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The Battle of Trafalgar
Creator:
John Christian Schetky, 1778–1874
Date:
ca. 1841
Materials & Techniques:
Oil on canvas
Dimensions:
33 1/4 x 48 1/2 inches (84.5 x 123.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Vice Admiral Sir George Anson's Victory off Cape Finisterre
Creator:
Samuel Scott, 1701/2–1772
Date:
1749
Materials & Techniques:
Oil on canvas
Dimensions:
40 x 71 inches (101.6 x 180.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Port Mahon, Minorca with British Men-of-War at Anchor
Creator:
John Thomas Serres, 1759–1825
Date:
ca. 1795
Materials & Techniques:
Oil on canvas
Dimensions:
20 3/8 x 30 1/4 inches (51.8 x 76.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Ranger, Private Ship of War, with her Prizes
Creator:
Nicholas Pocock, 1740–1821
Date:
1780
Materials & Techniques:
Pen and black ink over graphite with gray wash on moderately thick, moderately textured, cream laid paper mounted on thick, slightly textured cream wove paper
Dimensions:
Mount: 18 1/8 x 23 3/4 inches (46 x 60.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Gibraltar
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1832-1834
Materials & Techniques:
Etching and line engraving; first published state, engraver's proof on moderately thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/4 × 16 13/16 inches (29.8 × 42.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Gibraltar
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1832-1834
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/16 × 17 1/4 inches (30.6 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection