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The museum is reopening to the public in March 2025.
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Collection
Prints and Drawings
9
Creator
Gaugain, Thomas, 1748–1812
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9
Hellyer, Thomas, active 1800
8
Northcote, James, 1746–1831
8
Wheatley, Francis, 1747–1801
1
Date
1797
9
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9
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9
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9
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Prints
9
Creator Gender
male
9
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Cries of London
1
Period
18th century
9
Materials & Techniques
stipple engraving
2
aquatint
1
etching (printing process)
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proofs: prints
1
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Work Type
intaglio print
9
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literary theme
8
genre subject
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literary theme
7
servants
5
bedroom
2
bonnet
2
crying
2
master
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servant
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Bible
1
Dancing
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alcohol
1
bonnets
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bookcase
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broom
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candle
1
cane
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carriage
1
children
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coffin
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coin purse
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Yale Center for British Art, Paul Mellon Fund
8
Yale Center for British Art, Paul Mellon Collection
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Creator
Gaugain, Thomas, 1748–1812
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1
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Modest Girl in her Bed Chamber (Plate 4)
1797
2
Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton turn'd out of Doors for Misconduct (Plate 5)
1797
3
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)
1797
4
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Good Girl Receives the Honourable Addresses of her Master (Plate 8)
1797
5
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)
1797
6
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Good Girl Married to her Master/ The Wanton laid in her Grave (Plate 10)
1797
7
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton Dying in Poverty and Disease Visited by the Modest Girl (Plate 9)
1797
8
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Modest Girl rejects the Illicit Addresses of her Master (Plate 6)
1797
9
Thomas Gaugain, 1748–1812
Turnips and Carrots
1797