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Nun of the Order of Santa Clara
Creator:
Alfred Diston, active 1818–1829
Date:
1828
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 × 5 5/8 inches (23.5 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dominican Friar
Creator:
Alfred Diston, active 1818–1829
Date:
1828
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/8 × 7 inches (23.8 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Man standing on seashore - Hierro
Creator:
Alfred Diston, active 1818–1829
Date:
after 1826
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 × 7 1/2 inches (24.1 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tenerife-Women of Candelaria
Creator:
Alfred Diston, active 1818–1829
Date:
1828
Materials & Techniques:
Watercolor, pen and brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/8 × 7 1/2 inches (23.8 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Peasants of Ycod el alto, Tenerife
Creator:
Alfred Diston, active 1818–1829
Date:
1825
Materials & Techniques:
Watercolor, graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/8 × 7 1/8 inches (23.8 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Woman of Ycod el Alto, Tenerife
Creator:
Alfred Diston, active 1818–1829
Date:
1828
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/8 × 7 1/2 inches (23.8 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Female huckster of Port Orotava
Creator:
Alfred Diston, active 1818–1829
Date:
1828
Materials & Techniques:
Watercolor, pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/8 × 7 3/4 inches (24.4 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Barandilles, a woman on a donkey
Creator:
Alfred Diston, active 1818–1829
Date:
1828
Materials & Techniques:
Watercolor, pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 × 7 1/8 inches (23.5 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Member of the Brotherhood El Gran Poder de Dios
Creator:
Alfred Diston, active 1818–1829
Date:
1828
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, slightly textured,cream wove paper
Dimensions:
Sheet: 9 1/4 × 7 3/8 inches (23.5 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Native of Tacocronte, Tenerife
Creator:
Alfred Diston, active 1818–1829
Date:
1825
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 × 7 3/8 inches (24.1 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Peasant Woman with Staff, La Palma
Creator:
Alfred Diston, active 1818–1829
Date:
1828
Materials & Techniques:
Watercolor, pen and brown ink and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 9 5/8 × 7 3/8 inches (24.4 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tenerife-Man of Tacoronte
Creator:
Alfred Diston, active 1818–1829
Date:
1828
Materials & Techniques:
Watercolor and pen and black ink on medium, slightly textured,cream wove paper
Dimensions:
Sheet: 9 1/2 × 7 inches (24.1 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection