Image Available: Available / Work Type: intaglio print / Height [cm]: 45 - YCBA Collections Search Search Results

<< YCBA Home << YCBA Home

Start Over

You searched for:

Image Available Available

Work Type intaglio print

Height [cm] 45

William Hogarth Strolling Actresses Dressing in a Barn

Print made by William Hogarth, 1697–1764

Strolling Actresses Dressing in a Barn

1738

William Blake Night the First. On Life, Death and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

1797

William Blake 'Behold him, when past by; what then is seen' (Page 25)

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

1797

William Blake 'Measuring his motions by revolving spheres' (Page 26)

Print made by William Blake, 1757–1827

'Measuring his motions by revolving spheres' (Page 26)

1797

William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience! while she seems to sleep" (Page 27)

1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

1797

William Blake 'Like that, the dial speaks; and points to thee' (Page 33)

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

1797

William Blake 'Swift on his downy pinion flies from woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on his downy pinion flies from woe' (Page 1)

1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

1797

William Blake 'One radiant mark, – the death-bed of the just' (Page 41)

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

1797

William Blake 'This King of Terrors is the Prince of Peace' (Page 63)

Print made by William Blake, 1757–1827

'This King of Terrors is the Prince of Peace' (Page 63)

1797

William Blake 'Till death, that mighty hunter, earths them all' (Page 70)

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

1797

William Blake The Christian Triumph; Title Page

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

1797

William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

1797

William Blake 'The thunder, if in that the Almighty dwells' (Page 80)

Print made by William Blake, 1757–1827

'The thunder, if in that the Almighty dwells' (Page 80)

1797

William Blake 'But for the blessing wrestle not with heaven' (Page 88)

Print made by William Blake, 1757–1827

'But for the blessing wrestle not with heaven' (Page 88)

1797

William Blake 'That touch, with charm celestial heals the soul' (Page 90)

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

1797

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

1797

William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)

Print made by William Blake, 1757–1827

'Oft bursts my song beyond the bounds of life' (Page 16)

1797

William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

Print made by William Blake, 1757–1827

Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

1797

William Blake 'Emblem of that which shall awake the dead' (Page 19)

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

1797

William Blake 'Time, in advance, behind him hides his wings' (Page 24)

Print made by William Blake, 1757–1827

'Time, in advance, behind him hides his wings' (Page 24)

1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

1797

William Blake 'His hand the good man fastens on the skies' (Page 86)

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

1797

William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)

Print made by William Blake, 1757–1827

'Death! great proprietor of all! 'tis thine' (Page 8)

1797

William Blake 'The goddess bursts in thunder and in flame' (Page 95)

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

1797

Thomas Vivares Design of a Ruineous Bridge for the Garden at Sion

Thomas Vivares, c.1735–c.1790

Design of a Ruineous Bridge for the Garden at Sion

1778

Edward Rooker Perspective View of the Bridge at Sion

Edward Rooker, 1724–1774

Perspective View of the Bridge at Sion

1768

James Parker Fainasollis, Borbar and Fingal

James Parker, 1750–1805

Fainasollis, Borbar and Fingal

1783

William Ward The Romps

William Ward, 1766–1826

The Romps

1796

Edward Rooker The Magicians Marching off After the Success of their Incantations

Edward Rooker, 1724–1774

The Magicians Marching off After the Success of their Incantations

ca. 1763

Edward Rooker A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River

Edward Rooker, 1724–1774

A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River

ca. 1763

William Bernard Cooke Neptune's Trident

Print made by William Bernard Cooke, 1778–1855

Neptune's Trident

1824 to 1825

J. P. Quilley The Deluge

Print made by J. P. Quilley, active 1828

The Deluge

1828

John Raphael Smith Bellsane and Parcival under the Enchantment of Urma

John Raphael Smith, 1752–1812

Bellsane and Parcival under the Enchantment of Urma

1782

James Watson Caroline Duchess of Marlborough with Lady Caroline Spencer Her Daughter

Print made by James Watson, 1740–1790

Caroline Duchess of Marlborough with Lady Caroline Spencer Her Daughter

1768

John Raphael Smith Mrs. Montagu

Print made by John Raphael Smith, 1752–1812

Mrs. Montagu

1776

James Watson James Paine and his Son

Print made by James Watson, 1740–1790

James Paine and his Son

1767

Joseph Grozer Miss Mary Palmer as "The Young Shepherdess"

Print made by Joseph Grozer, ca. 1755–1798

Miss Mary Palmer as "The Young Shepherdess"

ca. 1785

John Raphael Smith Miss Theophila Palmer

Print made by John Raphael Smith, 1752–1812

Miss Theophila Palmer

1777

William Dickinson Elizabeth Godden (née Houghton), Lady Taylor

Print made by William Dickinson, 1746–1823

Elizabeth Godden (née Houghton), Lady Taylor

ca. 1775

John Finlayson Miss Wynyard

Print made by John Finlayson, 1730–1776

Miss Wynyard

1771

William Ward Portrait of the Short Horned Bull Patriot

Print made by William Ward, 1766–1826

Portrait of the Short Horned Bull Patriot

1810

William Ward The Newbus Ox

Print made by William Ward, 1766–1826

The Newbus Ox

1812

William Dickinson Lady Charles Spencer

Print made by William Dickinson, 1746–1823

Lady Charles Spencer

1776

William Dickinson Richard Grenville-Temple, 2nd Earl Temple

Print made by William Dickinson, 1746–1823

Richard Grenville-Temple, 2nd Earl Temple

1778

Edward Fisher The Ladies Amabel and Mary Jemina Yorke

Print made by Edward Fisher, 1722–1785

The Ladies Amabel and Mary Jemina Yorke

1762

John Jones A View of Petersham & Twickenham Meadows from Richmond Hill

Print made by John Jones, ca. 1745–1797

A View of Petersham & Twickenham Meadows from Richmond Hill

published 1800

Joseph Grozer St. John

Print made by Joseph Grozer, ca. 1755–1798

St. John

c.1799

Charles Howard Hodges Mrs. Ann Warren

Print made by Charles Howard Hodges, 1764–1837

Mrs. Ann Warren

undated

Thomas Park The Honorable Mrs. Watson

Print made by Thomas Park, ca. 1760–1834

The Honorable Mrs. Watson

ca. 1785

James Watson Margaret Caroline, Countess of Carlisle

Print made by James Watson, 1740–1790

Margaret Caroline, Countess of Carlisle

1776

William Doughty Samuel Johnson, L. L. D.

Print made by William Doughty, 1757–1782

Samuel Johnson, L. L. D

1779

John Spilsbury Miss Jacobs

Print made by John Spilsbury, 1730–1795

Miss Jacobs

ca. 1762

Thomas Watson Miss Polly Kennedy

Print made by Thomas Watson, 1743–1781

Miss Polly Kennedy

1771

William Pether Officer of State

Print made by William Pether, ca. 1738–1821

Officer of State

1764

Richard Earlom The Enchantress

Print made by Richard Earlom, 1743–1822

The Enchantress

1786

Richard Earlom The Enchantress

Print made by Richard Earlom, 1743–1822

The Enchantress

1786

James Ward The Spottiswoode Ox

Print made by James Ward, 1769–1859

The Spottiswoode Ox

1804

John Finlayson Elizabeth, Duchess of Hamilton and Brandon and of Argyll

Print made by John Finlayson, 1730–1776

Elizabeth, Duchess of Hamilton and Brandon and of Argyll

1770

John Murphy Hiram King of Tyre, Sends Presents to King Solomon

Print made by John Murphy, ca. 1748–1820

Hiram King of Tyre, Sends Presents to King Solomon

1790

Robert Thew As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)

Robert Thew, 1758–1802

As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)

1803

John Raphael Smith Mrs. Stables and Two Daughters, Harriet & Maria

John Raphael Smith, 1752–1812

Mrs. Stables and Two Daughters, Harriet & Maria

1781

Richard Earlom Rubens' Son and Nurse

Print made by Richard Earlom, 1743–1822

Rubens' Son and Nurse

1785

Valentin Daniel Preissler Der Geiz sucht Fäden

Print made by Valentin Daniel Preissler, 1717–1765

Der Geiz sucht Fäden

undated

unknown artist M. Antonii Antii Lupi

Print made by unknown artist

M. Antonii Antii Lupi

1551

Edward Goodall Perugia

Print made by Edward Goodall, 1795–1870

Perugia

1830

Edward Goodall The Forum (vignette)

Print made by Edward Goodall, 1795–1870

The Forum (vignette)

1830

Edward Goodall Galileo's Villa

Print made by Edward Goodall, 1795–1870

Galileo's Villa

1830

Edward Goodall Venice (vignettes)

Print made by Edward Goodall, 1795–1870

Venice (vignettes)

1830

William Finden The Sailor

William Finden, 1787–1852

The Sailor

1834

James Henry Watt St. Cecilia

James Henry Watt, 1799–1867

St. Cecilia

1834

Edward Francis Finden Scio (Fontana de Melek Mehmet Pasha)

Print made by Edward Francis Finden, 1791–1857

Scio (Fontana de Melek Mehmet Pasha)

1832-1834

Edward Francis Finden Cologne

Print made by Edward Francis Finden, 1791–1857

Cologne

1832-1834

W. R. Smith Hospice of the Great St. Bernard II (The Dead-House)

Print made by W. R. Smith, active 1819–1851

Hospice of the Great St. Bernard II (The Dead-House)

1829

James C. Allen Lowestoffe Lighthouse

Print made by James C. Allen, active 1821–1831

Lowestoffe Lighthouse

ca. 1830

Edward Goodall Cologne

Print made by Edward Goodall, 1795–1870

Cologne

1824

Francesco Bartolozzi Venus Attired By The Graces

Francesco Bartolozzi, 1728–1815

Venus Attired By The Graces

1784

James Walker Bridgenorth

Print made by James Walker, 1748–1808

Bridgenorth

1795

Valentine Green Sir Joshua Reynolds

Valentine Green, 1739–1813

Sir Joshua Reynolds

1780

Edward Fisher Lady Amabel and Lady Mary, Daughters of Lord Royston and the Marchioness of Grey

Edward Fisher, 1722–1785

Lady Amabel and Lady Mary, Daughters of Lord Royston and the Marchioness of Grey

1762

John Finlayson The Right Honorable Elizabeth Lady Melbourne

John Finlayson, 1730–1776

The Right Honorable Elizabeth Lady Melbourne

1771

Samuel Cousins Julia, Lady Peel

Print made by Samuel Cousins, 1801–1887

Julia, Lady Peel

1832

Francesco Bartolozzi The Cottagers

Print made by Francesco Bartolozzi, 1728–1815

The Cottagers

1794