'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
2
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
1797
3
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
4
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
5
Print made by William Blake, 1757–1827
Frontispiece, The Ancient of Days (Plate 1)
1794
6
Print made by William Blake, 1757–1827
Title Page, Europe a Prophecy (Plate 2)
1794
7
Print made by William Blake, 1757–1827
Preludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3)
1794
8
Print made by William Blake, 1757–1827
"Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)
1794
9
Print made by William Blake, 1757–1827
"Shot from the heights of Enitharmon..." (Plate 17)
1794
10
Print made by William Blake, 1757–1827
"Now comes the night of Enitharmons joy!..." (Plate 7)
1794
11
Print made by William Blake, 1757–1827
"In thoughts perturb'd they rose..." (Plate 11)
1794
12
Print made by William Blake, 1757–1827
"Albions Angel rose upon the Stone of Night..." (Plate 12)
1794
13
Print made by William Blake, 1757–1827
"And the clouds & fires pale rolld round in the night of Enitharmon"... (Plate 14)
1794
14
Print made by William Blake, 1757–1827
"The shrill winds wake!..." (Plate 6)
1794
15
Print made by William Blake, 1757–1827
Famine (Plate 8)
1794
16
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
17
Print made by William Blake, 1757–1827
"Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)
1794
18
Print made by William Blake, 1757–1827
Plague (Plate 13)
1794
19
Print made by William Blake, 1757–1827
"The red limb'd Angel siez'd in horror and torment..." (Plate 15)
1794
20
Print made by William Blake, 1757–1827
"Arise 'O Rintrah eldest born..." (Plate 9)
1794
21
Print made by William Blake, 1757–1827
A Prophecy. "The deep of winter came..." (Plate 5)
1794
22
Print made by William Blake, 1757–1827
"Enitharmon slept. ..." (Plate 10)
1794
23
Print made by Valentine Green, 1739–1813
Cupid and Psyche
1784
24
Print made by Johann Lorenz Haid, 1702–1750
S. Philippus
early 1750s
25
Print made by Johann Lorenz Haid, 1702–1750
S. Matthaeus
early 1750s
26
Print made by Johann Lorenz Haid, 1702–1750
S. Jacobus Minor
early 1750s
27
Print made by Johann Lorenz Haid, 1702–1750
S. Matthias
undated
28
Print made by Johann Lorenz Haid, 1702–1750
S. Petrus
early 1750s
29
Print made by Johann Lorenz Haid, 1702–1750
S. Andreas
early 1750s
30
Charles Spooner, c.1720–1767
Lady Selina Hastings
ca. 1759
31
Edward Fisher, 1722–1785
Lord Archbishop of Canterbury
1769
32
James McArdell, ca. 1729–1765
Thomas Secker, Lord Bishop of Oxford
1747
33
John Smith, the mezzotinter, 1652–1743
Henricus Sacheverell
1710
34
Richard Houston, ca. 1721–1775
Richard Robinson, Bishop of Kildare
1764
35
Print made by Johann Lorenz Haid, 1702–1750
Manna maria est quia est subtilis et splendida suavis et virgo, quae veluti coelitus veniens, cunctis ecclesiaru populis cibum dulciorem melle defluxis
undated
36
Print made by Richard Earlom, 1743–1822
Virgin and Child
1776
37
Print made by John Greenwood, 1727–1792
Venus and Cupid
ca. 1768
38
Print made by John Dean, 1754–1798
Cupid in the Character of a Link Boy
1777
39
Print made by William Say, 1768–1834
The Ecstasy of St. Francis
1809
40
Print made by Thomas Cheesman, 1760–1834/35
Marchioness of Townshend and Child
1792
41
unknown artist
Classical Scene: Minerva as the Goddess of Arts and Sciences
undated
42
Francesco Bartolozzi, 1728–1815
Reverend Hugh Blair, D.D
1801
43
Print made by Sir Frank William Brangwyn, 1867–1956
The Headless Christ
1910
44
James Barry, 1741–1806
Study of Hercules for 'Crowning the Victors at Olympia'