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Joseph Mallord William Turner Sheep-Washing, Windsor
Print made by Joseph Mallord William Turner, 1775–1851
Sheep-Washing, Windsor
between 1813 and 1823
Joseph Mallord William Turner Dumbarton Rock
Print made by Joseph Mallord William Turner, 1775–1851
Dumbarton Rock
between 1813 and 1823
Joseph Mallord William Turner The Evening Gun
Print made by Joseph Mallord William Turner, 1775–1851
The Evening Gun
ca. 1825
Joseph Mallord William Turner Gloucester Cathedral
Print made by Joseph Mallord William Turner, 1775–1851
Gloucester Cathedral
1820 to 1825
Joseph Mallord William Turner Sheep Washing, Windsor
Print made by Joseph Mallord William Turner, 1775–1851
Sheep Washing, Windsor
1812
Joseph Mallord William Turner Crowhurst
Print made by Joseph Mallord William Turner, 1775–1851
Crowhurst
1812
Joseph Mallord William Turner Scene in the Campagna
Print made by Joseph Mallord William Turner, 1775–1851
Scene in the Campagna
1812
Joseph Mallord William Turner Ploughing, Eton
Etched by Joseph Mallord William Turner, 1775–1851
Ploughing, Eton
1818
Joseph Mallord William Turner Sheep-Washing, Windsor
Etched by Joseph Mallord William Turner, 1775–1851
Sheep-Washing, Windsor
between 1813 and 1823
Joseph Mallord William Turner The Deluge
Print made by Joseph Mallord William Turner, 1775–1851
The Deluge
between 1813 and 1823
Joseph Mallord William Turner Dumbarton Rock
Etched by Joseph Mallord William Turner, 1775–1851
Dumbarton Rock
between 1813 and 1823
Joseph Mallord William Turner Christ and the Woman of Samaria
Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
Joseph Mallord William Turner Ben Arthur, Scotland
Etched by Joseph Mallord William Turner, 1775–1851
Ben Arthur, Scotland
1819
Joseph Mallord William Turner Interior of a Church
Print made by Joseph Mallord William Turner, 1775–1851
Interior of a Church
1819
Joseph Mallord William Turner Bonneville, Savoy
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
Joseph Mallord William Turner Aesacus and Hesperie
Print made by Joseph Mallord William Turner, 1775–1851
Aesacus and Hesperie
1819
Joseph Mallord William Turner Isis
Etched by Joseph Mallord William Turner, 1775–1851
Isis
1819
Joseph Mallord William Turner Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham
Etched by Joseph Mallord William Turner, 1775–1851
Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham
1819
Joseph Mallord William Turner Norham Castle on the Tweed
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
Joseph Mallord William Turner Ships in a Breeze
Etched by Joseph Mallord William Turner, 1775–1851
Ships in a Breeze
1808
Joseph Mallord William Turner Pembury Mill, Kent
Etched by Joseph Mallord William Turner, 1775–1851
Pembury Mill, Kent
1808
Joseph Mallord William Turner Solway Moss
Etched by Joseph Mallord William Turner, 1775–1851
Solway Moss
1816
Joseph Mallord William Turner Lauffenbourgh on the Rhine
Etched by Joseph Mallord William Turner, 1775–1851
Lauffenbourgh on the Rhine
1811
Joseph Mallord William Turner Young Anglers
Etched by Joseph Mallord William Turner, 1775–1851
Young Anglers
1811
Joseph Mallord William Turner The Castle above the Meadows
Etched by Joseph Mallord William Turner, 1775–1851
The Castle above the Meadows
1808
Joseph Mallord William Turner Basle
Etched by Joseph Mallord William Turner, 1775–1851
Basle
1807
Joseph Mallord William Turner Flint Castle, Vessels Unloading
Etched by Joseph Mallord William Turner, 1775–1851
Flint Castle, Vessels Unloading
1807
Joseph Mallord William Turner Flounder Fishing, Battersea
Print made by Joseph Mallord William Turner, 1775–1851
Flounder Fishing, Battersea
between 1813 and 1823
Joseph Mallord William Turner Stonehenge at Daybreak
Print made by Joseph Mallord William Turner, 1775–1851
Stonehenge at Daybreak
1815 to 1819
Joseph Mallord William Turner The Stork and Aqueduct
Etched by Joseph Mallord William Turner, 1775–1851
The Stork and Aqueduct
between 1813 and 1823
Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner East Gate, Winchelsea, Sussex
Etched by Joseph Mallord William Turner, 1775–1851
East Gate, Winchelsea, Sussex
1819
Joseph Mallord William Turner The Source of the Arveron in the Valley of Chamouni, Savoy
Print made by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
Joseph Mallord William Turner Tenth Plague of Egypt
Etched by Joseph Mallord William Turner, 1775–1851
Tenth Plague of Egypt
1816
Joseph Mallord William Turner Mt. St. Gothard
Etched by Joseph Mallord William Turner, 1775–1851
Mt. St. Gothard
1808
Joseph Mallord William Turner Holy Island Cathedral
Etched by Joseph Mallord William Turner, 1775–1851
Holy Island Cathedral
1808
Joseph Mallord William Turner Ship in a Storm
Print made by Joseph Mallord William Turner, 1775–1851
Ship in a Storm
ca. 1826
Joseph Mallord William Turner Little Devil's Bridge over the Russ above Altdorft, Switzerland
Print made by Joseph Mallord William Turner, 1775–1851
Little Devil's Bridge over the Russ above Altdorft, Switzerland
1812
Joseph Mallord William Turner Hedging and Ditching
Print made by Joseph Mallord William Turner, 1775–1851
Hedging and Ditching
1812
Joseph Mallord William Turner St. Mary's Redcliffe, Bristol
after Joseph Mallord William Turner, 1775–1851
St. Mary's Redcliffe, Bristol
1814
Joseph Mallord William Turner Paestum
Print made by Joseph Mallord William Turner, 1775–1851
Paestum
between 1820 and 1826
Joseph Mallord William Turner Shields Lighthouse
Print made by Joseph Mallord William Turner, 1775–1851
Shields Lighthouse
between 1820 and 1826
Joseph Mallord William Turner Ship in a Storm
Print made by Joseph Mallord William Turner, 1775–1851
Ship in a Storm
between 1820 and 1826
Joseph Mallord William Turner Gloucester Cathedral
Print made by Joseph Mallord William Turner, 1775–1851
Gloucester Cathedral
between 1820 and 1826
Joseph Mallord William Turner London from Greenwich
Etched by Joseph Mallord William Turner, 1775–1851
London from Greenwich
1811
William Blake "Help! Help!" (Plate 12)
Print made by William Blake, 1757–1827
"Help! Help!" (Plate 12)
1826
William Blake "My son! my Son!" (Plate 10)
Print made by William Blake, 1757–1827
"My son! my Son!" (Plate 10)
1826
William Blake "I want! I want!" (Plate 11)
Print made by William Blake, 1757–1827
"I want! I want!" (Plate 11)
1826
William Blake Aged Ignorance (Plate 13)
Print made by William Blake, 1757–1827
Aged Ignorance (Plate 13)
1826
William Blake "Does thy God O Priest take such vengeance as this?" (Plate 14)
Print made by William Blake, 1757–1827
"Does thy God O Priest take such vengeance as this?" (Plate 14)
1826
William Blake "The Traveller hasteth in the Evening" (Plate 16)
Print made by William Blake, 1757–1827
"The Traveller hasteth in the Evening" (Plate 16)
1826
William Blake "I have said to the Worm: Thou art my mother & my sister" (Plate 18)
Print made by William Blake, 1757–1827
"I have said to the Worm: Thou art my mother & my sister" (Plate 18)
1826
William Blake Air (Plate 6)
Print made by William Blake, 1757–1827
Air (Plate 6)
1793
William Blake At Length for Hatching Ripe He Breaks the Shell (Plate 8)
Print made by William Blake, 1757–1827
At Length for Hatching Ripe He Breaks the Shell (Plate 8)
1793
William Blake Alas! (Plate 9)
Print made by William Blake, 1757–1827
Alas! (Plate 9)
1793
William Blake My Son! My Son! (Plate 10)
Print made by William Blake, 1757–1827
My Son! My Son! (Plate 10)
1793
William Blake Does Thy God O Priest Take such Vengeance as This? (Plate 14)
Print made by William Blake, 1757–1827
Does Thy God O Priest Take such Vengeance as This? (Plate 14)
1793
William Blake Fear & Hope Are -- Vision (Plate 15)
Print made by William Blake, 1757–1827
Fear & Hope Are -- Vision (Plate 15)
1793
William Blake The Traveller Hasteth in the Evening (Plate 16)
Print made by William Blake, 1757–1827
The Traveller Hasteth in the Evening (Plate 16)
1793
William Blake Death's Door (Plate 17)
Print made by William Blake, 1757–1827
Death's Door (Plate 17)
1793
William Blake 'Swift on His Downy Pinion Flies from Woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on His Downy Pinion Flies from Woe' (Page 1)
ca. 1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
William Blake 'O treacherous conscience!' (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
William Blake Night the First. On Life, Death and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
William Blake Aged Ignorance (Plate 13)
Print made by William Blake, 1757–1827
Aged Ignorance (Plate 13)
1793
William Blake I Have Said to the Worm, Thou Art My Mother & My Sister (Plate 18)
Print made by William Blake, 1757–1827
I Have Said to the Worm, Thou Art My Mother & My Sister (Plate 18)
1793
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
William Blake Night the Second. On Time, Death and Friendship; Title Page
Print made by William Blake, 1757–1827
Night the Second. On Time, Death and Friendship; Title Page
ca. 1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
ca. 1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
William Blake What is Man!, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
What is Man!, Frontispiece (Plate 1)
1793
William Blake Title Page, For Children. The Gates of Paradise (Plate 2)
Print made by William Blake, 1757–1827
Title Page, For Children. The Gates of Paradise (Plate 2)
1793
William Blake I Found Him Beneath a Tree (Plate 3)
Print made by William Blake, 1757–1827
I Found Him Beneath a Tree (Plate 3)
1793
William Blake Water (Plate 4)
Print made by William Blake, 1757–1827
Water (Plate 4)
1793
William Blake Earth (Plate 5)
Print made by William Blake, 1757–1827
Earth (Plate 5)
1793
William Blake Fire (Plate 7)
Print made by William Blake, 1757–1827
Fire (Plate 7)
1793
William Blake I Want! I Want! (Plate 11)
Print made by William Blake, 1757–1827
I Want! I Want! (Plate 11)
1793
William Blake Help! Help! (Plate 12)
Print made by William Blake, 1757–1827
Help! Help! (Plate 12)
1793
William Blake The Circle of the Lustful: Francesca da Rimini, 'The Whirlwind of Lovers' (Plate 1)
Print made by William Blake, 1757–1827
The Circle of the Lustful: Francesca da Rimini, 'The Whirlwind of Lovers' (Plate 1)
1827
William Blake The Serpent Attacking Buoso Donati (Plate 5)
Print made by William Blake, 1757–1827
The Serpent Attacking Buoso Donati (Plate 5)
1827
William Blake The Pit of Disease: The Falsifiers (Plate 6)
Print made by William Blake, 1757–1827
The Pit of Disease: The Falsifiers (Plate 6)
1827
William Blake Ciampolo the Barrator Tormented by the Devils (Plate 2)
Print made by William Blake, 1757–1827
Ciampolo the Barrator Tormented by the Devils (Plate 2)
1827
William Blake The Six-Footed Serpent Attacking Agnolo Brunelleschi (Plate 4)
Print made by William Blake, 1757–1827
The Six-Footed Serpent Attacking Agnolo Brunelleschi (Plate 4)
1827
William Blake Dante Striking against Bocca Degli Abati (Plate 7)
Print made by William Blake, 1757–1827
Dante Striking against Bocca Degli Abati (Plate 7)
1827
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
William Blake 'Measuring his motions by revolving spheres' (Page 26)
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
1797
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
1797
William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)
Print made by William Blake, 1757–1827
'Death! great proprietor of all! 'tis thine' (Page 8)
1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797