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Genre literary theme

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Associated People Mistress Ford (character in The Merry Wives of Windsor)

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Falstaff at Herne's Oak, from "The Merry Wives of Windsor," Act V, Scene v
Creator:
James Stephanoff, 1787–1874
Date:
1832
Materials & Techniques:
Oil on panel
Dimensions:
17 1/2 x 14 5/8 inches (44.5 x 37.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view
Herne's Oak from 'The Merry Wives of Windsor,' V, v
Creator:
George Cruikshank, 1792–1878
Date:
ca. 1857
Materials & Techniques:
Oil on canvas
Dimensions:
36 x 48 inches (91.4 x 121.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view
Apotheosis of Shakespeare's Characters
Creator:
Sir John Gilbert, 1817–1897
Date:
1871
Materials & Techniques:
Watercolor, gouache, pen and black ink, and graphite on thick, slightly textured, cream wove paper mounted on wood panel
Dimensions:
Sheet: 41 x 28 inches (104.1 x 71.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Falstaff and his Friends
Creator:
William Greatbach, Born 1802
Date:
ca. 1868
Materials & Techniques:
Etching and stipple engraving on moderately thick, smooth, cream card
Dimensions:
Sheet: 8 7/8 × 11 inches (22.5 × 28 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Falstaff Disguised as Herne
Creator:
John Massey Wright, 1777–1866
Date:
undated
Materials & Techniques:
Brown wash and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 x 10 3/16 inches (28.9 x 25.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Margaret Woffington as Mrs. Ford in "The Merry Wives of Windsor"
Creator:
Print made by John Faber the Younger, ca. 1695–1756
Date:
1751
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund