1817
17
Paul Sandby, 1731–1809
London Cries: A Fishmonger
ca. 1759
18
Print made by unknown artist
A View of Several Palaces at Naples at Sun Rise
undated
19
Thomas Rowlandson, 1756–1827
Rowlandson and Wigstead on Tour
undated
20
Sir James Thornhill, 1675–1734
Neptune
undated
21
Paul Sandby, 1731–1809
Two Men, One Holding a Whip
ca. 1754
22
Print made by Matthew Dubourg, active 1786–1838
The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815
1815
23
Samuel Prout, 1783–1852
An East Indiaman Moored, Small Boats Alongside, Other Boats Further Off
undated
24
James Gillray, 1756–1815
Two Men at Fisticuffs
undated
25
Francis Hayman, 1707/8–1776
Falstaff Inspecting the Recruits
between 1761 and 1765
26
Thomas Hearne, 1744–1817
The Chestnut Tree at Little Wymondley, Hertfordshire
undated
27
Thomas Hearne, 1744–1817
The Gateway of Lancaster Castle
ca. 1778
28
James Pollard, 1792–1867
A Fishmonger's Shop with Customers Outside
undated
29
George Fennell Robson, 1788–1833
Macbeth and Banquo on the Heath
ca. 1830
30
Sir David Wilkie, 1785–1841
Shopping in the Rows, Chester
1837
31
Print made by Edward Radclyffe, 1809–1863
Lancaster Sands
undated
32
Louis Haghe, 1806–1885
Thornbury Castle, Gloucestershire
between 1823 and 1835
33
Georg Goldberg, 1830–1894
"Antony and Cleopatra," Act III, Scene XI
undated
34
Print made by Henry Thomas Alken, 1785–1851
The Lover
1824
35
Print made by John Augustus Atkinson, 1775–1831
Fools; or Jesters
1813
36
Print made by John Augustus Atkinson, 1775–1831
Military Costumes of the Reign of King Henry VI, 1447
1812
37
Print made by Richard Parkes Bonington, 1802–1828
Le Silence Favorable
1826
38
Robert Smirke, 1752–1845
Master William Page and Sir Hugh Evans
1821
39
Robert Smirke, 1752–1845
Falstaff at Herne's Oak
1821
40
Print made by George Arnald, 1763–1841
Meuse and Sambre, from the Gate of the Sambre
1822
41
Print made by George Arnald, 1763–1841
Meuse and Sambre, from the Gate of the Sambre
1822
42
Print made by Johann Ulrich Kraus, 1655–1719
A Bacchanian Scene
undated
43
Print made by Pierre Charles Canot, ca. 1710–1777
Marine Study No. 3
1773
44
Print made by Pierre Charles Canot, ca. 1710–1777
Marine Study No. 1
1773
45
Print made by Pierre Charles Canot, ca. 1710–1777
Marine Study No. 2
1773
46
Print made by Pierre Charles Canot, ca. 1710–1777
Marine Study No. 4
1773
47
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
48
Print made by George Arnald, 1763–1841
Dinant, No. 1: Southwest View
between 1818 and 1828
49
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
50
Print made by J. Blore
Window in St. Dunstan's in the West, London
1834
51
Print made by M. Coote, ca. 1758/62–1801
Edgar's Tower at Worcester
before 1786
52
Print made by John Bluck, active 1791–1831
Saint Stephen's, Walbrook
1809
53
Print made by John Copley, 1875–1950
Fiesta Mallorquina
1932
54
Print made by Richard Earlom, 1743–1822
Scene of a Storm, with a Vessel Wrecked
1774
55
Print made by Richard Earlom, 1743–1822
View of a Portico by the Side of a River, with Herdsmen and Cattle
1774
56
Charles Samuel Keene, 1823–1891
The Queen's English: An Iillustration in "Punch", Aug. 11, 1877
ca. 1877
57
William Ellis, 1747–1810
Baskerville House, the Residence of John Ryland, Esq
1792
58
William Ellis, 1747–1810
The House of George Humphrys, Esq., Spark Brook
1792
59
Imitator of George Baxter, 1804–1867
Funeral of the Late Duke of Wellington
after 1852
60
Bradshaw & Blacklock, active ca.1850
Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'
after 1850
61
James Duffield Harding, 1798–1863
Château Vilain sur la Riviere Dain, Franche Comte
undated
62
Robert Smirke, 1752–1845
Oberon and Puck
1825
63
William Ellis, 1747–1810
The House of William Russell, Esq., Showell Green
1792
64
Print made by Richard Earlom, 1743–1822
A Landscape with Cattle
1775
65
Sir Francis Seymour Haden, 1818–1910
Battersea Reach
1863
66
Sir Francis Seymour Haden, 1818–1910
Battersea Reach
1863
67
Alexander Bannerman, ca. 1730–1780
Robert White, P. Vansomer, Isaac Becket, John Start and William Elder
undated
68
Alexander Bannerman, ca. 1730–1780
Boit. Baker
undated
69
Alexander Bannerman, ca. 1730–1780
Boit. Baker
undated
70
Thomas Rowlandson, 1756–1827
A View at Blackwall
undated
71
Print made by James Dobie, 1849–1911
Fishing Boats at Hastings
1882
72
James McNeill Whistler, 1834–1903
Soupe à trois sous
1859
73
Marcellus Laroon the Younger, 1679–1772
Night Walkers Brought before a Justice of the Peace
ca. 1740
74
Print made by Robert Spence, 1871–1964
George Fox Walks Through Whitehall
between 1890 and 1911
75
Print made by Robert Spence, 1871–1964
George Fox Preaching at Carlisle
between 1897 and 1912
76
Imitator of George Baxter, 1804–1867
Funeral of the Late Duke of Wellington
after 1852
77
Imitator of George Baxter, 1804–1867
Funeral of the Late Duke of Wellington
after 1852
78
Imitator of George Baxter, 1804–1867
Funeral of the Late Duke of Wellington
after 1893
79
Imitator of George Baxter, 1804–1867
Funeral of the Late Duke of Wellington
after 1893
80
Henry Thomas Alken, 1785–1851
Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth
between 1818 and 1822
81
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:"...You Discover You Have Obtained a Steady One
undated
82
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty
between 1848 and 1851
83
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting a Fall
between 1848 and 1851
84
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting into a Bog
between 1848 and 1851
85
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting a Dive
between 1848 and 1851
86
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting Home
between 1820 and 1821
87
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting Dead Beat
between 1848 and 1851
88
Francis Towne, 1740–1816
Vauxhall Stairs, from Millbank, July 5, 1797
1797
89
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Topping a Flight of Rails...'
undated
90
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Charging an Ox Fence with Good Success'
undated
91
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Faceing a Brook Verifying the Old Adage, Look Before You Leap'
undated
92
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Going Along a Slapping Pace...'
undated
93
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" `Returning Home in Triumph. He Disdain'd a Slothful Easey Life; so Took to Hunting'
undated
94
Thomas Rowlandson, 1756–1827
The Return from the Hunt
1787
95
John Wootton, 1682–1764
A Stag Hunt
undated
96
James Seymour, 1702–1752
Six Studies of Horses and Riders
undated
97
Henry Thomas Alken, 1785–1851
Symptoms: of Can't Wait, of Come-to Ther Glass, of Blood & Bone-Going Against Time, of the Reduced List, of Out of Cash & a-Little in Debt at an Inn, of In cash-at an Inn
between 1818 and 1822
98
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Swishing at a Rasper From Your Own Timidity and Mismanagement Cause the Horse to Swerve...'