Henry Woodward as Petruchio in Catherine and Petruchio, a version by Garrick of "The Taming of the Shrew"
between 1773 and 1774
Not on view
3
unknown artist
Prospero, Miranda and Ariel, from "The Tempest"
ca. 1780
Not on view
4
Robert Smirke, 1752–1845
The Seven Ages of Man: The Infant, 'As You Like It,' II, vii
between 1798 and 1801
Not on view
5
Robert Smirke, 1752–1845
The Seven Ages of Man: Second Childishness, 'As You Like It,' II, vii
between 1798 and 1801
Not on view
6
Robert Smirke, 1752–1845
The Seven Ages of Man: The Lover, 'As You Like It,' II, vii
between 1798 and 1801
Not on view
7
Gilbert Stuart Newton, 1794–1835
Shylock and Jessica from the 'Merchant of Venice,' II, ii
1830
Not on view
8
Charles Hunt, 1803–1877
Children Acting the 'Play Scene' from "Hamlet," Act II, Scene ii
1863
Not on view
9
James Northcote, 1746–1831
Master Betty as Hamlet, before a Bust of Shakespeare
between 1804 and 1806
Not on view
10
Landscape by William Hodges, 1744–1797
Jaques and the Wounded Stag: 'As You Like It,' Act II, Scene I
1790
Not on view
11
Benjamin Wilson, 1721–1788
David Garrick and George Anne Bellamy in "Romeo and Juliet", Act V, Scene iii
1753
Not on view
12
Thomas Stothard, 1755–1834
Prospero, Miranda and Ariel, from "The Tempest," Act I, scene ii
ca. 1799
Not on view
13
James Stephanoff, 1787–1874
Falstaff at Herne's Oak, from "The Merry Wives of Windsor," Act V, Scene v
1832
Not on view
14
Edward Alcock, active 1750–ca. 1778
Portia and Shylock, from Shakespeare's "The Merchant of Venice", IV, i
ca. 1778
Not on view
15
Richard Parkes Bonington, 1802–1828
A Knight and Page (from Johann Wolfgang von Goethe’s “Götz von Berlichingen” )
ca. 1826
Not on view
16
Adrien Carpentiers, active 1739–1778
Louis-Francois Roubiliac Modelling His Monument to Shakespeare
between 1760 and 1761
Not on view
17
unknown artist
Dr. Syntax: Walking with a Stick
ca. 1810
Not on view
18
Derby porcelain factory, founded 1756
Dr. Syntax: Losing His Temper
ca. 1810
Not on view
19
Francis Danby, 1793–1861
Oberon and Titania
1837
20
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
21
Etched by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
22
William Blake, 1757–1827
The Beginning of Poesy. The Blind Begging Bard (Design 41)
between 1797 and 1798
23
William Blake, 1757–1827
"Where shaggy forms o'er ice-built mountains roam..." (Design 47)
between 1797 and 1798
24
William Blake, 1757–1827
"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
between 1797 and 1798
25
William Blake, 1757–1827
"Cytherea's Day..." (Design 45)
between 1797 and 1798
26
William Blake, 1757–1827
A Welch Bard (Design 53)
between 1797 and 1798
27
William Blake, 1757–1827
The Bard Weaving Edwards Fate (Design 55)
between 1797 and 1798
28
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
29
William Blake, 1757–1827
"Him the dog of darkness spied..." (Design 79)
between 1797 and 1798
30
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
31
William Blake, 1757–1827
"Hie thee hence, and boast at home..." (Design 85)
between 1797 and 1798
32
William Blake, 1757–1827
"Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
between 1797 and 1798
33
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
34
William Blake, 1757–1827
Sigtryg with the Silken Beard (Design 69)
between 1797 and 1798
35
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
36
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
37
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
38
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
39
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
40
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
41
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
42
William Blake, 1757–1827
"A brace of warriors... rustling in their silks and tissues..."(Design 27)
between 1797 and 1798
43
William Blake, 1757–1827
A Widower and Children (Design 35)
between 1797 and 1798
44
William Blake, 1757–1827
"And purple tyrants vainly groan..." (Design 37)
between 1797 and 1798
45
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
46
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
47
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
1797
48
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
49
William Blake, 1757–1827
"Nor fear the rocks, nor seek the shore..." (Design 101)
between 1797 and 1798
50
William Blake, 1757–1827
The Mourner at the Tomb (Design 103)
between 1797 and 1798
51
William Blake, 1757–1827
The Author Writing (Design 105)
between 1797 and 1798
52
William Blake, 1757–1827
"Oft did the harvest to their sickle yield..." (Design 109)
between 1797 and 1798
53
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
54
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
55
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
56
William Blake, 1757–1827
Title Page, The Pindaric Genius Receiving His Lyre (Design 1)
between 1797 and 1798
57
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
58
William Blake, 1757–1827
Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)
between 1797 and 1798
59
William Blake, 1757–1827
"Her Henry's holy shade..." (Design 15)
between 1797 and 1798
60
Print made by William Blake, 1757–1827
I. "Man cannot naturally Percieve..."(Plate 3)
ca. 1788
61
Print made by William Blake, 1757–1827
Chapter 4 Frontispiece (Plate 76)
1804 to 1820
62
William Blake, 1757–1827
The Purple Year awaking from the Roots of Nature (Design 3)
between 1797 and 1798
63
William Blake, 1757–1827
"My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
between 1797 and 1798
64
George Romney, 1734–1802
Prospero and Miranda
ca. 1787
65
George Romney, 1734–1802
Lear Awakened by Cordelia
ca. 1774
66
George Romney, 1734–1802
Lear Awakened by Cordelia
between 1774 and 1775
67
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
68
George Romney, 1734–1802
John Henderson as Falstaff
1780
69
Philippe-Jacques de Loutherbourg, 1740–1812
Thomas Weston as Spy in Bates "The Rival Candidates"
undated
70
John Boyne, ca. 1750–1810
Malvolio: Possibly a Self-Portrait in the Role
undated
71
Richard Parkes Bonington, 1802–1828
Studies for Shylock
1825
72
Print made by Hugh Downman, d. 1789
Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
ca. 1787
73
Robert Smirke, 1752–1845
Prospero and Ariel
1821
74
Robert Smirke, 1752–1845
Lysander Awakening to See Helena
1825
75
Robert Smirke, 1752–1845
Anne Page and Slender
1821
76
Thomas Carwitham, active 1723
Illustration to Homer's Iliad
1723
77
James Northcote, 1746–1831
Macbeth and the Witches
between 1777 and 1778
78
William Young Ottley, 1771–1836
Prospero Summoning Ariel
ca. 1800
79
Theodor von Holst, 1810–1844
Faust and Margaret
undated
80
Theodor von Holst, 1810–1844
Ferdinand Riding the Waves
ca. 1830
81
Thomas Carwitham, active 1723
Jupiter and Callisto: Ovid, Metamorphoses, Book 2
ca. 1723
82
Print made by Edward Goodall, 1795–1870
St. Julienne's Chapel
1834
83
Sawrey Gilpin, 1733–1807
Study for "Gulliver's Travels"
undated
84
Robert Smirke, 1752–1845
Launce with his Dog Crab
ca. 1821
85
Print made by Richard Ansdell, 1815–1885
Sleepest or Wakest Thou?
ca. 1853
86
Print made by Sir Frank Short, 1857–1945
Procris and Cephalus
1885
87
Robert Thew, 1758–1802
As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
1803
88
Giuseppe Marchi, ca. 1735–1808
Portrait of John Moody as Foigard
between 1769 and 1771
89
Print made by Francesco Bartolozzi, 1728–1815
John Henderson as Iago
before 1786
90
Print made by Francesco Bartolozzi, 1728–1815
Celadon and Amelia
1782
91
Print made by Francesco Bartolozzi, 1728–1815
Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II
1786
92
Print made by Francesco Bartolozzi, 1728–1815
And Ah! Let Pity Turn Her Dewy Eyes..
1801
93
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Anacreontic Society Meeting
1779
94
Valentine Green, 1739–1813
Mr. Garrick and Mrs. Pritchard, in the Tragedy of 'Macbeth.' Act II. Scene III
1776
95
Johann Jacobus Haid, 1704–1767
Mr. Garrick in "The Farmer's Return"
1766
96
Print made by Henry Le Keux, 1787–1868
St. Herbert's Chapel
1834
97
Print made by George Cruikshank, 1792–1878
Mr. Wood Offers to Adopt Little Jack Sheppard
1835
98
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower