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Associated Places Panthéon

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1. View of the Pantheon, Paris

View of the Pantheon, Paris

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etching with gray, blue, and yellow wash on medium, slightly textured, cream wove paper
Dimensions:: Mount: 9 3/8 x 21 inches (23.8 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. A General View of Paris taken from Chaillot

A General View of Paris taken from Chaillot

Creator:: etching by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Soft-ground etching and aquatint, printed in brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 1/8 inches (46.4 x 66.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. View of the Pantheon taken from the Arsenal

View of the Pantheon taken from the Arsenal

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint, hand-colored with watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/16 × 21 1/2 inches (23 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. View of the Pantheon taken from the Arsenal

View of the Pantheon taken from the Arsenal

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Soft ground etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/4 x 26 1/2 inches (42.5 x 67.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. View of Pont Neuf, The Mint etc.

View of Pont Neuf, The Mint etc.

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft-ground etching and drypoint, engraver's proof on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 9 3/4 × 23 inches (24.8 × 58.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection