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1. Chapter II, "Muster around the bleak desarts..." (Plate 6)

Chapter II, "Muster around the bleak desarts..." (Plate 6)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Illustration to Tonson's Ovid Metamorphosis (three of four)

Illustration to Tonson's Ovid Metamorphosis (three of four)
Creator:
unknown artist
Date:
ca. 1710
Materials & Techniques:
Pen and black ink, and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/8 × 8 1/2 inches (35.9 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Head of a Man with a Beard and Long Hair in the Wind

Head of a Man with a Beard and Long Hair in the Wind
Creator:
Samuel De Wilde, 1748–1832
Date:
1786
Materials & Techniques:
Graphite with black ink and brown wash, verso: pen and brown ink and graphite on moderately thick, moderately textured, light blue laid paper
Dimensions:
Sheet: 6 5/8 × 5 5/8 inches (16.8 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The Little Executioner

The Little Executioner
Creator:
Print made by Prince Rupert, 1619–1682
Date:
ca. 1662
Materials & Techniques:
Mezzotint on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 6 × 6 3/4 inches (15.2 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

5. The Great Executioner

The Great Executioner
Creator:
Print made by Prince Rupert, 1619–1682
Date:
1658
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 25 1/8 × 17 1/2 inches (63.8 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

6. John Henderson as Iago

John Henderson as Iago
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
before 1786
Materials & Techniques:
Stipple engraving on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 15/16 × 8 7/16 inches (27.8 × 21.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. The Apparition of the Armed Head: Macbeth

The Apparition of the Armed Head: Macbeth
Creator:
Mary Hoare, 1744–1820
Date:
ca. 1781
Materials & Techniques:
Watercolor, pen and black ink, and graphite, with scraping on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:
Mount: 16 × 13 inches (40.6 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Macbeth and the Apparition of the Armed Head

Macbeth and the Apparition of the Armed Head
Creator:
William Marshall Craig, 1763 or 1764–1829
Date:
ca. 1820
Materials & Techniques:
Brown ink with gray wash and watercolor over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 1/16 × 8 15/16 inches (28.1 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund