David Garrick and George Anne Bellamy in "Romeo and Juliet", Act V, Scene iii
1753
Not on view
3
James Stephanoff, 1787–1874
Falstaff at Herne's Oak, from "The Merry Wives of Windsor," Act V, Scene v
1832
Not on view
4
Robert Smirke, 1752–1845
The Seven Ages of Man: The Lover, 'As You Like It,' II, vii
between 1798 and 1801
Not on view
5
Pieter van Bleeck, 1700–1764
Susannah Maria Cibber (née Arne) as Cordelia
ca. 1755
Not on view
6
George Cruikshank, 1792–1878
Herne's Oak from 'The Merry Wives of Windsor,' V, v
ca. 1857
Not on view
7
Francis Danby, 1793–1861
Oberon and Titania
1837
8
Print made by Samuel Palmer, 1805–1881
The Bellman
1879
9
Print made by Samuel Palmer, 1805–1881
The Bellman
1879
10
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
11
Print made by Samuel Palmer, 1805–1881
The Cypress Grove
plate etched between ca. 1880 and 1883; impression printed in 1924
12
Print made by Samuel Palmer, 1805–1881
The Homeward Star
begun ca. 1880
13
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
14
Print made by Samuel Palmer, 1805–1881
The Lonely Tower
1879
15
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
16
Print made by Samuel Palmer, 1805–1881
The Sepulchre
etching begun ca. 1800; impression printed in 1924
17
Print made by Samuel Palmer, 1805–1881
The Lonely Tower
1879
18
Print made by Samuel Palmer, 1805–1881
The Sepulchre
between 1880 and 1883
19
Print made by William Blake, 1757–1827
"Help! Help!" (Plate 12)
1826
20
Print made by William Blake, 1757–1827
Chapter V, "Thus the Eternal Prophet was divided..." (Plate 20)
1794
21
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 28 (Bentley 27)
1794
22
Print made by William Blake, 1757–1827
"I want! I want!" (Plate 11)
1826
23
Print made by William Blake, 1757–1827
"I have said to the Worm: Thou art my mother & my sister" (Plate 18)
1826
24
Print made by William Blake, 1757–1827
Urizen (Plate 21)
1794
25
Print made by William Blake, 1757–1827
'Swift on His Downy Pinion Flies from Woe' (Page 1)
ca. 1797
26
Print made by William Blake, 1757–1827
Chapter V, "Thus the Eternal Prophet was divided..." (Plate 13)
1794
27
Print made by William Blake, 1757–1827
Jerusalem, Tailpiece (Plate 100)
1804 to 1820
28
William Blake, 1757–1827
"To chase the rolling circle's speed..." (Design 17)
between 1797 and 1798
29
Print made by William Blake, 1757–1827
Chapter 4 Frontispiece (Plate 76)
1804 to 1820
30
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
1804 to 1820
31
William Blake, 1757–1827
Fame (Design 93)
between 1797 and 1798
32
William Blake, 1757–1827
"Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
between 1797 and 1798
33
Print made by William Blake, 1757–1827
"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
1804 to 1820
34
Print made by William Blake, 1757–1827
"Now comes the night of Enitharmons joy!..." (Plate 7)
1794
35
Print made by William Blake, 1757–1827
Air (Plate 6)
1826
36
Print made by William Blake, 1757–1827
"Then all the Males conjoined into One Male..." (Plate 69)
1804 to 1820
37
Print made by William Blake, 1757–1827
"Awake! Awake Jerusalem..." (Plate 97)
1804 to 1820
38
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
39
William Blake, 1757–1827
"Nor fear the rocks, nor seek the shore..." (Design 101)
between 1797 and 1798
40
Print made by William Blake, 1757–1827
"What have I said? What have I done?..." (Plate 24)
1804 to 1820
41
Print made by William Blake, 1757–1827
"Rose up against me thundering..." (Plate 8)
1804 to 1820
42
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
43
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
44
James Gillray, 1756–1815
Sophia, Honour, and the Chambermaid
1780
45
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
1745
46
Print made by James H. Baker, born 1829
Come Gentle Night: "Romeo and Juliet," Act III, Scene II
between 1839 and 1849
47
Print made by Charles Ansell, ca.1752–active 1790
Hamlet
1809
48
Print made by Henry Le Keux, 1787–1868
St. Herbert's Chapel
1834
49
Simon François Ravenet, 1706–1774
Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet
1753
50
Print made by imitator of George Baxter, 1804–1867
Little Red Riding Hood
after 1856
51
George Fennell Robson, 1788–1833
Macbeth and Banquo on the Heath
ca. 1830
52
Keith Vaughan, 1912–1977
Faim, Soif, Cris, Danse, Danse, Danse
1949
53
Henry Thomas Alken, 1785–1851
An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
1842
54
Print made by George Cruikshank, 1792–1878
Jack Sheppard's Escape from the Cage at Willesden
1839
55
Print made by George Cruikshank, 1792–1878
Jack Sheppard Tricking Shotbolt, the Gaoler
1839
56
Print made by George Cruikshank, 1792–1878
The Murder on the Thames
1839
57
Print made by George Cruikshank, 1792–1878
Jonathan Wild Seizing Jack Sheppard at his Mother's Grave in Willesden Church Yard
1839
58
Print made by George Cruikshank, 1792–1878
Jonathan Wild Throwing Sir Rowland Trenchard Down the Well-Hole