Associated Places: United Kingdom / Width [cm]: 44 / Classification: Prints

Print made by John Constable, 1776–1837

The Ruins of Netley Abbey

1826

Robert Havell, 1769–1832

Crofton Hall, Yorkshire

1813

Print made by Henry Hulsberg, active 1700s–died 1729

Cobham Hall, Kent: The Elevation of Cobham Hall in Kent

1715 to 1725

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1811-1812

Print made by William Bernard Cooke, 1778–1855

Fowey, Cornwall

1820

Print made by William Bernard Cooke, 1778–1855

Minehead, Somersetshire

1820

Print made by William Bernard Cooke, 1778–1855

Margate, Kent

1823

Print made by William Bernard Cooke, 1778–1855

Margate, Kent

1823

Print made by James C. Allen, active 1821–1831

St. Mawes, Cornwall

1814 to 1826

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1812

Print made by William Miller, 1796–1882

Coombe-Martin, Devonshire

1814 to 1826

Print made by William Miller, 1796–1882

Coombe-Martin, Devonshire

1814 to 1826

Print made by Robert Wallis, 1794–1878

Folkstone, Kent

1825

Print made by James C. Allen, active 1821–1831

Addingham Mill on the Warfe

1821

Print made by John Wykeham Archer, 1808–1864

Richmond Castle and Town

1820

Print made by John Landseer, 1769–1852

High Force or Fall of Tees

1821

Print made by Thomas Higham, 1796–1844

Egglestone Abbey, near Barnard Castle

1818-1823

Print made by John Landseer, 1769–1852

High Force or Fall of Tees

1818-1823

Print made by James Tibbits Willmore, 1800–1863

Llanthony, Monmouthshire

1834

Print made by James C. Allen, active 1821–1831

Aldborough

ca. 1830

Print made by James C. Allen, active 1821–1831

Aldborough

ca. 1830

Print made by Edward Goodall, 1795–1870

Richmond Hill

1826-1832

Print made by Robert Wallis, 1794–1878

Colchester, Essex

1827-1838

Print made by William Miller, 1796–1882

Berwick-upon-Tweed

1834

Print made by William Bernard Cooke, 1778–1855

Margate, Kent

1822

Print made by William Miller, 1796–1882

Portsmouth, Hampshire

1825

Print made by William Miller, 1796–1882

Inverness

1836

Print made by William Bernard Cooke, 1778–1855

Lyme Regis, Dorsetshire

1814

Print made by William Bernard Cooke, 1778–1855

Dartmouth, Devon

1814

Print made by John Wykeham Archer, 1808–1864

Richmond Castle and Town

1820

Print made by John Pye, 1782–1874

Junction of the Greta and Tees at Rokeby

1818-1823

Print made by John Pye, 1782–1874

Wycliffe, near Rokeby

1823

Print made by Samuel Rawle, 1771–1860

Brignall Church

1821

Print made by John Scott, 1774–1828

Aysgarth Force

1818-1823

Print made by John Wykeham Archer, 1808–1864

Crook of the Lune, Looking towards Hornby Castle

1821

Print made by Edward Goodall, 1795–1870

Aldborough, Suffolk

1827-1838

Print made by James C. Allen, active 1821–1831

The Custom House

1827

Robert Havell, 1769–1832

Crofton

1813

Robert Havell, 1769–1832

Crofton Hall, Yorkshire

1813

Robert Havell, 1769–1832

Crofton

1813

Print made by Edward Goodall, 1795–1870

Traitor's Gate, Tower of London

1834

Print made by David Lucas, 1802–1881

A Lock on the Stour, Suffolk

1831

Print made by unknown artist

North East View of Henry VII Chapel Westminster

ca. 1813

Print made by R.C. Roffe, active in London 1806–1835

Perspective View of the North & East Fronts of the Building Connected with the Houses of Parliament and Courts of Law, &c. &c

1827

Print made by Thomas Jeavons, ca. 1800–1867

Devonport and Dockyard, Devonshire

1827-1838

unknown artist

A View of the Printing House (a), the Theatre (b), the Museum (c), part of the Schools (d), part of All Souls College (e), & St. Mary's Church (f), & c. in the University of Oxford

Charles Grignion, 1717–1810

A Perspective View of the Foundling Hospital with Emblematic Figures

1749

William Hincks, 1752–1797

Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing

1791

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1819

Print made by David Lucas, 1802–1881

Yarmouth, Norfolk

1832

Print made by William Day, 1764–1807

The High Street, Southampton

1828

Print made by David Lucas, 1802–1881

Old Sarum

1830

Print made by David Lucas, 1802–1881

Summer Afternoon, After a Shower

1831

Sir Francis Seymour Haden, 1818–1910

Sawley Abbey

1873

Print made by David Lucas, 1802–1881

Autumnal Sunset

1831

Print made by David Lucas, 1802–1881

Yarmouth, Norfolk

1832

Print made by David Lucas, 1802–1881

A Heath

1831

Print made by David Lucas, 1802–1881

A Summerland

1831

Print made by Thomas Shotter Boys, 1803–1874

Westminster Abbey, Hospital &c

1842

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1811-1812

Print made by Francesco Bartolozzi, 1728–1815

Lovelace in Prison

1788

James Duffield Harding, 1798–1863

View of the Clifton Suspension Bridge

undated

Print made by unknown artist

Christ Church, Oxford

1907

Print made by David Lucas, 1802–1881

Noon

1830

Print made by David Lucas, 1802–1881

Vignette, Hampstead Heath, Middlesex

1831

Print made by David Lucas, 1802–1881

Spring

1829 to 1830

Print made by David Lucas, 1802–1881

The Glebe Farm

1832

Print made by James C. Allen, active 1821–1831

Dunwich

ca. 1830

Print made by William Miller, 1796–1882

The Tower of London

1831

Print made by Robert Wallis, 1794–1878

Colchester, Essex

1827-1838

Print made by William Bernard Cooke, 1778–1855

Plymouth Dock from Mount Edgecumbe

1816

Print made by William Bernard Cooke, 1778–1855

Plymouth from Mount Batten

1817

Print made by George Cooke, 1781–1834

Pendennis Castle, and Entrance of Falmouth Harbour

1814 to 1826

Print made by William Bernard Cooke, 1778–1855

Plymouth from Mount Batten

1817

Print made by George Cooke, 1781–1834

Pendennis Castle, and Entrance of Falmouth Harbour

1814-1826

Print made by William Bernard Cooke, 1778–1855

East and West Looe, Cornwall

1818

Print made by William Bernard Cooke, 1778–1855

Minehead, Somersetshire

1820

Print made by Thomas Jeavons, ca. 1800–1867

Exeter

1827-1838

Print made by Thomas Jeavons, ca. 1800–1867

Exeter

1827-1838

Print made by Lydia Bates, active 1784

Little Missenden Church from the Southeast

1784

Print made by Robert Brandard, 1805–1862

Crossing the Brook

1838

Print made by John Crome, 1768–1821

Front of the New Mills

1813

Print made by Paul Angier, active 1749

A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

1749

Print made by Thomas Higham, 1796–1844

Egglestone Abbey, near Barnard Castle

1818-1823

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1819

Print made by John Scott, 1774–1828

Aysgarth Force

1820

Print made by John Landseer, 1769–1852

High Force or Fall of Tees

1821

Print made by Day & Co., 1824–1913

Royal Crescent, County Hospital, St. George's Chapel, Kemp Town

1839

Sir Francis Seymour Haden, 1818–1910

On the Thames

1859

Print made by Benjamin Green, ca. 1736–ca. 1800

Oxford Physic Garden

1766

Print made by John Doyle ('H.B.'), 1797–1868

A Graceful Speciman of The Retort Courteous

1831

Print made by Sir David Young Cameron, 1865–1945

Castle Urquhart

1929

Sir William Russell Flint, 1880–1969

Her New Heir, Stokesay

1930

Print made by John Fullwood, 1854–1931

Laleham Meadows near Littleton

undated

Print made by Edward Bouverie-Hoyton, active 1930

Devon Coast

1920s

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Associated Places United Kingdom

Width [cm] 44

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Width [cm] 44

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