Associated Places: Europe / Work Type: intaglio print / Width [cm]: 44

Print made by David Lucas, 1802–1881

A Lock on the Stour, Suffolk

1831

Print made by Thomas Girtin, 1775–1802

Views of the Pantheon, taken from the Arsenal

1803

Sir Francis Seymour Haden, 1818–1910

On the Thames

1859

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1811-1812

Print made by Robert Wallis, 1794–1878

St. Germain-en-Laye

1828-1837

Print made by Thomas Jeavons, ca. 1800–1867

Lillebonne, Château and Tower

1834

Print made by John Cousen, 1804–1880

Honfleur

1834

Print made by James Charles Armytage, 1802–1897

Confluence of the Seine and Marne

1835

Print made by John Cousen, 1804–1880

Harfleur

1834

Print made by James Tibbits Willmore, 1800–1863

Pont de l'Arche

1835

Print made by James C. Allen, active 1821–1831

Ehrenbreitstein

1824

Print made by James C. Allen, active 1821–1831

The Custom House

1827

Print made by David Lucas, 1802–1881

Autumnal Sunset

1831

Print made by David Lucas, 1802–1881

Noon

1830

Print made by David Lucas, 1802–1881

Yarmouth, Norfolk

1832

Print made by David Lucas, 1802–1881

Summer Afternoon, After a Shower

1831

Print made by David Lucas, 1802–1881

Vignette, Hampstead Heath, Middlesex

1831

Print made by David Lucas, 1802–1881

The Glebe Farm

1832

Print made by David Lucas, 1802–1881

Spring

1829 to 1830

Thomas Girtin, 1775–1802

View of the Pantheon from the Arsenal

1802

Robert Havell, 1769–1832

Crofton Hall, Yorkshire

1813

Print made by Henry Hulsberg, active 1700s–died 1729

Cobham Hall, Kent: The Elevation of Cobham Hall in Kent

1715 to 1725

Thomas Girtin, 1775–1802

View of the Pantheon, Paris

1802

William Hincks, 1752–1797

Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing

1791

Print made by David Lucas, 1802–1881

A Heath

1831

Print made by David Lucas, 1802–1881

Old Sarum

1830

Print made by David Lucas, 1802–1881

A Summerland

1831

Print made by Thomas Girtin, 1775–1802

View of the Pantheon taken from the Arsenal

1803

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1812

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1811-1812

Print made by William Bernard Cooke, 1778–1855

Dartmouth, Devon

1814

Print made by William Bernard Cooke, 1778–1855

Plymouth Dock, from Mount Edgecumbe

1816

Print made by William Bernard Cooke, 1778–1855

East & West Looe, Cornwall

1818

Print made by William Bernard Cooke, 1778–1855

Fowey, Cornwall

1820

Print made by William Bernard Cooke, 1778–1855

Minehead, Somersetshire

1820

Print made by William Bernard Cooke, 1778–1855

Margate

1823

Print made by William Miller, 1796–1882

Coombe-Martin, Devonshire

1814 to 1826

Print made by William Miller, 1796–1882

Portsmouth, Hampshire

1825

Print made by Robert Wallis, 1794–1878

Folkstone, Kent

1825

Print made by William Bernard Cooke, 1778–1855

Lyme Regis

1814

Print made by William Bernard Cooke, 1778–1855

Margate

1822

Print made by James C. Allen, active 1821–1831

St. Mawes, Cornwall

1814 to 1826

Print made by John Pye, 1782–1874

The Rialto, Venice

1818-1820

Print made by James C. Allen, active 1821–1831

Addingham Mill on the Warfe

1821

Print made by William Bernard Cooke, 1778–1855

Plymouth, with Mount Batten

1817

Print made by George Cooke, 1781–1834

Pendennis Castle, and Entrance of Falmouth Harbour

1814-1826

Print made by William Bernard Cooke, 1778–1855

Margate

1823

Print made by William Miller, 1796–1882

Coombe-Martin, Devonshire

1814 to 1826

Print made by John Pye, 1782–1874

The Rialto, Venice

1818-1820

Print made by Samuel Middiman, ca. 1750–1831

Bridge at Narni

1818-1820

Print made by Samuel Rawle, 1771–1860

Florence, from the Ponte alla Carria

1818-1820

Print made by George Cooke, 1781–1834

Pendennis Castle and Entrance of Falmouth Harbour

1814 to 1826

Print made by William Bernard Cooke, 1778–1855

Plymouth, from Mount Batten

1817

Print made by William Bernard Cooke, 1778–1855

Minehead, Somersetshire

1820

Thomas Girtin, 1775–1802

A View of the Pont de la Tournelle and Notre Dame Taken From the Arsenal

1802

Print made by William Radclyffe, 1780–1855

Bridge of St. Cloud & Sevres

1835

Print made by Robert Wallis, 1794–1878

Tours - looking backwards

1833

Print made by John Cousen, 1804–1880

Harfleur

1834

Print made by James Charles Armytage, 1802–1897

Jumièges

1834

Print made by James Charles Armytage, 1802–1897

Jumièges

1834

Print made by Robert Brandard, 1805–1862

Quilleboeuf

1834

Print made by John Cousen, 1804–1880

Honfleur

1834

Print made by John Cousen, 1804–1880

Bridge of Meulan

1835

Print made by James Baylis Allen, 1803–1876

St. Germains

1834

Print made by James Tibbits Willmore, 1800–1863

Paris from the Barriere de Passy

1835

Print made by James Charles Armytage, 1802–1897

Confluence of the Seine and Marne

1835

Print made by W. R. Smith, active 1819–1851

Amboise

1833

Print made by James Baylis Allen, 1803–1876

Château of Amboise

1833

Print made by Thomas Jeavons, ca. 1800–1867

Canal of the Loire and Cher, near Tours

1833

Print made by W. R. Smith, active 1819–1851

Amboise

1833

Print made by Robert Wallis, 1794–1878

Tours - looking backwards

1833

Print made by Thomas Jeavons, ca. 1800–1867

Lillebonne, Château and Tower

1834

Print made by Robert Brandard, 1805–1862

Château de la Mailleraie

1834

Sir Francis Seymour Haden, 1818–1910

Sawley Abbey

1873

Robert Havell, 1769–1832

Crofton

1813

Thomas Girtin, 1775–1802

View of Thuilleries and Bridge taken from the Quay d'Orsai

1802

Thomas Girtin, 1775–1802

View of Pont de la Tournelle and Notre Dame taken from the Arsenal

1802

Thomas Girtin, 1775–1802

View of the Pantheon taken from the Arsenal

1802

Thomas Girtin, 1775–1802

View of the Pantheon taken from the Arsenal

1803

Thomas Girtin, 1775–1802

View of Pont de la Tournelle and Notre Dame taken from the Arsenal

1802

Robert Havell, 1769–1832

Crofton Hall, Yorkshire

1813

Robert Havell, 1769–1832

Crofton

1813

Print made by unknown artist

The Obelisk in the Garden at Versailles

between 1740 and 1757

Print made by John Fullwood, 1854–1931

Laleham Meadows near Littleton

undated

Print made by Edward Bouverie-Hoyton, active 1930

Devon Coast

1920s

William Lee Hankey, 1869–1952

British General Headquarters at Montreuil

1917

Sir William Russell Flint, 1880–1969

Her New Heir, Stokesay

1930

Sir William Russell Flint, 1880–1969

Amazons on a Breton Beach

1931

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Work Type intaglio print

Width [cm] 44

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Associated Places Europe

Work Type intaglio print

Width [cm] 44

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