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John Carter Door near Painted Chamber
Attributed to John Carter, 1748–1817
Door near Painted Chamber
between 1800 and 1807
John Carter Princes Chamber
Attributed to John Carter, 1748–1817
Princes Chamber
between 1800 and 1807
John Carter South Side of Princes Chamber West
Attributed to John Carter, 1748–1817
South Side of Princes Chamber West
between 1800 and 1807
Miss Mary Byrne The Houses of Lords and Commons
Print made by Miss Mary Byrne, 1776–1846
The Houses of Lords and Commons
1815
M. Gauci The Destruction by Fire of the Houses of Parliament
Print made by M. Gauci, 1810–1846
The Destruction by Fire of the Houses of Parliament
after 1834
Charles James Richardson Drawing Room Ceiling, No. 3 Old Palace Yard
Charles James Richardson, 1806–1871
Drawing Room Ceiling, No. 3 Old Palace Yard
1871
John Carter Plan of Painted Chamber
Attributed to John Carter, 1748–1817
Plan of Painted Chamber
between 1793 and 1799
John Carter Side Window, North, Painted Chamber
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
John Carter North Side, Painted Chamber
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
unknown artist Staircase at Southeast Angle, Painted Chamber, Westminster
Print made by unknown artist
Staircase at Southeast Angle, Painted Chamber, Westminster
1835
John Carter Palace at Westminster
Attributed to John Carter, 1748–1817
Palace at Westminster
between 1800 and 1807
Sir John Soane Plan of the Upper Floor of Lord Committee Rooms
Attributed to office of Sir John Soane, 1753–1837
Plan of the Upper Floor of Lord Committee Rooms
1835
John Carter Door on South Side of Painted Chamber
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
James Basire II Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
1842
James Basire II Vol. 6, Plate XXVII: The Painted Chamber
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXVII: The Painted Chamber
1842
James Basire II Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus.
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus
1842
Charles James Richardson Sections of Room under Painted Chamber
Charles James Richardson, 1806–1871
Sections of Room under Painted Chamber
1827
James Basire II Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha.
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha
1842
George Birch View of Guy Fawkes' Tower
George Birch, 1842–1904
View of Guy Fawkes' Tower
1827
George Birch Sections of Room under Painted Chamber
George Birch, 1842–1904
Sections of Room under Painted Chamber
1827
Charles James Richardson Ceiling to Boudoir House in Old Palace Yard
Charles James Richardson, 1806–1871
Ceiling to Boudoir House in Old Palace Yard
1871
unknown artist Houses of Parliament
Print made by unknown artist
Houses of Parliament
undated
John Carter Continuation of the Preceeding Ornaments
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
James Basire II Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus.
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus
1842
James Basire II Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha.
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha
1842
James Basire II Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews
1842
James Basire II Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger.
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger
after 1819
T. Kearnan The House of Lords, as Restored after the Fire
Print made by T. Kearnan, active 1821–1850
The House of Lords, as Restored after the Fire
1835
John Carter Details of one of the Figures
Attributed to John Carter, 1748–1817
Details of one of the Figures
ca. 1795
John Thomas Smith Eight Illustrations of Westminster
Print made by John Thomas Smith, 1766–1833
Eight Illustrations of Westminster
1806
Jacob Bonneau One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
Print made by Jacob Bonneau, 1741–1786
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
1751
Jacob Bonneau One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
Print made by Jacob Bonneau, 1741–1786
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
1751
Jacob Bonneau One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
Print made by Jacob Bonneau, 1741–1786
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
1751
John Carter East View of Modern Buildings in Continuation from St Stephen's Chapel
John Carter, 1748–1817
East View of Modern Buildings in Continuation from St Stephen's Chapel
between 1790 and 1802
B. Winkles Longitudinal Section of Westminster Hall
Print made by B. Winkles, active 1830–1840
Longitudinal Section of Westminster Hall
ca. 1821
Andrew Picken St. Stephen's Chapel, Speaker's House, & c. From the River as Before the Fire on Oct. 16th 1834
Print made by Andrew Picken, 1815–1845
St. Stephen's Chapel, Speaker's House, & c. From the River as Before the Fire on Oct. 16th 1834
ca. 1835
unknown artist New Rooms at Westminster for the Bishops
unknown artist
New Rooms at Westminster for the Bishops
undated
unknown artist Details of Capitals and Arches, Painted Chamber
unknown artist
Details of Capitals and Arches, Painted Chamber
between 1793 and 1799
John Carter East Front of Painted Chamber
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
John Greig The Painted Chamber, Westminster
Print made by John Greig, active 1803–1853
The Painted Chamber, Westminster
1804
unknown artist Exterior of Painted Chamber, North View
unknown artist
Exterior of Painted Chamber, North View
undated
John Carter Paintings on the Wall by H in Plan
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
John Carter Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
John Carter East End, Painted Chamber
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
John Carter Wall Paintings
Attributed to John Carter, 1748–1817
Wall Paintings
between 1793 and 1799
G.F. Storm Vol. 6, Plate XXVIII
Print made by G.F. Storm, active mid–19th century
Vol. 6, Plate XXVIII
1842
John Carter Enlarged Detail of Figures from Painting Shown in Previous Sketch
Attributed to John Carter, 1748–1817
Enlarged Detail of Figures from Painting Shown in Previous Sketch
between 1793 and 1799
James Basire II Vol. 6, Plate XXXII: The Story of Hezekiah.
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXII: The Story of Hezekiah
1842
James Basire II Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City.
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City
1842
T. Clarke Plate XXXVIII: House of Lords, as Fitted up in 1835
Print made by T. Clarke, 1799–1839
Plate XXXVIII: House of Lords, as Fitted up in 1835
1836
George Harley Ruins of Westminster Palace
George Harley, 1791–1871
Ruins of Westminster Palace
1834
John Thomas Smith Views of the Four Sides of a Cellar under the Old House of Lords; East End of the Prison Chamber; South Side of the Princes Chamber
Print made by John Thomas Smith, 1766–1833
Views of the Four Sides of a Cellar under the Old House of Lords; East End of the Prison Chamber; South Side of the Princes Chamber
1804
John Carter East Front of Princes Chamber
Attributed to John Carter, 1748–1817
East Front of Princes Chamber
between 1800 and 1807
John Carter Plan of Princes Chamber, One Pair
Attributed to John Carter, 1748–1817
Plan of Princes Chamber, One Pair
between 1800 and 1807
John Carter Princes Chamber, East Side with the Old House of Lords
Attributed to John Carter, 1748–1817
Princes Chamber, East Side with the Old House of Lords
between 1800 and 1807
unknown artist Exterior & Interior Views of the Painted Chamber & Old House of Lords
Print made by unknown artist
Exterior & Interior Views of the Painted Chamber & Old House of Lords
1823
William Capon Elevation of Buildings Fronting Westminster Hall
Attributed to William Capon, 1757–1827
Elevation of Buildings Fronting Westminster Hall
1822
John Carter Window Detail, Princes Chamber
Attributed to John Carter, 1748–1817
Window Detail, Princes Chamber
between 1800 and 1807
Charles Burton View of the King's Entrance &c. From the South-West
Print made by Charles Burton, active 1830–1840
View of the King's Entrance &c. From the South-West
1835
John Woods Plate XXXV: Capital Carved in Stone of the Time of William Rufus; Part of the Ceiling of the Ancient Palace of Westminster
Print made by John Woods, active 1836–1860
Plate XXXV: Capital Carved in Stone of the Time of William Rufus; Part of the Ceiling of the Ancient Palace of Westminster
1825
Frederick Mackenzie Old Palace Yard
Frederick Mackenzie, 1788–1854
Old Palace Yard
1809
William Deeble The King's Entrance to the House of Lords, From Poets Corner
Print made by William Deeble, active 1814–1849
The King's Entrance to the House of Lords, From Poets Corner
1829
William Deeble The Parliament House, from Old Palace Yard, Westminster
Print made by William Deeble, active 1814–1849
The Parliament House, from Old Palace Yard, Westminster
1829
unknown artist Destruction of the Houses of Parliament, Oct 16th, 1834, as Seen from Henry VIIth's Chapel
Print made by unknown artist
Destruction of the Houses of Parliament, Oct 16th, 1834, as Seen from Henry VIIth's Chapel
undated
unknown artist Chance. The London Firemen's Dog
Print made by unknown artist
Chance. The London Firemen's Dog
1834
R.C. Roffe Perspective View of the North & East Fronts of the Building Connected with the Houses of Parliament and Courts of Law, &c. &c.
Print made by R.C. Roffe, active in London 1806–1835
Perspective View of the North & East Fronts of the Building Connected with the Houses of Parliament and Courts of Law, &c. &c
1827
unknown artist Ruins of the Houses of Parliament as they Appeared on the Morning after the Conflagration
Print made by unknown artist
Ruins of the Houses of Parliament as they Appeared on the Morning after the Conflagration
1834
R.C. Roffe Perspective View of the North & East Fronts of the Buildings Connected with the Houses of Parliament and Courts of Law &c. &c., and Showing the Alterations Suggested by Colonel Trench
Print made by R.C. Roffe, active in London 1806–1835
Perspective View of the North & East Fronts of the Buildings Connected with the Houses of Parliament and Courts of Law &c. &c., and Showing the Alterations Suggested by Colonel Trench
1827
Thomas Talbot Bury Elevation of the River Front
Print made by Thomas Talbot Bury, 1811–1877
Elevation of the River Front
ca. 1835
John Collins The North Prospect of Westminster Abbey
Print made by John Collins, active ca. 1682
The North Prospect of Westminster Abbey
between 1680 and 1710
R.C. Roffe A View of the Range of Building Adjoining Westminster Hall, and Fronting the River Thames; Including a Space of 750 Feet
Print made by R.C. Roffe, active in London 1806–1835
A View of the Range of Building Adjoining Westminster Hall, and Fronting the River Thames; Including a Space of 750 Feet
1827
George Hawkins View of the East End of Henry VIIth Chapel as Restored in 1813
Print made by George Hawkins, active 1795–1810
View of the East End of Henry VIIth Chapel as Restored in 1813
1814
T. Kearnan New Houses of Parliament, View of the Adopted Design as the Building Would Appear from the Surrey End of Westminster Bridge
Print made by T. Kearnan, active 1821–1850
New Houses of Parliament, View of the Adopted Design as the Building Would Appear from the Surrey End of Westminster Bridge
ca. 1835
Charles J. Hullmandel Henry the Seventh's Chapel, North Side
Print made by Charles J. Hullmandel, 1789–1850
Henry the Seventh's Chapel, North Side
undated
Edward Rooker Henry the Seventh's Chapel
Print made by Edward Rooker, 1724–1774
Henry the Seventh's Chapel
undated
George Barret Jr. Marriage of Henry the seventh
Print made by George Barret Jr., 1767–1842
Marriage of Henry the seventh
1796
unknown artist Henry VII Chapel (Exterior)
Print made by unknown artist
Henry VII Chapel (Exterior)
ca. 1890
William Henry Toms The South-East Prospect of King Henry The VII's Chapel at Westminster
Print made by William Henry Toms, ca. 1700–ca. 1750
The South-East Prospect of King Henry The VII's Chapel at Westminster
1739
John Carter Seats in Henry VII Chapel, Westminster Abbey
Attributed to John Carter, 1748–1817
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
John Phillipps Emslie Houses Adjacent to Westminster Abbey in the Process of Demolition
John Phillipps Emslie, 1839–1913
Houses Adjacent to Westminster Abbey in the Process of Demolition
1896
John Carter North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey
Attributed to John Carter, 1748–1817
North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey
1792
John Carter Door-way in Wall of South Precints of Westminster Abbey
Attributed to John Carter, 1748–1817
Door-way in Wall of South Precints of Westminster Abbey
undated
John Carter South East View of the Towers of the Abbey, &c. from College St. Westminster
John Carter, 1748–1817
South East View of the Towers of the Abbey, &c. from College St. Westminster
1782
unknown artist Section of the House of Commons as it is at Present
unknown artist
Section of the House of Commons as it is at Present
ca. 1800
unknown artist House of Commons Restored Giving Additional Sitting Room for 100 Members
unknown artist
House of Commons Restored Giving Additional Sitting Room for 100 Members
ca. 1800
unknown artist Part of the Front of the Vestibule
Print made by unknown artist
Part of the Front of the Vestibule
1843
Robert William Billings Plate XI: Elevation, Section and Plan, of One Compartment (of Three) of the Screen, St. Stephen's Chapel, Westminster
Print made by Robert William Billings, 1813–1874
Plate XI: Elevation, Section and Plan, of One Compartment (of Three) of the Screen, St. Stephen's Chapel, Westminster
1835
John Carter South View in the Entrance of Porch at West End of St. Stephen's Chapel West
John Carter, 1748–1817
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
John Carter Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
between 1790 and 1802
John Carter Front and Profile of the Work under the Window Sills, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
John Carter Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
James Basire Plate XIII: St Stephen's Chapel
Print made by James Basire, 1730–1802
Plate XIII: St Stephen's Chapel
1795
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
John Thomas Smith Cotton Garden, Westminster
Print made by John Thomas Smith, 1766–1833
Cotton Garden, Westminster
1804
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
Robert William Billings Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster
Print made by Robert William Billings, 1813–1874
Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster
1836
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780