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Francis Danby Oberon and Titania
Francis Danby, 1793–1861
Oberon and Titania
1837
Robert Polhill Bevan A Harrow in the Orchard
Robert Polhill Bevan, 1865–1925
A Harrow in the Orchard
ca. 1896
Samuel Palmer Study of Waves
attributed to Samuel Palmer, 1805–1881
Study of Waves
undated
Samuel Palmer The Bright Cloud
Samuel Palmer, 1805–1881
The Bright Cloud
undated
Samuel Palmer Cornfield and Church by Moonlight
Samuel Palmer, 1805–1881
Cornfield and Church by Moonlight
early 1830s
Joseph Mallord William Turner Teignmouth, Devonshire
Joseph Mallord William Turner, 1775–1851
Teignmouth, Devonshire
ca. 1813
Joseph Mallord William Turner Weymouth
Joseph Mallord William Turner, 1775–1851
Weymouth
ca. 1811
Joseph Mallord William Turner Santa Lucia, A Convent near Caserta
Joseph Mallord William Turner, 1775–1851
Santa Lucia, A Convent near Caserta
ca. 1795
Joseph Mallord William Turner From the Isola Borromena, Lago Maggiore
Joseph Mallord William Turner, 1775–1851
From the Isola Borromena, Lago Maggiore
ca. 1795
Edward Lear Opposite Beni Hassan
Edward Lear, 1812–1888
Opposite Beni Hassan
1867
Edward Lear Colósaneh, 5:45 - 6:00 p.m., January 3, 1867 (62)
Edward Lear, 1812–1888
Colósaneh, 5:45 - 6:00 p.m., January 3, 1867 (62)
1867
Edward Lear Sheikh El Wachshee, El Luxor
Edward Lear, 1812–1888
Sheikh El Wachshee, El Luxor
1867
Edward Lear Peppering. 20 October. 1834
Edward Lear, 1812–1888
Peppering. 20 October. 1834
1834
Edward Lear Avenue of Trees
Edward Lear, 1812–1888
Avenue of Trees
1867
Edward Lear Lago d'Iseo
Edward Lear, 1812–1888
Lago d'Iseo
1867
George Romney Execution of Mary Stuart
George Romney, 1734–1802
Execution of Mary Stuart
undated
George Romney Sibyl
George Romney, 1734–1802
Sibyl
undated
George Romney A Pensive Lady
George Romney, 1734–1802
A Pensive Lady
undated
George Romney Charity
George Romney, 1734–1802
Charity
undated
George Romney Figure Composition Study 30
George Romney, 1734–1802
Figure Composition Study 30
undated
George Romney Figure Composition Study 39
George Romney, 1734–1802
Figure Composition Study 39
undated
George Romney Figure Composition Study 14
George Romney, 1734–1802
Figure Composition Study 14
undated
George Romney Figure Composition Study 18
George Romney, 1734–1802
Figure Composition Study 18
undated
George Romney Figure Composition Study 16
George Romney, 1734–1802
Figure Composition Study 16
undated
George Romney Figure Study 9
George Romney, 1734–1802
Figure Study 9
undated
George Romney Figure Composition Study 37
George Romney, 1734–1802
Figure Composition Study 37
undated
George Romney Figure Composition Study 45
George Romney, 1734–1802
Figure Composition Study 45
undated
George Romney Landscape
George Romney, 1734–1802
Landscape
undated
George Romney Figure Composition Study 35
George Romney, 1734–1802
Figure Composition Study 35
undated
George Romney Two studies for a male portrait
George Romney, 1734–1802
Two studies for a male portrait
undated
George Romney Initiation of a Rustic Nymph
George Romney, 1734–1802
Initiation of a Rustic Nymph
undated
George Romney Hell
George Romney, 1734–1802
Hell
undated
George Romney Slight Group of Figures
George Romney, 1734–1802
Slight Group of Figures
undated
George Romney Possibly One Reclining Figure and One Dancing Figure
George Romney, 1734–1802
Possibly One Reclining Figure and One Dancing Figure
undated
George Romney The Temptation of Christ
George Romney, 1734–1802
The Temptation of Christ
undated
George Romney The Temptation of Christ
George Romney, 1734–1802
The Temptation of Christ
undated
George Romney Reclining Figure and Seated Figure
George Romney, 1734–1802
Reclining Figure and Seated Figure
undated
George Romney Mother and Children
George Romney, 1734–1802
Mother and Children
undated
George Romney Dancers and Musicians, Probably for "L'Allegro"
George Romney, 1734–1802
Dancers and Musicians, Probably for "L'Allegro"
undated
George Romney Possibly "Descent of Odin" or "Bolingbroke and Apparition"
George Romney, 1734–1802
Possibly "Descent of Odin" or "Bolingbroke and Apparition"
undated
George Romney Two Lovers
George Romney, 1734–1802
Two Lovers
undated
William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
William Blake III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
William Blake Title Page, The Book of Thel (Plate 2)
Print made by William Blake, 1757–1827
Title Page, The Book of Thel (Plate 2)
1789
William Blake Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
Print made by William Blake, 1757–1827
Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
1789
William Blake II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
Print made by William Blake, 1757–1827
II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
1789
William Blake Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)
Print made by William Blake, 1757–1827
Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)
1794
William Blake The First Book of Urizen, Plate 4 (Bentley 24)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 4 (Bentley 24)
1794
William Blake II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
Print made by William Blake, 1757–1827
II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
1789
William Blake III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
William Blake I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
William Blake A Woody Landscape
William Blake, 1757–1827
A Woody Landscape
ca. 1801
William Blake I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
William Blake The Widow Embracing Her Husband's Grave
William Blake, 1757–1827
The Widow Embracing Her Husband's Grave
1805 to 1808
John Inigo Richards Maxstoke Priory, Warwickshire
John Inigo Richards, 1730/31?–1810
Maxstoke Priory, Warwickshire
undated
Michel Jean Cazabon North Coast of Trinidad, from the North Post
Michel Jean Cazabon, 1813–1888
North Coast of Trinidad, from the North Post
1851
William Callow Stone Bridge; Wooden Footbridge (two drawings)
William Callow, 1812–1908
Stone Bridge; Wooden Footbridge (two drawings)
undated
Robert Brandard Coast Scene with Figures
Robert Brandard, 1805–1862
Coast Scene with Figures
undated
Richard Brookes Rough Diamonds
Richard Brookes, 1721–1763
Rough Diamonds
ca. 1760
Jonathan Richardson the Elder Jonathan Richardson, Junior
Jonathan Richardson the Elder, 1667–1745
Jonathan Richardson, Junior
undated
George Richmond Samuel Palmer
George Richmond, 1809–1896
Samuel Palmer
1828
Cornelius Varley Studies of a Carthorse
Cornelius Varley, 1781–1873
Studies of a Carthorse
undated
Lt. Paul Sandby Goat Hill and Ships
Lt. Paul Sandby, ca. 1820
Goat Hill and Ships
ca. 1820
Paul Sandby The Entrance to Chepstow Castle
Paul Sandby, 1731–1809
The Entrance to Chepstow Castle
ca. 1802
Lt. Paul Sandby View of Carlisle Bay, Barbados, with Ships and Boat
Lt. Paul Sandby, ca. 1820
View of Carlisle Bay, Barbados, with Ships and Boat
ca. 1820
Francis Swaine Ships Firing
Francis Swaine, 1730–1782
Ships Firing
undated
Francis Swaine Ships on a Calm Sea
Francis Swaine, 1730–1782
Ships on a Calm Sea
undated
Charles Tomkins Reading Gate-Way
Charles Tomkins, 1757–1823
Reading Gate-Way
undated
Francis Swaine Hulks in the Medway
Francis Swaine, 1730–1782
Hulks in the Medway
undated
John Thomas Serres Gibraltar, The Signal House
John Thomas Serres, 1759–1825
Gibraltar, The Signal House
undated
Thomas Girtin View of the Pantheon from the Arsenal
Thomas Girtin, 1775–1802
View of the Pantheon from the Arsenal
1802
Edward Calvert 'I have formed thee for my praise'
Edward Calvert, 1799–1883
'I have formed thee for my praise'
undated
George Pyne Design for Gameskeeper's Cottage
George Pyne, 1800–1884
Design for Gameskeeper's Cottage
undated
John James Barralet View of Lucan House
John James Barralet, 1747–1815
View of Lucan House
1782
unknown artist View of Swanage Bay, Dorset
unknown artist
View of Swanage Bay, Dorset
1816
Isaac Oliver Classical Study with Numerous Nude Figures
Isaac Oliver, ca. 1565–1617
Classical Study with Numerous Nude Figures
undated
Francis Nicholson Cader Idris, North Wales
Francis Nicholson, 1753–1844
Cader Idris, North Wales
undated
George Morland A Hop Kiln
George Morland, 1763–1804
A Hop Kiln
1795
George Morland Peasants Resting
George Morland, 1763–1804
Peasants Resting
1795
Arthur Rackham Diana Coope During a Performance of The Miracle; Diana Resting
Arthur Rackham, 1869–1939
Diana Coope During a Performance of The Miracle; Diana Resting
1926
James Roberts II Woman and Child
James Roberts II, 1753–ca. 1810
Woman and Child
undated
Samuel Scott Two Boats with Crews, Study for The Royal William at Sea
Samuel Scott, 1701/2–1772
Two Boats with Crews, Study for The Royal William at Sea
undated
Sir James Thornhill The Fall of Phaeton: A Study for a Ceiling
follower of Sir James Thornhill, 1675–1734
The Fall of Phaeton: A Study for a Ceiling
undated
Sir James Thornhill Diana and Actaeon: A Study for a Panel on a Staircase
follower of Sir James Thornhill, 1675–1734
Diana and Actaeon: A Study for a Panel on a Staircase
undated
John Varley Classic Composition
John Varley, 1778–1842
Classic Composition
ca. 1800
James Ward Scottish Peasant Women
James Ward, 1769–1859
Scottish Peasant Women
undated
James Ward Cottage and Farm Buildings
James Ward, 1769–1859
Cottage and Farm Buildings
undated
Humphry Repton A Summer House with Full-length Lattice Windows
Humphry Repton, 1752–1818
A Summer House with Full-length Lattice Windows
undated
John Inigo Richards At Steyning - Sussex
John Inigo Richards, 1730/31?–1810
At Steyning - Sussex
1795
Thomas Wyck Fortified Buildings rising Steeply from a River Bank (in Italy ?) with Boat centre and distant Mountains
Thomas Wyck, 1616–1677
Fortified Buildings rising Steeply from a River Bank (in Italy ?) with Boat centre and distant Mountains
undated
William James Muller An Eastern Encampment
William James Muller, 1812–1845
An Eastern Encampment
undated
Thomas Wyck A Coastal Scene (Italian) with Breakwater, High Cliffs and a Fort
Thomas Wyck, 1616–1677
A Coastal Scene (Italian) with Breakwater, High Cliffs and a Fort
undated
Thomas Wyck A Village in a Rocky Coastal Inlet (Italian ?) with Round Tower on the Left Bank
Thomas Wyck, 1616–1677
A Village in a Rocky Coastal Inlet (Italian ?) with Round Tower on the Left Bank
undated
Thomas Wyck Trees on a River Bank
Thomas Wyck, 1616–1677
Trees on a River Bank
undated
John Varley Romantic Landscape with Cliffs and a Castle
John Varley, 1778–1842
Romantic Landscape with Cliffs and a Castle
undated
Cornelius Varley Cottage on a Bay
Attributed to Cornelius Varley, 1781–1873
Cottage on a Bay
undated
James Ward Farm Workers Flailing Corn
James Ward, 1769–1859
Farm Workers Flailing Corn
undated
James Barry Rome, A View of the Arch of Constantine with Other Ruins
James Barry, 1741–1806
Rome, A View of the Arch of Constantine with Other Ruins
undated
Paul Sandby James Gandon and Family
Paul Sandby, 1731–1809
James Gandon and Family
1780