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Battersea
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, graphite, pen and black ink, and and pen and brown ink on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 4 15/16 x 6in. (12.5 x 15.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wandshorst Church Surrey
Creator:
George Sidney Shepherd, 1784–1862
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 10 7/8 × 14 15/16 inches (27.6 × 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Westminster Abbey and St. Paul's from Battersea Fields
Creator:
Nathaniel Smith, 1740–1787
Date:
undated
Materials & Techniques:
Watercolor, ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/8 x 6 3/8in. (10.5 x 16.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mr. Grose's House at Wandsworth
Creator:
Capt. Francis Grose, 1731–1791
Date:
1767
Materials & Techniques:
Watercolor on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/4 × 10 1/8 inches (23.5 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove
West Hill, the seat of D.H. Rucker
Creator:
Humphry Repton, 1752–1818
Date:
undated
Materials & Techniques:
Gray wash and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 × 7 1/8 inches (13.3 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Wood Yard on the Thames at Nine Elms
Creator:
Samuel Scott, 1701/2–1772
Date:
undated
Materials & Techniques:
Watercolor, graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/4 x 35 1/8 inches (34.9 x 89.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett