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1
- Falstaff at Herne's Oak, from "The Merry Wives of Windsor," Act V, Scene v
- 1832
- Not on view
2
- Virgil's Tomb by Moonlight, with Silius Italicus
- 1779
- Not on view
3
- David Garrick and Hannah Pritchard (née Vaughan) in Benjamin Hoadly's "The Suspicious Husband"
- 1747
- Not on view
4
- Portia and Shylock, from Shakespeare's "The Merchant of Venice", IV, i
- ca. 1778
- Not on view
5
- Prospero, Miranda and Ariel, from "The Tempest"
- ca. 1780
- Not on view
6
- The Seven Ages of Man: The Infant, 'As You Like It,' II, vii
- between 1798 and 1801
- Not on view
7
- The Seven Ages of Man: Second Childishness, 'As You Like It,' II, vii
- between 1798 and 1801
- Not on view
8
- Master Betty as Hamlet, before a Bust of Shakespeare
- between 1804 and 1806
- Not on view
9
- Shylock and Jessica from the 'Merchant of Venice,' II, ii
- 1830
- Not on view
10
- Prospero, Miranda and Ariel, from "The Tempest," Act I, scene ii
- ca. 1799
- Not on view
11
- Jaques and the Wounded Stag: 'As You Like It,' Act II, Scene I
- 1790
- Not on view
12
- Henry Woodward as Petruchio in Catherine and Petruchio, a version by Garrick of "The Taming of the Shrew"
- between 1773 and 1774
- Not on view
13
- The Seven Ages of Man: The Lover, 'As You Like It,' II, vii
- between 1798 and 1801
- Not on view
14
- Children Acting the 'Play Scene' from "Hamlet," Act II, Scene ii
- 1863
- Not on view
15
- David Garrick and George Anne Bellamy in "Romeo and Juliet", Act V, Scene iii
- 1753
- Not on view
16
- The Taming of the Shrew
- ca. 1937
- Not on view
17
- Louis-Francois Roubiliac Modelling His Monument to Shakespeare
- between 1760 and 1761
- Not on view
18
- A Knight and Page (from Johann Wolfgang von Goethe’s “Götz von Berlichingen” )
- ca. 1826
- Not on view
19
- Dr. Syntax: Walking with a Stick
- ca. 1810
- Not on view
20
- Dr. Syntax: Losing His Temper
- ca. 1810
- Not on view
21
- Oberon and Titania
- 1837
22
- Apuleia in Search of Apuleius
- between 1813 and 1823
23
- Procris and Cephalus
- 1812
24
- Lear Awakened by Cordelia
- between 1774 and 1775
25
- Prospero and Miranda
- ca. 1787
26
- Lear Awakened by Cordelia
- ca. 1774
27
- The Abandonment and Rescue of Perdita from "The Winter's Tale"
- undated
28
- John Henderson as Falstaff
- 1780
29
- A Shepherd Reading the Epitaph (Design 115)
- between 1797 and 1798
30
- Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)
- between 1797 and 1798
31
- "Her Henry's holy shade..." (Design 15)
- between 1797 and 1798
32
- "Where shaggy forms o'er ice-built mountains roam..." (Design 47)
- between 1797 and 1798
33
- A Welch Bard (Design 53)
- between 1797 and 1798
34
- "Cytherea's Day..." (Design 45)
- between 1797 and 1798
35
- "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
- between 1797 and 1798
36
- A Widower and Children (Design 35)
- between 1797 and 1798
37
- The Bard Weaving Edwards Fate (Design 55)
- between 1797 and 1798
38
- "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
- between 1797 and 1798
39
- Sigtryg with the Silken Beard (Design 69)
- between 1797 and 1798
40
- "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
- between 1797 and 1798
41
- 'Emblem of that which shall awake the dead' (Page 19)
- 1797
42
- 'We censure nature for a span too short' (Page 23)
