Genre: religious and mythological subject / Subject Terms: execution - YCBA Collections Search Search Results

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Genre religious and mythological subject

Subject Terms execution

1. Deposition

Creator:: Sir Stanley Spencer, 1891–1959
Date:: 1910
Materials & Techniques:: Watercolor, pen and black ink, and graphite, with scraping out on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 14 5/16 x 9 3/4 inches (36.4 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

2. The Stoning of St. Stephen

The Stoning of St. Stephen

Creator:: Imitator of John Michael Rysbrack, 1694–1770
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash and white gouache on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 12 1/2 × 20 1/8 inches (31.8 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. The Great Executioner

The Great Executioner

Creator:: Print made by Prince Rupert, 1619–1682
Date:: 1658
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 25 1/8 × 17 1/2 inches (63.8 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

4. Head of St. John Baptist on a Charger

Head of St. John Baptist on a Charger

Creator:: Print made by Theodore Casper von Furstenberg, ca. 1615–1675
Date:: ca. 1656
Materials & Techniques:: Mezzotint and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/8 × 18 1/4 inches (35.9 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

5. Judith with Head of Holofernes

Judith with Head of Holofernes

Creator:: Print made by Wallerant Vaillant, 1623–1677
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 16 11/16 × 10 5/16 inches (42.4 × 26.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund