Associated Places: United Kingdom / Height [cm]: 25 - YCBA Collections Search Search Results

101. Kensington Gardens

Creator:: John Martin, 1789–1854
Date:: undated
Materials & Techniques:: Watercolor and pen and brown ink over graphite with scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 5/8 x 7 inches (24.5 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

102. The Launching of H.M.S. 'Hibernia' 1804

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1804
Materials & Techniques:: Watercolor with pen and red, brown, and gray ink over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 9 13/16 x 15 1/4 inches (24.9 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

103. Saint John's, Oxford

Creator:: Rev. William Warren Porter, 1776–1804
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 × 13 1/4 inches (25.4 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Edward Porter Street, Jr., Yale BE 1945W

104. Magdalen College, Oxford

Creator:: Rev. William Warren Porter, 1776–1804
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 × 13 3/8 inches (25.4 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Edward Porter Street, Jr., Yale BE 1945W

105. Clare Hall

Creator:: Print made by John Bluck, active 1791–1831
Date:: 1814
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 x 14 1/16 inches (29.2 x 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

106. Kirkstall Abbey from the N.W.

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1792
Materials & Techniques:: Watercolor, pen and black ink, pen and brown ink and graphite on medium, slightly textured, beige wove paper, mounted on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 5/8 × 8 3/4 inches (16.8 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

107. Denbigh Castle

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1793
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper, mounted on moderately thick, moderately textured, beige wove paper
Dimensions:: Mount: 9 3/4 × 11 5/8 inches (24.8 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

108. Jedburgh Abbey, Roxburghshire

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1793
Materials & Techniques:: Watercolor over graphite, and gray wash on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 5/8 x 8 9/16 inches (16.8 x 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

109. The Land Gate, Rye, Sussex

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Watercolor, pen and black ink, gray wash and graphite on medium, slightly textured, beige wove paper, mounted on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 7/8 × 6 5/8 inches (22.5 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

110. George Fox Is Challenged to Fight at Scarborough Castle

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1890 and 1911
Materials & Techniques:: Etching and drypoint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 9 5/8 x 12 11/16 inches (24.5 x 32.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

111. Saint Cuthbert's Holy Island

Creator:: Thomas Girtin, 1775–1802
Date:: 1797
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 x 12 inches (25.4 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

112. Berry Pomeroy Castle, Devon

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, black chalk and graphite on thick, moderately textured, beige laid paper, mounted on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 10 × 13 5/8 inches (25.4 × 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

113. Tynemouth Priory, Northumberland

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1793
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 5/8 x 8 5/8 inches (16.8 x 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

114. Findlater Castle, Banff

Creator:: Thomas Girtin, 1775–1802
Date:: between 1792 and 1793
Materials & Techniques:: Watercolor and scratching out over graphite on medium, slightly textured, cream wove paper, pasted on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 9 3/4 x 11 11/16 inches (24.8 x 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

115. George Fox in Carlisle Dungeon

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1890 and 1911
Materials & Techniques:: Etching and drypoint on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/4 x 12 5/16 inches (24.7 x 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

116. View of Kingswear, from Dartmouth, Devon

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1797
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/4 x 16 1/8 inches (24.8 x 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

117. Valle Crucis Abbey, Denbighshire

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1799
Materials & Techniques:: Watercolor and graphite with pen and brown ink on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 9 3/4 x 12 1/4 inches (24.8 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

118. Review of Light Horse Volunteers on Wimbledon Common

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor with pen and gray ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 13/16 x 16 5/16 inches (24.9 x 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

119. Newbury Market Place, Berkshire

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1815 and 1820
Materials & Techniques:: Watercolor with pen and brown, red-brown and gray ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 x 15 7/8 inches (25.4 x 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

120. Magdalen Bridge, Near Oxford

Creator:: Rev. William Warren Porter, 1776–1804
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/4 × 12 inches (24.8 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Edward Porter Street, Jr., Yale BE 1945W

121. Cave of the Golden Calf: Study for Deer Hunting Mural

Creator:: Spencer Frederick Gore, 1878–1914
Date:: 1912
Materials & Techniques:: Pastel, pen and black ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 14 inches (25.4 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

122. Cave of the Golden Calf: Study for a Mural Decoration, Old Man in Landscape

Creator:: Spencer Frederick Gore, 1878–1914
Date:: 1912
Materials & Techniques:: Pastel, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 14 inches (25.4 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

123. Pershore Abbey, Worcestershire

Creator:: Capt. Francis Grose, 1731–1791
Date:: 1791
Materials & Techniques:: Pen and black ink, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 x 13 3/4in. (25.4 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

124. Near Torrington, Devonshire

Creator:: Capt. Francis Grose, 1731–1791
Date:: 1778
Materials & Techniques:: Watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 3/4 x 14 1/2in. (24.8 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

125. Cave of the Golden Calf: Study for Mural, Gentleman in Foreground

Creator:: Spencer Frederick Gore, 1878–1914
Date:: 1912
Materials & Techniques:: Pastel, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 14 inches (25.4 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

126. A Horseman in a Landscape

Creator:: James Ward, 1769–1859
Date:: 1814
Materials & Techniques:: Pen and brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 15/16 × 13 13/16 inches (25.2 × 35.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

127. South View of Montacute House

Creator:: John Buckler FSA, 1770–1851
Date:: 1811
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

128. Vestibule at Newby Hall

Creator:: John Buckler FSA, 1770–1851
Date:: 1813
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

129. Gateway at Burton Agnes, Yorkshire, the Seat of Sir Francis Boynton Bart.

Creator:: John Buckler FSA, 1770–1851
Date:: 1819
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

130. Clare Hall

Creator:: Print made by John Bluck, active 1791–1831
Date:: 1814
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 9/16 x 13 1/16 inches (26.8 x 33.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

131. The Highland Ferry, Scotland

Creator:: Print made by Charles William Cain, 1893–1962
Date:: undated
Materials & Techniques:: Drypoint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 3/8 x 18 1/8 inches (31.4 x 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

132. View of St Stephen's Chapel as it appeared after the Fire in October 1834

Creator:: Print made by Frederick Mackenzie, 1788–1854
Date:: 1843
Materials & Techniques:: Lithograph on slightly textured, thick, cream wove paper
Dimensions:: Sheet: 12 1/8 × 13 3/4 inches (30.8 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

133. The House of Lords, as Restored after the Fire

Creator:: Print made by T. Kearnan, active 1821–1850
Date:: 1835
Materials & Techniques:: Line engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 9 13/16 × 7 13/16 inches (24.9 × 19.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

134. Destruction of the Houses of Parliament, Oct 16th, 1834, as Seen from Henry VIIth's Chapel

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Lithograph on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 12 3/4 × 17 3/4 inches (32.4 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

135. Fragments & Parts of the Exterior of Henry the Seventh Chapel, Westminster Abbey

Creator:: Print made by Thomas Sutherland, ca. 1785–1838
Date:: 1811
Materials & Techniques:: Line engraving on smooth, medium, white wove paper
Dimensions:: Sheet: 10 × 12 1/8 inches (25.4 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

136. Henry VII's Shrine

Creator:: Print made by Herbert Railton, 1857–1910
Date:: ca. 1890
Materials & Techniques:: Etching on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 10 × 13 1/8 inches (25.4 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

137. Part of the Construction in the Old House of Lords

Creator:: Attributed to office of Sir John Soane, 1753–1837
Date:: 1823
Materials & Techniques:: Graphite, black and brown pen, and watercolor on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 9 13/16 × 12 5/8 inches (24.9 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

138. Plan of the Upper Floor of Lord Committee Rooms

Creator:: Attributed to office of Sir John Soane, 1753–1837
Date:: 1835
Materials & Techniques:: Pen and black ink and watercolor on moderately textured, moderately thick, white wove paper
Dimensions:: Sheet: 9 3/4 × 14 1/4 inches (24.8 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

139. Door on South Side of Painted Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, white wove paper
Dimensions:: Sheet: 9 3/4 × 6 5/8 inches (24.8 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

140. Ruins of Westminster Palace

Creator:: George Harley, 1791–1871
Date:: 1834
Materials & Techniques:: Graphite and brown wash on slightly textured, medium, white wove paper
Dimensions:: Sheet: 9 9/16 × 6 1/4 inches (24.3 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

141. A General Prospect of Vaux Hall Gardens, Shewing at one View the disposition of the whole Gardens

Creator:: John S. Muller, ca. 1715–1792
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 12 1/4 × 18 inches (31.1 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

142. Battersea Reach

Creator:: James McNeill Whistler, 1834–1903
Date:: 1863
Materials & Techniques:: Etching and drypoint, printed from canceled plate on medium, smooth, cream laid paper
Dimensions:: Sheet: 10 x 12 7/8 inches (25.4 x 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

143. The North Prospect of the Cathedral Church of St. Mary at Worcester

Creator:: John Harris, 1811–1865
Date:: undated
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 9 15/16 x 13 7/16 inches (25.3 x 34.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

144. Netting Deer in Richmond Park

Creator:: Sir George Hayter, 1792–1871
Date:: undated
Materials & Techniques:: Graphite, with white gouache on moderately thick, slightly textured, green-gray, wove paper
Dimensions:: Sheet: 9 7/8 × 13 3/4 inches (25.1 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

145. Skating in Hyde Park

Creator:: Julius Caesar Ibbetson, 1759–1817
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and black ink, brown ink, gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 15/16 × 13 15/16 inches (25.2 × 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

146. A Perspective View of Tower Hill and the Place of Execution of the Lords Kilmarnock and Balmerino on Monday 18 of August 1746.

Creator:: Print made by John Maurer, active 1713–1761
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 10 × 16 1/2 inches (25.4 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

147. London Chatham and Dover Railway Viaduct, S Mary Cray, Kent, Feb. 16, 1881 - Dec. 15, 1882

Creator:: George Buchanan Wollaston, Active 1879–1886
Date:: 1881
Materials & Techniques:: Watercolor and gouache with brown ink and black ink and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 × 14 inches (25.4 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

148. Blenheim House. Erected at the Publick Expence in Commemoration of the Victory at Blenheim, and setled on the Great Duke of Marlborough and his Descendents for ever

Blenheim House. Erected at the Publick Expence in Commemoration of the Victory at Blenheim, and setled on the Great Duke of Marlborough and his Descendents for ever

Creator:: Paul Fourdrinier, 1698–1758
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 10 × 16 1/8 inches (25.4 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

149. Cowdray Court from the Lodging House

Creator:: Capt. Francis Grose, 1731–1791
Date:: undated
Materials & Techniques:: Line engraving and etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 15/16 × 14 5/16 inches (25.2 × 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

150. Dartmouth Cove

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827
Materials & Techniques:: Etching and line engraving with chine collé; 2nd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 3/16 inches (26 × 36 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

151. Saltash, Cornwall

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827
Materials & Techniques:: Etching and line engraving; 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 14 3/4 inches (27.3 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

152. Cowes, Isle of Wight

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1830
Materials & Techniques:: Etching and line engraving; 3rd state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 × 14 9/16 inches (26.4 × 37 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

153. Devonport and Dockyard, Devonshire

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1830
Materials & Techniques:: Etching and line engraving; 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 5/8 inches (26.7 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

154. Barnard Castle, Durham

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827
Materials & Techniques:: Etching and line engraving with chine collé; 1st state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 11/16 × 14 3/8 inches (27.1 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

155. Alnwick Castle, Northumberland

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1830
Materials & Techniques:: Etching and line engraving; 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 9/16 × 14 5/8 inches (26.8 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

156. Carew Castle, Pembroke

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and engraving; third state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 14 15/16 inches (27.9 × 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

157. Crichton Castle

Creator:: Print made by George Cooke, 1781–1834
Date:: 1819
Materials & Techniques:: Etching and line engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 15/16 × 15 1/16 inches (27.8 × 38.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

158. Colchester, Essex

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827
Materials & Techniques:: Etching and line engraving; 3rd state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 14 11/16 inches (27.3 × 37.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

159. Shepperton

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1864
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 7/8 x 6 15/16 inches (25.1 x 17.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

160. Werrington

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1868
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 9 13/16 x 14 5/16 inches (25 x 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Allen Evarts Foster, B.A. 1906

161. The Breaking Up of the Agamemnon, no. 2

Creator:: Print made by Sir Francis Seymour Haden, 1818–1910
Date:: after 1880
Materials & Techniques:: Etching and drypoint on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/16 x 21 7/8 inches (38.6 x 55.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield

162. The Breaking Up of the Agamemnon, no. 2

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: after 1880
Materials & Techniques:: Etching and mezzotint on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/16 x 22 1/16 inches (38.3 x 56.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield

163. High Park

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1868
Materials & Techniques:: Etching and drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 1/8 x 7 3/16 inches (25.7 x 18.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Yale Stevens from her father's (Richard Sharpe V, B.S. 1873) Collection

164. Battersea Bridge

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1868
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 13/16 x 12 1/4in. (24.9 x 31.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Allen Evarts Foster, B.A. 1906

165. Sawley Abbey

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1873
Materials & Techniques:: Etching and drypoint on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/16 x 17 1/4 inches (31 x 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

166. The Elevation of the Design for the Bank of England by Theodore Jacobsen Esqr.

Creator:: Paul Fourdrinier, 1698–1758
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 7/8 x 16 1/4 inches (27.6 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

167. The Bell, No.1 at Wareham, Dorest

Creator:: Print made by Austin, Robert, 1895-1973, 1895–1973
Date:: 1927
Materials & Techniques:: Etching and stipple engraving on moderately thick, slightly textured, brown laid paper
Dimensions:: Sheet: 9 3/4 x 7 5/8 inches (24.8 x 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

168. Remains of the Priory, Beeston Regis

Creator:: Robert Dixon, 1780–1815
Date:: 1810
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/16 x 8 1/4 inches (26.5 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

169. Cave of the Golden Calf: Interior of a Theatre

Creator:: Spencer Frederick Gore, 1878–1914
Date:: 1912
Materials & Techniques:: Black chalk and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 14 inches (25.4 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick Gore

170. Cave of the Golden Calf: Study for Decorative Panel, Worshippers

Creator:: Spencer Frederick Gore, 1878–1914
Date:: 1912
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 14 inches (25.4 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick Gore

171. Brandsby Tower, Yorkshire

Creator:: Print made by John Sell Cotman, 1782–1842
Date:: ca. 1838
Materials & Techniques:: Soft-ground etching on medium, slightly textured, blue laid paper
Dimensions:: Sheet: 10 3/16 x 7 5/8 inches (25.9 x 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

172. A View of the Fire in Covent Garden

Creator:: Samuel Hieronymus Grimm, 1733–1794
Date:: 1769
Materials & Techniques:: Etching on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 11/16 × 13 1/8 inches (24.6 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

173. Stevenage

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1902
Materials & Techniques:: Etching; early proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 5 3/8 inches (25.1 × 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

174. Minsden Episcopi

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1913
Materials & Techniques:: Etching; 2nd state on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 × 12 1/2 inches (25.4 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

175. Barnack

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1914
Materials & Techniques:: Etching; 2nd state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 7/8 × 7 3/8 inches (25.1 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

176. Aldborough

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Etching and line engraving with chine collé; 1st state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 13 3/4 inches (25.4 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

177. Warwick Castle, Warwickshire

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1832
Materials & Techniques:: Etching and line engraving with chine collé; 1st state on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 15/16 × 15 inches (27.8 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

178. St. Catherine's Hill, near Guildford, Surrey

Creator:: Print made by James H. Kernot, 1802–1858
Date:: 1832
Materials & Techniques:: Etching and line engraving with chine collé; 2nd state on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 11/16 × 14 15/16 inches (27.1 × 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

179. Warwick Castle, Warwickshire

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1832
Materials & Techniques:: Etching and line engraving; 3rd state on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 5/8 inches (26.7 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

180. Beaumaris, Isle of Anglesea

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1836
Materials & Techniques:: Etching and line engraving; 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 14 3/4 inches (27 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

181. Longships Lighthouse, Lands End

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1836
Materials & Techniques:: Etching and line engraving; 3rd state on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/4 × 14 3/4 inches (27.3 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

182. Barnard Castle, Durham

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827
Materials & Techniques:: Etching and line engraving; 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 11/16 × 14 5/16 inches (27.1 × 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

183. Buckfastleigh Abbey, Devonshire

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828
Materials & Techniques:: Etching and line engraving; 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 9/16 × 14 3/8 inches (26.8 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

184. Exeter

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1819-1826
Materials & Techniques:: Etching and line engraving with chine collé; 1st state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 14 1/16 inches (27.3 × 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

185. Exeter

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1829
Materials & Techniques:: Etching and line engraving with chine collé; 2nd state on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 13/16 × 14 7/8 inches (27.5 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

186. Devonport and Dockyard, Devonshire

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1830
Materials & Techniques:: Etching and line engraving with chine collé; 1st state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 15/16 × 14 9/16 inches (27.8 × 37 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

187. Aldborough, Suffolk

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827
Materials & Techniques:: Etching and line engraving; 3rd state on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

188. Alnwick Castle, Northumberland

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1830
Materials & Techniques:: Etching and line engraving with chine collé; 2nd state on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 7/8 × 14 3/4 inches (27.6 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

189. Plymouth Citadel

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1823
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 16 1/2 inches (28.3 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

190. Fingal's Cave, Staffa

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 6 7/8 inches (25.4 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

191. Laneham

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1922
Materials & Techniques:: Etching; 3rd state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/4 × 7 1/4 inches (24.8 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

192. Laneham

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1923
Materials & Techniques:: Etching; 4th state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 × 8 inches (25.4 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

193. Buckingham Palace from St. James's Park

Creator:: Print made by Thomas Shotter Boys, 1803–1874
Date:: 1842
Materials & Techniques:: Lithograph on thick, smooth, cream card
Dimensions:: Sheet: 14 15/16 x 21 13/16 inches (37.9 x 55.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

194. Auld Brig, Ayr

Creator:: Print made by Robert Bryden, 1865–1939
Date:: 1904
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:: Plate: 9 15/16 x 13 7/8 inches (25.3 x 35.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

195. The Solent

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1920
Materials & Techniques:: Drypoint and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 13/16 x 15 3/8 inches (25 x 39 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

196. Christ Church College, Oxford

Creator:: Print made by James Redway, active 1827–1838
Date:: 1834
Materials & Techniques:: Etching and engraving; third state on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 11 × 14 11/16 inches (27.9 × 37.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

197. Out of Study Window

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1859
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 9 3/4 x 14 5/16 inches (24.8 x 36.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

198. Durham Cathedral

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and engraving; third state on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 × 14 7/8 inches (27.9 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

199. Arundel Castle, on the River Arun

Creator:: Print made by George H. Phillips, active 1819–1825
Date:: 1823 to 1827
Materials & Techniques:: Mezzotint and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 3/4 × 14 inches (24.8 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

200. Part of Waterloo Bridge with the Shot Tower, &c.

Creator:: Print made by George Cooke, 1781–1834
Date:: 1832
Materials & Techniques:: Etching and line engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/2 x 11 13/16 inches (44.5 x 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Height [cm] 25

Search Results

101. Kensington Gardens

102. The Launching of H.M.S. 'Hibernia' 1804

103. Saint John's, Oxford

104. Magdalen College, Oxford

105. Clare Hall

106. Kirkstall Abbey from the N.W.

107. Denbigh Castle

108. Jedburgh Abbey, Roxburghshire

109. The Land Gate, Rye, Sussex

110. George Fox Is Challenged to Fight at Scarborough Castle

111. Saint Cuthbert's Holy Island

112. Berry Pomeroy Castle, Devon

113. Tynemouth Priory, Northumberland

114. Findlater Castle, Banff

115. George Fox in Carlisle Dungeon

116. View of Kingswear, from Dartmouth, Devon

117. Valle Crucis Abbey, Denbighshire

118. Review of Light Horse Volunteers on Wimbledon Common

119. Newbury Market Place, Berkshire

120. Magdalen Bridge, Near Oxford

121. Cave of the Golden Calf: Study for Deer Hunting Mural

122. Cave of the Golden Calf: Study for a Mural Decoration, Old Man in Landscape

123. Pershore Abbey, Worcestershire

124. Near Torrington, Devonshire

125. Cave of the Golden Calf: Study for Mural, Gentleman in Foreground

126. A Horseman in a Landscape

127. South View of Montacute House

128. Vestibule at Newby Hall

129. Gateway at Burton Agnes, Yorkshire, the Seat of Sir Francis Boynton Bart.

130. Clare Hall

131. The Highland Ferry, Scotland

132. View of St Stephen's Chapel as it appeared after the Fire in October 1834

133. The House of Lords, as Restored after the Fire

134. Destruction of the Houses of Parliament, Oct 16th, 1834, as Seen from Henry VIIth's Chapel

135. Fragments & Parts of the Exterior of Henry the Seventh Chapel, Westminster Abbey

136. Henry VII's Shrine

137. Part of the Construction in the Old House of Lords

138. Plan of the Upper Floor of Lord Committee Rooms

139. Door on South Side of Painted Chamber

140. Ruins of Westminster Palace

141. A General Prospect of Vaux Hall Gardens, Shewing at one View the disposition of the whole Gardens

142. Battersea Reach

143. The North Prospect of the Cathedral Church of St. Mary at Worcester

144. Netting Deer in Richmond Park

145. Skating in Hyde Park

146. A Perspective View of Tower Hill and the Place of Execution of the Lords Kilmarnock and Balmerino on Monday 18 of August 1746.

147. London Chatham and Dover Railway Viaduct, S Mary Cray, Kent, Feb. 16, 1881 - Dec. 15, 1882

148. Blenheim House. Erected at the Publick Expence in Commemoration of the Victory at Blenheim, and setled on the Great Duke of Marlborough and his Descendents for ever

149. Cowdray Court from the Lodging House

150. Dartmouth Cove

151. Saltash, Cornwall

152. Cowes, Isle of Wight

153. Devonport and Dockyard, Devonshire

154. Barnard Castle, Durham

155. Alnwick Castle, Northumberland

156. Carew Castle, Pembroke

157. Crichton Castle

158. Colchester, Essex

159. Shepperton

160. Werrington

161. The Breaking Up of the Agamemnon, no. 2

162. The Breaking Up of the Agamemnon, no. 2

163. High Park

164. Battersea Bridge

165. Sawley Abbey

166. The Elevation of the Design for the Bank of England by Theodore Jacobsen Esqr.

167. The Bell, No.1 at Wareham, Dorest

168. Remains of the Priory, Beeston Regis

169. Cave of the Golden Calf: Interior of a Theatre

170. Cave of the Golden Calf: Study for Decorative Panel, Worshippers

171. Brandsby Tower, Yorkshire

172. A View of the Fire in Covent Garden

173. Stevenage

174. Minsden Episcopi