- 1797
43
- 'Time, in advance, behind him hides his wings' (Page 24)
- 1797
44
- 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
- 1797
45
- 'If angels tremble, 'tis at such a sight' (Page 93)
- 1797
46
- The Author Writing (Design 105)
- between 1797 and 1798
47
- "A brace of warriors... rustling in their silks and tissues..."(Design 27)
- between 1797 and 1798
48
- 'Oft bursts my song beyond the bounds of life' (Page 16)
- 1797
49
- 'Measuring his motions by revolving spheres' (Page 26)
- 1797
50
- 'Like that, the dial speaks; and points to thee' (Page 33)
- 1797
51
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- 1797
52
- 'The thunder, if in that the Almighty dwells' (Page 80)
- 1797
53
- 'His hand the good man fastens on the skies' (Page 86)
- 1797
54
- Title Page, The Pindaric Genius Receiving His Lyre (Design 1)
- between 1797 and 1798
55
- "Nor fear the rocks, nor seek the shore..." (Design 101)
- between 1797 and 1798
56
- "Him the dog of darkness spied..." (Design 79)
- between 1797 and 1798
57
- "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
- between 1797 and 1798
58
- Songs of Innocence, Frontispiece (Plate 1)
- 1789
59
- I. "Man cannot naturally Percieve..."(Plate 3)
- ca. 1788
60
- Chapter 4 Frontispiece (Plate 76)
- 1804 to 1820
61
- 'Teaching, we learn; and giving, we retain' (Page 35)
- 1797
62
- 'As if the sun could envy, check'd his beam' (Page 49)
- 1797
63
- 'This King of Terrors is the Prince of Peace' (Page 63)
- 1797
64
- The Mourner at the Tomb (Design 103)
- between 1797 and 1798
65
- "Oft did the harvest to their sickle yield..." (Design 109)
- between 1797 and 1798
66
- The Purple Year awaking from the Roots of Nature (Design 3)
- between 1797 and 1798
67
- "And purple tyrants vainly groan..." (Design 37)
- between 1797 and 1798
68
- "My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
- between 1797 and 1798
69
- The Beginning of Poesy. The Blind Begging Bard (Design 41)
- between 1797 and 1798
70
- "Hie thee hence, and boast at home..." (Design 85)
- between 1797 and 1798
71
- Ferdinand Riding the Waves
- ca. 1830
72
- Faust and Margaret
- undated
73
- Robert Blair, The Grave, Title Page
- 1808, published 1813
74
- The Reunion of the Soul & the Body
- 1808, published 1813
75
- Isaac Watts
- undated
76
- Here Nature List'ning Stood
- 1795
77
- Kitty Clive as Lady Easy in "The Careless Husband"
- 1739
78
- Diana and Acteon
- undated
79
- Venus and Adonis
- ca. 1690
80
- Venus and Adonis
- undated
81
- Macbeth and the Witches
- between 1777 and 1778
82
- The Death of Cordelia
- undated
83
- Lysander Awakening to See Helena
- 1825
84
- Studies for Shylock
- 1825
85
- Scene from the play, "The Careless Husband"
- undated
86
- Study for "Gulliver's Travels"
- undated
87
- Launce with his Dog Crab
- ca. 1821
88
- Katherina and Grumio
- 1821
89
- Sleepest or Wakest Thou?
- ca. 1853
90
- Procris and Cephalus
- 1864
91
- St. Julienne's Chapel
- 1834
92
- Rinaldo and Armida
- 1775
93
- The Captive
- 1781
94
- Gadshill
- 1796
95
- 'Henry IV, Part I,' Act II, Scene IV
- undated
96
- 'Henry IV, Part I,' Act II, Scene III
- undated
97
- Lovelace in Prison
- 1788
98
- Malvolio: Possibly a Self-Portrait in the Role
- undated
99
- A Great Actor between Tragedy and Comedy
- 1834
100
- Christ Descending into the Grave
- 1808, published 1813