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PLATE XXVIII. St Stephen's Chapel, East Front, Westminster
Creator:
Print made by John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Line engraving proof on moderately thick, smooth, white wove paper
Dimensions:
Sheet: 7 3/8 × 5 5/16 inches (18.8 × 13.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1781
Materials & Techniques:
Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:
Sheet: 5 3/4 × 4 1/2 inches (14.6 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Details of the Screen of Entrance Porch, St Stephen's Chapel
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 1/2 × 4 1/8 inches (44.5 × 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Capitals, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 13/16 × 4 1/8 inches (14.8 × 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster
Creator:
Print made by Robert William Billings, 1813–1874
Date:
1836
Materials & Techniques:
Line engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 3/4 × 4 3/8 inches (19.7 × 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Marriage of Henry the seventh
Creator:
Print made by George Barret Jr., 1767–1842
Date:
1796
Materials & Techniques:
Line engraving on slightly textured, medium, white wove paper
Dimensions:
Sheet: 4 1/8 × 4 15/16 inches (10.5 × 12.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Impost and Base of Columns, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/4 × 4 3/16 inches (18.4 × 10.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Details of Imposts and Bases of Columns, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/16 × 4 1/8 inches (15.4 × 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1780
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 11/16 × 4 1/8 inches (14.4 × 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ruins of St Stephen's Chapel, Seen from the Roof of Westminster Hall
Creator:
Print made by Robert William Billings, 1813–1874
Date:
1835
Materials & Techniques:
Line engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 7 13/16 × 5 inches (19.8 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate XXXIX: House of Commons as Fitted Up in 1835
Creator:
Print made by unknown artist
Date:
ca. 1836
Materials & Techniques:
Line engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 7 1/2 × 5 1/4 inches (19.1 × 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Staircase at Southeast Angle, Painted Chamber, Westminster
Creator:
Print made by unknown artist
Date:
1835
Materials & Techniques:
Line engraving on slightly textured, moderately thick, whtie wove paper
Dimensions:
Sheet: 8 × 5 1/8 inches (20.3 × 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cave of the Golden Calf: Kneeling Figures
Creator:
Spencer Frederick Gore, 1878–1914
Date:
1912
Materials & Techniques:
Watercolor, pen and black ink and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 3 1/2 x 4 1/4 inches (8.9 x 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frederick Gore
Private View of the Royal Academy
Creator:
William Payne, active 1850s
Date:
1858
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 3/4 × 4 1/8 inches (9.5 × 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite and watercolor on slightly textured, medium, white wove paper
Dimensions:
Sheet: 4 1/4 × 3 1/8 inches (10.8 × 7.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection